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Reviews
Kalank (2019)
Good one
First things first, the film is gorgeous. Supposedly set in pre-Independent India, Kalank appears instead to have been filmed inside a 'Good Earth' catalogue curated by Baz Luhrmann. In a disreputable neighbourhood, a courtesan stands in her doorway while gondoliers paddle about in what looks to be a moat behind her, and later, when she feels the need to cry, she walks first to the centre of the elaborate golden motifs painted on her floor before dropping to her knees and wailing cinematically. This is as baroque as it gets.
Also hero action was awesome and heroine have to improve her acting skill.
2.0 (2018)
India's first biggest movie
It's 2018 AD and 67 year-old Indian film Super Star Rajinikanth (the "Super Star" must be included in all of his films' advertisements, according to his contract) has starred in two of the most energizing films of the year. "Kaala," the first, is a relatively sober, socially realistic gangster drama/musical that also features impressive slow-motion fight scenes, rousing agit-prop chants ("Educate! "Agitate!"), and some dancing in the streets. "2.0," Rajinkanth's sequel to the loopy 2010 Isaac-Asimov-influenced robot-superhero blockbuster "Endhiran," is a bit more unhinged. So it's a great movie to watch any time.
Dolittle (2020)
Oscar level movie
It's hard to know what, exactly, went wrong here. The concept is fine, even the adaptation is fine: eccentric doctor who can talk to animals goes on a series of madcap adventures! Sure! Nothing wrong with that! Hugh Lofting's popular children's book series, published in regular intervals during the 1920s and '30s (with a couple of books of previously uncollected stories appearing posthumously), has been adapted many times before, for film, for television, animated, live action, etc. The "property" has been its own little franchise for a century now. But "Dolittle," with Robert Downey Jr. In the eponymous role, is a wild whirlwind of a mess, without any coherence, without even a guiding principle. Maybe the problem is that director Stephen Gaghan is known mostly for "Syriana," as well as writing the screenplay for "Traffic," and so he would not be the most obvious choice to helm a light-hearted mischievous romp-like "Dolittle" is so clearly meant to be.
Laxmii (2020)
Highlight movie
Is one thing to be recognized on a piece of paper and an entirely different one to be accepted into the real world. The column of the third gender might have been included in the election forms, as reminded by the original Laxmi (a fantastic Sharad Kelkar) in the film, but in the society's eyes, that column is still a taboo. The message that the makers of Laxmii intended to give is clearâacceptance and love for transgenders. And that if given equal opportunities, they too can make the country proud. However, the execution seems to be a bit troublesome. The best movie for akshay Kumar carrier..
The Open House (2018)
It's okay
Partway through The Open House, our lead character, Logan (played by 13 Reasons Why's Dylan Minnette) turns to his mother and asks contemplatively: "Mom, have you ever thought of how weird open houses are?"
Most people probably have not. But The Open House writer and director Matt Angel most certainly has. My family moved around quite a bit when I was as kid. From ages four to 11 we bounced around among five different cities in New Jersey, New York, and Ohio. When you move a lot in a relatively short amount of time, you get used to some of the cultural trappings that come along with relocations.
Shaq (2022)
Good one
Director Robert Alexander and producer Peter Berg offer the latest glimpse into the career of the basketball star, the rise of the second Lakers dynasty and more.
Because nobody paused and said, "Do we really need this?" there must have been a two- or three-month period in which they were sitting down with a different documentary crew every other day to retell the same stories about the Showtime Lakers, the Buss family and the transition from the '80s Lakers dynasty into the '90s Lakers dynasty led by Shaquille O'Neal and Kobe Bryant.
A purely practical level - and I'm a practical guy - the four-part Shaq is completely unnecessary. The second and third episodes of Shaq recount the same Lakers saga covered in the middle episodes of Legacy, but with fewer voices and much less candor and depth. Most of the first episode is dedicated to the early chapters of Shaquille O'Neal's life and his tenure with the Orlando Magic, previously chronicled in the middle-tier ESPN 30 for 30 film This Magic Moment.
Only the fourth episode, from his trade to the Heat to his current tenure as a television talking head and relentless commercial pitchman, is "new" and features some of the more emotional elements in the series. But it covers 18 years of terrain in 45 rushed minutes, and its "Hey, Shaq became a businessman!" revelations are near-identical, by design, to the similar chapter in They Call Me Magic. Anyway, it's not like Shaquille.
Talk to Me (2022)
Good
Good movie to watch. Talk to Me is TWISTED, TERRIFYING, and the BEST HORROR film of the year. Directors Danny and Michael Philippou deliver inventive and genuine scares that will linger long after watching. Despite its flaws and the relatively simple concept, Talk To Me proves to be a successful spookster for the majority of its runtime. I would give it more of a 4.5/5. This movie is VERY frightening. I'm a huge horror movie fan but I don't know if I've seen a scarier film than this one. From a psychological and visual level, Talk to Me is very creepy. I am happy to share this review here for everyone.
Animal (2023)
Nice to watch, you will love it
Already topping the box office in India, Sandeep Reddy Vanga's bombastic action film is high on shock tactics and low on substance. His first two features, the Telugu-language Arjun Reddy (2017) and its Hindi remake Kabir Singh (2019) were both megahits - and also attracted criticism for making heroes out of misogynistic, violent men. Far from stepping back from this, Animal sinks even further into regressive depths, resulting in one of the vilest protagonists to have graced the big screen.
Vijay, played by Hindi cinema royalty Ranbir Kapoor, is the only son of a wealthy family. He grows up in the shadow of his father Balbir Singh (Anil Kapoor), whose attention is wrapped up in his steel company. Zigzagging between different timelines spanning Vijay's childhood to his autumnal years, Animal charts how his cravings for love and validation leads to a cycle of bloodshed with his inner turmoil basically a pretext for an onslaught of increasingly gory shootout sequences. At one point, Vijay quite literally murders hundreds of ruffians, all in the name of protecting his father. The swaggering, gratuitous violence aims to disturb, yet the execution of the action scenes is entirely forgettable and derivative, a poor man's version of The Godfather or Scarface.