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It's supposed to be bad, and yet...
3 January 2004
I bought this as part of the MST3K series (a show I've recently become completely addicted to). And while I always love Mike and the bots' riffing ("Help, the road is attacking meeee!!"), I'm also kind of glad for the DVD inclusion of the original, uncut movie. Is it okay to admit I kind of actually *liked* this old clunker??

That's not to say it's completely undeserving of sneers. There's the just-can't-buy-it notion of a head being able to talk and breathe and laugh and *act* with no oxygen (no lungs!!) There's the overacting to painful degrees by both supporting actors (a Noel Coward song once begged Don't Put Your Daughter on the Stage Mrs. Worthington-- but in Leslie Daniels' case the opposite might be begged; there are some actors that really oughta just stay on the stage, where the overdramatics would play better). And of course there's the hokey monster at the end. However, there's also performances of genuine creepiness from both leads, especially Virginia Leith as the undead head. Between her raspy voice (you try talking distinctly with *your* vocal cords sheared in half) and her honest amusement at the frightened lab assistant, she actually manages to be believable and menacing. Both she and Jason Evers as the power-drunk doctor/boyfriend get to transform through the movie from cutesy lovers to truly deranged evildoers. It even touches on the timeless question of, if you had to decide between life in a paralyzed (or bodyless) state vs. dying, which would you choose? Just imagine what a more rounded cast and a more pro director might have come up with.

Recently Showtime regurgitated several B-movie titles with modern day stars and effects (with mixed results). This is one I wish they'd try to revamp. It's bad, yes.... but as other fans of other movies roasted by the SOL might argue, it's not all *that* bad.... Bottom line, thanks MST3K for introducing me to this one!
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Sleepwalkers (1997–1998)
Bring this to DVD, NBC!
1 December 2003
Another series NBC brilliantly decided to cancel before people had a chance to see it. Why even bother producing a series, if you're just going to cancel it before showing half the episodes??

It was easy to dismiss as another X-Files copy, and true, some of the later episodes do resemble bad Twilight Zone eps. But the better installments of the series had all the bittersweet heart and clever invention of more successful genre shows. You have the concept of moving around in and altering the dreamscapes of sleeping minds at least two years before The Matrix came along. And the idea of a man building a whole clinic and a new branch of scientific research simply so he can communicate with his comatose wife is sweet, to say the least.

I don't understand why NBC hasn't at least thought of putting the nine episodes on disc. A few eps have been released overseas, in Germany and Hong Kong. What with Naomi Watts becoming a superstar thanks to "The Ring" and all the other top stars in the cast ("Thirteen Days"' Bruce Greenwood, "ER"'s Abraham Benrubi, "Buffy the Vampire Slayer"'s Harry Groener), and what with all the other questionably "successful" titles being given the box-set treatment (did people actually watch "My Big Fat Greek Life" on TV?), you'd think they'd at least consider putting this one out there.
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In some ways, best of the best
19 January 2003
Warning: Spoilers
**Spoilers below**

One of Tim Burton's better films; in some ways the best of the modern Batman films. (I've always felt the first was one everyone likes because on some level they know they have to; B2 is one you can like even though you know you shouldn't.)

When people review this film, there's always the requisite mention of Michelle Pfieffer's sexiness as Catwoman. But I think one reason she worked so well was because she was truly SCARY as well. The Penguin, hard as he tries, is too gross to be scary. With Catwoman, any dime-a-dozen actress could've done the oversexed dominatrix act (see Uma Thurman's crash-and-burn Poison Ivy in the later 4th film). Michelle somehow made Selina (post-mortem) truly eerie. Her wish for revenge against her "murderer" boss Max Shreck, feels completely justified, as opposed to the Penguin's "vengeful" act against the haves of Gotham, with their happy families. That's a nice idea, but too oblique to really identify with. Selina is completely relatable as a working stiff, shoved over the edge, turned bloodthirsty hellcat.

A mention must be made here of the creepy subtext that seems to go on between Selina and Max-- both before, during, and after he tries to kill her. The writers were probably trying to give Selina more of an "abused wife" facet. This hint is impossible to ignore in the office scene, when Max catches Selina going through his files, and slowly manuvers her over to the window he's going to drop her out of, quietly scaring the crap out of her the whole while. When he leans in, we wonder if he's going to kiss her or bite her (a direct allusion to the other Max Shreck-- the actor who played the vampire Nosferatu in silent films). It's a skin-crawly scene-- perfect amounts dread and shock as the inevitable comes to pass, yet full of weird chemistry between Michelle and (the awesome) Christopher Walken-- almost more than in any of the later scenes with Catwoman/Selina and Batman/Bruce.

Bottom line: one of my favorites from that era. A stranger "Batman" than the first, and definitely better than any since.
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