amar_deshmukh Reviews

Bramayugam (2024)

A Tell of greed and power

[8/10 · 25 March 2024]

"Bramayugam" deviates from the usual horror genre. Take a step back in time and immerse yourself in the enigma and fascination of a regional folklore. The director dares us by telling the story in black and white only. This seemingly straightforward decision turns into a masterpiece, eliminating distractions and enhancing the emotional heart of the movie.

The world-building of "Bramayugam" is very remarkable. Focusing on just three main people, Director meticulously creates a convincing and atmospheric setting. Feeling the weight of tradition and the ominous presence of the invisible powers woven throughout the mythology, the audience is taken to a different time and place.

The movie is a revelation even with its small cast. The performances captivate the audience. With such sincerity does each performer inhabit their role that the language takes a backseat. As the characters' tension intensifies on screen, the viewer is drawn further into the story. The movie maintains its grip throughout.

The beauty of "Bramayugam" lies in its ability to hold the audience captive with just three faces on screen. The black and white cinematography adds another layer of depth, creating a stark visual landscape that perfectly complements the film's haunting atmosphere, allowing the raw essence of the narrative to take centre stage. The story unfolds like a haunting ballad, drawing inspiration from the folk legend but offering a fresh perspective.

The music in a horror film is its most crucial component. The background soundtrack for "Mammootty" in particular is amazing and gives you shivers. The sound design is also excellent. The creepy-cool hit that is "Mammootty" at the beginning is amazing.

I'm not sure why the concluding scene shows a Portuguese colonizer killing a native man; the director may have wanted to highlight the parallel existence of disparate power-hungry cultures.

This is a cinematic experience that goes beyond linguistic barriers, not merely a Malayalam movie. "Bramayugam" is a monument to the potency of great acting, storytelling, and direction. It demonstrates how a film can create a world so vivid and immersive with a solid concept and a small cast that it makes you wonder about the depths of mythology and the power of narrative.

This movie demonstrates that even with the fewest resources, a compelling story can be told.

Damsel (2024)

"Damsel" is distress

[5/10 · 22 March 2024]

"Damsel" on Netflix transports you to a fantastical realm inhabited by a fire-breathing dragon and a fierce princess, portrayed by Millie Bobby Brown. Sounds good, doesn't it? Sadly, the film never quite gets off the ground. With no unexpected turns, the narrative reads like a recycled version of well-known fairytales. All of the characters are quite uninteresting, even the evil Queen. The entire thing feels a little phony due to the excessive use of green screens, which overshadows some very amazing CGI moments in the otherwise mediocre special effects. Even gifted performers such as Brown are cast in shallow roles.

Certainly "Damsel" could amuse you for the evening if all you're seeking for is something simple to watch with some action. Given that there isn't any really graphic violence and the plot is rather simple, it might also be appropriate for a family movie night with teenagers. If, however, you're in the mood for a complex, thought-provoking fantasy movie, you should probably search somewhere else.

Avatar: The Last Airbender (2024– )

A watch for Unfamiliar Viewers

[6/10 · 15 March 2024]

Netflix's live-action adaptation of "Avatar: The Last Airbender" arrives with a hefty weight of expectation. The beloved animated series won hearts with its action, humour, and emotional storytelling.

Unquestionably, the series has strong visuals. The essence of the world is successfully captured by the breathtaking sceneries, expansive art direction and costume design. Some performers are not able to portray the original roles, while others, like Daniel Dae Kim as Fire Lord Ozai, really stand out. But then the story falls flat. Fans of the animated series will get confused by significant changes made to the narratives and departures from the original material. Furthermore, the bending action moments don't have the same powerful smoothness as the animation.

The show upholds the core themes of friendship, hope, and balance that struck a chord with viewers despite these flaws. The first few episodes do a good job of setting up the show's universe by introducing the various nations and bending techniques. Nevertheless, condensing the first season of the animated series into a small number of live-action episodes leads to a superficial exploration of the characters and the world in which they exist. The humorous timing and charm of the original are also lost on the show.

"The Last Airbender" on Netflix is an overall visually stunning but erratic rendition. Although there is a clear attempt to mimic the spirit of the adored program, the narrative is greatly impacted by the hurried pacing and artistic license. While new viewers could be captivated by the world and characters to keep watching, fans of the original series may end up unsatisfied.

The series boasts some undeniably impressive moments, particularly in the action department. The fight choreography, while not perfectly mirroring the animated series' fluidity, delivers well-rehearsed and visually striking sequences. Witnessing the bending techniques come to life, with bursts of water, swirling earth, and controlled fire, offers a thrilling spectacle. These moments, coupled with the show's captivating landscapes and costume design, provide bursts of visual entertainment for viewers seeking action and a glimpse into this fantastical world.

Dune (2021)

An Epic Spectacle done masterfully.

[9/10 · 8 March 2024]

Returning to Arrakis, Denis Villeneuve's "Dune: Part Two" is a magnificent continuation of the epic narrative. Part One delves deeper into the world-building and political landscape of the first film, while Part Two explores the core of Frank Herbert's masterwork. It fulfils the promise of intense action, more in-depth character growth, and a narrative that toes the line between power, fate, and the attraction of vengeance.

For first part I had feelings of being thrown into a vast of unknown. But we now stand alongside Paul Atreides (Timothée Chalamet), heir to House Atreides, haunted by visions of a prophecy in his name. Fusing with the Fremen, the indigenous people of Arrakis, Paul embraces their ways and leadership under Chani (Zendaya). Their chemistry works, adding an emotional core to the political plot. Zendaya is a good, played Chani with fierce loyalty and a quiet strength that rivals Paul's.

The film's breathtaking sights are its main asset. With breathtaking cinematography, Greig Fraser transports us through the untamed splendour of Arrakis. The world appears real and breathtaking, from the massive sandworms to the sand-blasted plains. Our immersion is further enhanced by the production design and costumes, which create a convincing future that feels both familiar and foreign.

Every action scene is a visual treat, meticulously constructed. The desperation of the desert battle is highlighted by the exciting fight choreography. The famous sandworm fights are even more amazing than they appear at first, their size and strength leaves you speechless.

However, this movie is more than just a show. It explores the inner conflicts of the characters. Paul struggles with his visions. As Stilgar, the commander of the Fremen, Javier Bardem excels, Directing Paul as he truly believes that Paul is the one. As Paul's mother Lady Jessica (Rebecca Ferguson) continues to impress. She plays a ferocious character who is torn between her love for her son and her allegiance to the Bene Gesserit sisterhood.

The story gets interesting with the introduction of new characters including the vicious heir to the rival House Harkonnen, Feyd-Rautha Harkonnen (Austin Butler). Butler gives a menacing charisma to the role, making him a formidable rival for Paul.

Newcomers may feel overwhelmed by the complex plot, and some may find the pacing a little off. Some shots take time, its drawn-out to pulls you in the moments. However, movie rewards viewers who are patient with a satisfactory ending to this chapter of the story, leaving us excited for the next one.

The movie doesn't hold back when showing Herbert's novel's intricate issues. It looks at the cyclical nature of violence and the serious and immediate danger of religious extremism. Paul's path is reminder that even the purest of intentions can lead to disaster.

12th Fail (2023)

Masterfully Done!!

[9/10 · 21 January 2024]

Definitely its more than 9 stars out of 10.

It is going to be in my list of all-time favourite Indian movies.

A film suitable for all ages.

Everybody enjoys stories about the underdog, and we have seen a lot of them. However, the film's screenplay, directing, acting, and every other decision made throughout the process are what truly elevate it to perfection.

Although the plot is predictable, the manner it was told makes it motivational.

I adored the ensemble, especially his friends and family. Whether it is his mother asking "Manoj", "If he will wear a police uniform..." at the end, or his grandma giving him all of her money, their acting and delivery is so excellent and natural that they made me teary eyed.

It is entertaining to watch "Vikas" sir make a special appearance.

A special thank you to the director for creating this movie without sacrificing its intimacy to commercial appeal.

I adored the writing; the dialogue complemented the situations and their emotion so perfectly. "Gauri Bhaiyya's monologue skilfully arouses feelings without turning the circumstance into a sympathetic tale. The main character is not given any heartfelt dialogue to make him seem victim.

Writing has some of the best lines include "Jab kisi ek ka jeet hota hai.... or my favourite "Their will is their wealth".

Shooting on real location makes the viewing experience authentic and relatable.

The town and city were beautifully depicted, and the direction and cinematography are simply amazing. Especially the selection of camera angles and the lighting is perfect.

The moment "Manoj" fell to the ground after knowing that he did it was so impactful, and seeing it from a distance captured not only his expression but also the reaction of his entire body.

The camera pans out from a close-up of Manoj's makeshift vehicle to display the police, their van, and the arrest, indicating that Manoj has now left his small house and going into the larger real world.

The music is performed beautifully. No matter how huge or small the scene is, it never overpowers it. The experience is enhanced by adding realistic sounds, such as people conversing, horns honking, and background traffic noise, during significant scenes rather than just a catchy melody. It was a wise move to forgo background music for the "Gauri bhaiyas" monologue.

The narrative teaches you that success is not solely the result of your family's and your own perseverance; it also depends on the combined efforts of a "Joshi," a "Gauri bhaiya," and a "Sharddha," as well as occasionally fate. How those in your immediate vicinity encourage you to try again after a setback.

Choosing not to make the love angle the focus of the story, but using it to propel the story forward is not a typical Bollywood choice but thankfully they did it.

It is not a usual Bollywood decision to use the love angle to advance the plot rather than make it the center of attention, but thank goodness they did.

The fact that this film never tries to use its sad moments to make the audience feel sorry for "Manoj" is what I find most appealing. It keeps the whole thing positive and motivating. It never turns the main character into a victim of circumstance.

Finally, "Vikrant Massey," the lead, performed admirably. He gave an outstanding portrayal in every emotional sequence, including dialogue and body language.

This film is a must-see for everyone and will win a national Award.

The Archies (2023)

U can skip it

[5/10 · 12 December 2023]

Since its announcement, the movie has been the buzz of the town.

From the trailer, I knew what to expect from the movie.

Because it's a musical, most people won't enjoy it. However, just one song really stood out to me, the other songs were alright.

The town is mix of India and England but all songs were in English and it felt like imitating American musical, there was no Indian touch.

The set and production design are superb, wonderfully framed, photographed, and incredibly detailed.

Dialogue and screenplay are poor. There is no depth in friendship and family relations. The central theme of savings park and trees does not hold u, as writing fails to develop the history and emotional value of that place. So, every action feels hollow.

The only moment which had little impact on me was "Reggie" and his altercation with his father. Other than that, there is no relationship or interpersonal dialogue that felt important in terms of their character or the central plot.

Casting wise elderly actors performed well. However, only "Jughead" and "Reggie" performed well among young actors.

Yuvraj played Dilton close to what comic is.

The camera would cut between lines to conceal Veronica and Betty's improper delivery of language.

The movie is mediocre.

Sam Bahadur (2023)

Forty years and five wars, too much for a movie.

[7/10 · 3 December 2023]

7.5 Stars.

Although I like the movie, it could have been much better if it was series.

Sam Manekshaw's life is too long and filled with too many experiences to fit into a movie.a lot is crammed still missed a lot.

The ensemble is excellent, especially "Vicky" in the role of "Sam". Not for once, I have the impression that I was watching Vicky the entire time, Sam was the only character I was seeing.

He picked the physical traits as well as commanding yet smooth speaking style. He is a chameleon.

Supporting cast is hit and miss.

The entire set design is excellent, and the raw mood is enhanced by filming conflict scenes in actual locations.

The movie moves quickly between scenes, but Sam's flamboyant, cheeky personality is the only thing that keeps you interested.

As expected from a Meghna Gulzar film, the direction is excellent. However, the screenplay and writing don't do the other supporting characters justice because they have very little on-screen time.

In production design, research and detailing are used to create sets, costumes, and makeup that are entirely visible on screen.

Good songs and music, especially Badhte Chalo, which aptly captures the togetherness of the Indian Army despite its different regiments.

Sam and the system had a fight when he retired, and it was an important aspect of his life that I wanted to see.

Although there is more to the tale, it is still a fantastic film that should be seen.

Maaveeran (2023)

One of the best Indian superhero movies.

[7/10 · 28 October 2023]

The movie explores themes of bravery, justice, and the power of unity.

The movie's hero fights injustice on his own; this sounds familiar. Many south Indian films share a similar storyline, but this one explains the hero's ability to fight without having to be a skilled fighter.

One of the most interesting and unique origin and transformation of a common man to a superhero. Loved how his imagination as an artist turns into reality.

The film is carried by lead actor Sivakarthikeyan's winning charm and as shy cartoonist Satya, who grows into a brave guy.

Every time Yogi Babu appears on television, he injects hilarious humour. The film contains some very funny moments.

Every combat scene, the choreography, and the slow-motion shots that emphasised impact were all amazing. The way the camera follows the movements of the action is excellent and perfectly timed.

The narrator's voice adds a lot of excitement to the fight scene.

The film's editor did an amazing job with the battle scenes and the whole production.

Not only the songs are good, but the entire background score elevates the narrative.

I am not sure how much money was spent, but the visual effects are subpar, but it does not ruin the experience.

Whatever the creator's initial plans were, what appears on screen is enjoyable and quite accurate.

The fact that our Hero takes a long time to accept the power and responsibility, that this delay gives a character to the tale is what sets this narrative apart from other superhero films. However, the interesting and entertaining plot keeps it interesting during that wait.

Once more, the lead actress introduced in the first half and played a minor role in the second. Aside from mother's character female character were little sidelined.

In general, Maaveeran struck me as a captivating and enjoyable film that connects with viewers. It might leave an impression on the Tamil cinema industry. Anyone who appreciates action-comedy-drama films should watch it, in my opinion.

Guns & Gulaabs (2023– )

The last episode is well worth the wait.

[8/10 · 30 August 2023]

Episodes 1-3 are good.

Episode 4-6 feels like there is too much happening but where it is going?

And episode 7-8 I freaking loved it.

Director Raj & DK and the excellent cast were two of the reasons I was looking forward to this show. Interested in what Raj and DK have in store this time.

The series' extremely unique format serves the programme both favourably and unfavourably. People who finished the series despite feeling the main plot was slipping due to several storylines running concurrently will feel that every directorial choice was worthwhile, and people who stopped watching because the story was structured in a way that made them lose interest will feel the show was disjointed and missed opportunity.

The casting is on point, particularly "Gulshan Devaiah" as "Char cut Atmaram" is excellent. His mocking chuckle and placid demeanour give off the impression that nothing will go wrong for him. Rajkumar Rao appeared as he had just left "Ludo," but because to his charm, the character is once again lovable. "Adarsh Gourav" did an excellent job portraying a son who is constantly overlooked, has a distinct personality, and manages to keep it hidden. The late "Satish Kaushik," "Dulquer Salmaan," the students, the teacher, and everyone else did credit to their characters.

You may easily travel back to the good old 1990s because to the production and set design. The love stories done with not just writing letters but that too in English. It never struck me as odd to hear an English song in a small-town environment from the 1990s.

There isn't a lot of comedy with punchlines, but little things, like "Atmaram" whispering into the phone or "Rajkumar Rao" having a casual discussion with someone, add to the funny moments.

The disappointing aspect is that after all the buildup, the action sequences are pretty averagely staged and lack long shots, which Raj and DK meticulously use in their action sequences. I'm not sure if it was a deliberate decision to display 90s Bollywood fashion. If executed properly, the shootout in the hospital would have had a significant impact. I can still clearly remember the brilliant hospital shootout scene from "Family Man" season 1.

Everything that felt like why its there has a payoff in the end.

Heart of Stone (I) (2023)

An action misfire?

[6/10 · 13 August 2023]

More like 5.5 stars Average and rather predictable with a conventional plot.

In summary, the villain seeks some technology that can bring chaos. And one of the agents will take every action imaginable to stop it.

Although the movie begins with a mission to introduce the audience to the MI6 crew, I was unable to relate to any of the characters. Even "Gal Gadot's" character is not developed enough for us to care about her. Additionally, side characters are poorly written. Character is let down by the script.

Although the first action scene is decent, the CGI looks mediocre and makes those scenes seem generic.

There are certain hand-to-hand combat scenes in particular with "Gal Gadot's" that look good, but the cinematography and editing choices of short cuts don't do it credit and waste her potential.

Alia Bhatt's performance, given the dialogue she had, is good. Villain is not particularly menacing or persuasive. His battle scenes were extremely common.

You won't miss much if you skip this movie.

Bawaal (2023)

Problematic message delivery?

[6/10 · 28 July 2023]

Its more like 6.5 Problematic but intriguing, new, and original plot.

This is the tale of a young man named "Ajay" who enjoys maintaining a persona of perfection. Although he is revered by all, is he content with the persona he is presenting?

Movie has deep and important message but, way the journey is shown that "Ajay" takes to make things right but discover the truth and find answers is little problematic.

The shift from the present to the past doesn't feel forced, the cinematography is outstanding, and the decision to depict the atrocities of World War II in black and white makes sense.

The cast as a whole does a great job, especially "Ajay"s father and his friend. The performance of "Janvi Kapoor" is ordinary. Although "Varun Dhawan" as "Ajay" performs well as an obstinate, uncaring a**hole, his emotional acting comes across as fairly generic. The change in him during the journey through europe feels sudden and unnatural, and that is bad screenplay.

The comparison made between Hitler's treatment of Jews during World War II and the problems with "Ajay" and his marriage seems a bit ludicrous. It appears that the writer only has a cursory understanding of historical events.

Jokes and comedy that incorporates a Gujarati family and its stereotypes come out as forced.

The writer/director makes an absurd attempt to compare the troubles in married couples' relationships to what happened to Jews in death camps. Additionally, the survivor of the "Auschwitz" camp's monologue comes off as having been constructed only for the purpose of the movie's plot.

It seems that the World War II plot was only employed to gain a foreign place; otherwise, the same voyage could have been taken in India and would have worked better.

Bholaa (2023)

Kaithi is better.

[6/10 · 28 July 2023]

People who have seen "Kaithi" won't really like the movie.

The father-daughter scene is effective and emotive; it is well written, well-directed, and able to evoke feelings but, If Bholaa had a more realistic persona, the stakes would have been higher and the story more serious.

Action was being sold in the trailer, but it falls flat. The execution of the scenes is flawed, despite the good planning and concept. Sequences get slightly comical when VFX are used excessively for stunts. The wire work is occasionally improper. Drone images were used excessively in the truck chase and battle scenario.

It's a mass commercial movie and dialog works for that, specially Bholaas.

From a narrative standpoint, this is slightly different from Kaithi. The backstory they tried to give the cop played by "Tabu" was unnecessary. Additionally, Bholaa has a connection to the villain that will be revealed in a later part is different from Kaithi as i remember.

Songs and BGM both have good music. Especially throughout the dramatic parts and combat.

No need for songs, the item number at start could have been used in backdrop if they wanted, felt jarring and its totally forgettable.

Cinematography is good while capturing the fight sequence or to show "bholaas" backstory. They feel distinct and matches the tone of the scene.

The cast pulls the movie together and manages to make it work even though the comedy is a hit-and-miss.

The last scene where bholaa comes with a big weapon felt very underwhelming, which could have been iconic moment of the movie.

In contrast to Bholaa, which is massy and commercial with problems, Kaithi is raw and very much grounded, and it was able to keep me interested throughout the voyage.

Transformers: Rise of the Beasts (2023)

Simple action popcorn flick.

[6/10 · 27 July 2023]

I was curious to see where they were taking this after watching Bumblebee.

Whether you've seen this franchise previously or not, it's more of a reboot that hints at a connection to a different movie series. If you watched it as a child, like I did, it does bring up memories.

There are some action scenes in the movie, and they are entertaining.

Excellent VFX; for the most part, the robots and their transformation don't feel cartoonish.

Voice-over is flawless.

Following the "Autobots," we get to meet the "Maximals," "Terrorcons," and a villain named "Unicrons." appreciated the action, especially the last fight. It also had emotional moments to break up the fast-paced action and allow you to take everything on screen in.

Although "Optimus Prime" is usually the primary character, "Mirage" steals the show in this instance.

The humour is inconsistent.

The director gave several new characters enough time to develop, which helped in the film's latter half to give any moment emotional weight.

The story is the one thing I dislike; it has the same unoriginal plot. It could have used a subplot to provide depth and interest. "Rise of the beast" is a movie, but we don't learn a lot about actual beasts "Maximals" in it.

Future stories with a crossover plot that is set up with a mid-credit sequence should hopefully be interesting.

Shazam! Fury of the Gods (2023)

Lost its unique charm.

[5/10 · 23 July 2023]

Shazam: The fury of (not so furious) gods.

The film is fun in bits and pieces. First part was quite distinct and enjoyable, but second part became more generic.

All are still kids but loses the character when they are in their superhero form that they should not, as they are still kids inside.

We don't spend enough time with all six of the superheroes, therefore we don't really care about any of them.

People die and some important character had to sacrifice, yet the movie fails to let you feel that.

Generic action sequences that we saw many times earlier, not a single action sequence to remember.

Humour works and make you laugh occasionally.

The actor who played "Freddy Freeman," "Jack," did a terrific job, and he actually carries a lot of the film.

This film works better when it focuses on these characters' everyday troubles rather than the struggles that lead to the collapse of the superhero universe.

The portrayal of the (furious) villains was really subtle and delicate; they didn't feel menacing or threatening at all.

Was still interested in the post-credit scene, but received almost nothing; felt meaningless.

It might be a lot of fun if you're a child or teenager.

John Wick: Chapter 4 (2023)

Best modern action movie?

[8/10 · 20 July 2023]

James Bond, Mission Impossible, and other series are available, but John Wick is in another league.

I did not think it would be able to top its predecessor, but holy crap, it does.

The plot opens with "John" attempting to gain his freedom, but he rapidly realises there is no way to do it.

The chaos of Action then begins.

As time goes on, we begin to learn more about the High Table's operations and the world of "John Wick." Learn about John's family and their connection to High Table.

Loved the action scene, fight choreography, and set pieces.

The battle at the Osaka Continental is absurd, and then many fight scenes are staged in superb environmental settings, which perfectly captures the mood of the film. Loved how the battle within the flat was shown using a long shot and a top angle; it was tense but entertaining to watch. Then came the very chaotic fight in the middle of a highway. And then the staircase fight with villans sidekick is iconic.

The blind man played by "Donnie Yen" in the role of "Kane" is so fierce that he makes Daredevil seem weak. I had complete faith in him to murder "John" if anyone could.

Each fight feels unique from the others and is skilfully arranged. Although it is a bit lengthy, the constant action and the intensity from the previous bout keep us interested.

The rising sun in the background for the final battle for freedom gives hope.

I loved cinematography, how both real and synthetic colours were used in each scene to highlight diffrent emotions, diffrent locations and different actions scenes.

More characters are presented who will play important roles in the upcoming films set in this universe.

Watch the end credits.

I bought an action movie and it was worth every money. Going to repeatedly watch action scenes.

Extraction II (2023)

Only action no emotions.

[7/10 · 3 July 2023]

Apart from the Thor character, I was looking for "Chris Hemsworth" to play the ideal role, and the character of "Tyler" is suitable for him. This franchise had the potential to resemble "John Wick," but... The second instalment picks up where the first leaves off, with the main character, "Tyler," on the verge of death after the previous mission.

The plot is simple. Tyler is on a mission to free a family from jail. Later in the movie, we learn Tyler's motivation for taking on this task.

This movie is for you if all you are searching for action and expertly choreographed combat scenes. It has a 20-minute action sequence that is meticulously orchestrated. It is exciting to watch close-range gunfights and hand-to-hand combat. Wide shots are used to make the choreography and body motions easier to see. No jerky editing done merely to make a point.

It is the outcome of having a talented stunt director and crew.

These films have convinced me that there should be an action category for the Oscars and other prizes.

The movie should have been released on a wide screen by Netflix; it would have been a better experience.

I was hoping to see the world-building of this universe after the first film, but there is none. It seems like the creators were just interested in Tyler and his personal development.

Approximately 20%-25% of the film is in the Georgian language, thus subtitles are required.

This film has some issues with plot, character development, and emotional depth, but overall, it is worth watching. Ignore the flaws and just take in the spectacle.

The movie leaves room for a possible sequel, and I am eager to follow Tyler's development and learn more about the "Extraction" universe.

The Flash (I) (2023)

Cameos and emotional moments saved the day.

[6/10 · 22 June 2023]

Its more like 6.8 stars.

Story is simple. It concerns Flash and his family, including the loss of his mother and the murder charge against his father. Director expertly adds humour to so many serious and emotional scenes, and it works. From the very first scene with the opening queue of the restaurant or when Barry tries to save the children and must consider his caloric intake.

Some scenes in the movie, such as the exchange between Barry and his mother, really stand out. The audience cares more about the outcome of the court case because of the relationship he has with his father.

Lead actor "Ezra Miller" did an excellent job playing two roles. The first interaction between them is really entertaining, crazy and hilarious. It was hilarious how he provides comic relief with his physicality and dialogue. I adored "Michael Keaton" in the Batman outfit once again, and he did an excellent job.

The action is hit and miss, so it's hardly a major selling factor. The VFX are generally good, although occasionally, especially in the last combat sequence, they do feel cartoonish and bland.

We have watched numerous time travel films, and this one is not that different from them. The main difference is that "Travelling back in time, changes not only the future but also the past" thus it doesn't cause divergence but rather a pivot. Flash understands that changing past won't give him desired results, so he needs to put everything back in it's original place.

And when we assume that everything is returning to normal, but is it?

Time travel is still very confusing if we think how "dark flash" exist if young Barry dies in last battle. Saw a poster of Lord Hanuman in Barry's room, may be its a comic book reference.

The ending is intriguing, But wasted the post credit scene. Waiting to see what chaos it will create in future.

It's worth watching once, since it will serve as a flashpoint for upcoming DC movies.

Adipurush (2023)

It should not exist.

[3/10 · 21 June 2023]

After watching the teaser for Adipurush I knew it's going to be bad, but creator proved me wrong it's worse than that.

As Creator said it's a 3D experience, I watched it in 3D still my opinion is same.

Only the songs, music and BGM does it's job perfectly. It pumps you at moments.

But every other department in this movie sucks.

It was very evident that VFX are going to be bad and it delivers exactly that. They used still frames for motion shots many times; the frames were dropping in battle sequences.

I still think casting of "Prabhas" as lord Ram is wrong. Felt like he is still in Bahubali mode.

Kriti done a decent job as Sita, Saif did good as "Ravan", other than that nothing works.

Biggest failure is the dialogue and screenplay. Just pathetic writing. Lost the essence of purity that lord Ram, Hanuman, Sita had in their language.

There are a lot of character and plots were excluded and things they added in story has no heart and felt jarring.

Costumes are not authentic, felt very artificial and lack of detailing shows the research done by the team.

Fighting sequence from start to end are very average, very poorly choreographed. Battle was staged in dark; it was very hard to see anything. That was done on purpose to hide bad CGI and poor fights. Just nonsense.

Last epic battle between good and bad can't get bad than this.

Creators are lost and have no understanding of the Ramayana, it's core, it's emotion, it's sanctity, it's importance. No reverence for the Epic.

It's a template for "How to make a disaster".

Don't boycott this movie just forget this happened and watch 1992 Japanese Ramayana instead.

Bloody Daddy (2023)

Bloody Average

[5/10 · 16 June 2023]

It is a remake of French movie "Sleepless Night". Before this Bollywood version, it was remade in Hollywood and Tamil.

I have a clean slate because I have not watched any of these.

Story is simple, marketed as action film but fell short. Action is good in bits and pieces. Terrible and choppy editing of action sequences which leaves you with the feeling of dissatisfaction. Villains are averagely written, thus average performances. Villains were comical with their performance, was it intentional? Do not know. Screenplay, dialogue and director's vision made this a average product. When u have multiple reference points and still end up with something like this, it raises questions on the intent of makers.

Movie is 2 hrs long. But the start of movie feels slow, the time that was used to develop dad-son relationship, which truthfully was not impactful. That made the climax little emotionless. Felt nothing when kid was in some deadly situation.

"Shahid" is wasted as an actor and his debut as an action star. Diana Penty's character would have been far better and important if written well. Shahid's family dynamics felt under developed and no backstory for his made emotional moments shallow.

There are some twists and turns that make it a onetime watch and its free online.

Spider-Man: Across the Spider-Verse (2023)

More Than Multiverse of Madness.

[8/10 · 11 June 2023]

Its more like 8.8 stars The way a Spiderman movie should be It delivers all of that and more, including funny, entertaining, and emotional moments.

Loved choosing an animation style that reflects the emotional state of that Spider-Man avatar in every separate universe.

This film is brought to life by the music, which also enhances the chase and combat scenes as well as the character's private moments.

Loved how the villain character evolved from a comical, benign type to a deadly, universe-ending kind.

The movie successfully manages its many characters. Characters and their motivations are established in the first half. But in the second part, things get very crazy as you go to several realities and witness so many different Spider-Man characters.

The narrative is well-written and explains itself as we go along. Unlike some other films, which added the multiverse just for decorative purposes, this one makes excellent use of it. You are aware of the film.

To keep you from becoming bored, there is a good balance between action sequences and emotional moments with genuine good dialogue.

For a while, as an audience, we were lacking compelling tales, an emotionally complex hero, and his familial connections in a Super Hero movie.

What ultimately happened makes me wonder whether our main character will uphold the adage "With great power comes great responsibility" or whether what we had always assumed to be true was incorrect?

Definitely worth seeing and anticipating the next instalment.

Virupaksha (2023)

Good story, Poor execution.

[6/10 · 29 May 2023]

Written by "Sukumar", Co-written and directed by "Karthik Varma Dandu" is a good watch.

I enjoy horror films with strong screenplays and compelling stories, and this one check both of those boxes.

The narrative begins with a brief backstory, the main characters' traditional love tale, and mysterious serial deaths.

The set design and use of a real site helped to convey the raw essence of the village, and I enjoyed the vibe that was created.

First half is good as it sets up for the thriller uncovering of the mysterious deaths but could have been more fast paced and second half felt more rushed as there were multiple twists and more character backstory.

Movie doesn't depend on cheap jump scare tricks, the horror its creates is with the anticipation and the atmosphere it creates.

Background music and sound design helps to elevate the eerie feeling along with visuals.

VFX/CGI at the climax of the movie feels more cartoonish rather being menacing and terrifying.

The film's acting part isn't particularly good, and lead actor "Sai Tej" struggles to convey emotional situations. Similarly other performances are also average.

Even for those who haven't seen many southern horror films, it's worth watching.

Guardians of the Galaxy Vol. 3 (2023)

A Pleasant surprise

[8/10 · 21 May 2023]

The quirky, entertaining, and distinctive Guardians series has always been a fun watch for me. As the MCU was only producing mediocre films throughout its last phase, I went to the theatre with very little hope.

Although the characters are far from ideal, they make every effort to do what is right.

What makes this movie so unique is how all of the main characters are willing to give their lives for one another when necessary, despite their incessant verbal sparring and attempt to show others that how wrong they are.

Every character received adequate screen time, which led to improved character and relationship development. Writer/director "James Gunn" did an excellent job with the screenplay. We are able to comprehend the reasoning behind Villain's actions and those of his accomplice.

The choice of vibrant, colourful attire and bizarre set design fits this universe so perfectly. I never enjoy seeing too much CGI used to create worlds, but I was pleasantly surprised by how stunning, distinct, imaginative, and immersive the entire universe is.

What a great soundtrack and background music for various scenes, it emotionally draws the spectator in.

Excellent action set pieces. Particularly the fight scene in the hallway, which was shot in a single extended take, is one of the most intriguing long shots I've ever seen. It features beautiful camera movements that give the impression that you're in the middle of the action.

The thing that stands out to me is how, from a writing perspective, they are able to inject humor into chaotic situations and emotionally taxing passages. When humor and humorous dialogue produce moving moments, it is just gold.

And the main character "Rocket Raccoon" will make you cry with his past with the other subjects of batch 89. And then you get to understand why he is the way he is in current time.

Movie could have been little shorter as some scenes were stretched a little and missed the mark. The screenplay doesn't do "Adam Warlock" justice as "the perfect cosmic being" that he is, and if he had been developed more, his final moment may have had greater emotional impact.

It's a fun and emotional ride you need to take.

Ved (2022)

A good remake.

[7/10 · 7 May 2023]

I haven't seen the original Telugu romance drama film "Majili," which this is a remake of.

The direction surprised me the most, it was "Ritesh Deshmukh's" first time directing, and he did an excellent job. We jumped effortlessly between past and present while still being able to follow the plot. Whether it's the ariel views, the songs, or the rain shots, the cinematography is good. Overall, film editing is effective, but occasionally, when switching from one scene to another, the transition has an abrupt cut and could have been more seamless. I liked the way how director revealed "Sharvani's" constant presence with flash back and how she was always there in the earlier scenes between "Satya" and "Nisha". The Scene where "Shravani" was playing with soap bubble and camera follow that bubble with POV of "Shravani" and the colourful bubble burst as she sees "Satya" and "Neesha", it was gorgeously symbolic of the situation.

As always, the songs and overall score are excellent thanks to "Ajay-Atul" music. I like the string and percussion instrument choices in the orchestral music.

Although story is not exclusive to Indian romantic dramas, the manner they are presented does takes you on an emotional journey.

The script writer deserves praise for maintaining humorous dialog-driven sequences between emotionally charged ones. The relationship between "Shravani" and her father-in-law "Dinkar" played by Marathi cinema's legendary actor "Ashok Saraf" is developed so well that you feel every emotion of their interaction.

Overall casting is good, child actress "Khushi" also done a good job. "Genelia Deshmukh" who played "Shravani" is a weak link, not because of her acting but rather because of her Marathi accent. Dubbing her for Marathi was an option as its already dubbed in "Hindi".

Sometimes you will feel strange and unable to comprehend why a character makes a choice that is unquestionably foolish, but no one is able to comprehend why people do what they do out of love.

There are some drawbacks, such as the overuse of cliched scenes that are done many times in Indian movies and predictable endings, but sometimes audience prefer straightforward yet moving stories with cliched conclusions that leave us with teary eye and feeling satisfied.

There are some drawbacks, such as the overuse of cliched scenes that are done many times in Indian movies and predictable endings, but as viewers, sometimes we prefer straightforward yet moving stories with cliched conclusions that leave us with teary eye and feeling satisfied.

Ponniyin Selvan: Part Two (2023)

Better than first one.

[8/10 · 5 May 2023]

Finally, the dream of director "Mani Ratnam" become a reality with release of part 2.

Part 1 was exactly what I thought, a setup for more drama and twisted political games.

What I anticipated for Part 1 is a setup for greater drama and deranged political games and that is exactly what I got.

Better action scenes, cinematography, beautiful lighting, lavish scenery, expansive art direction, authentic costumes and an engaging story are all there in Part 2. I had my doubts about how the director would manage to fit in so much of the tale in this one, but he managed it almost flawlessly, except for the final war sequence, which felt clumsy and averagely staged otherwise it could have been a fantastic conclusion. In the war sequence, camera was too shaky, And I forgot where the warriors were in the field.

A brief backstory of "Aditya" and "Nandini" is given at the start. It helps us to understand the reasoning behind Nadini's action, And Aditya's behaviour.

Reasons why minister trying to coronate "Madhurantkan" as next king, What's "Nandini's connection to "Pandays".

We get to see how different religion and belief were coexisted that time. Whether its "Shaivism", "Vaishnavism" or "Buddhism".

We learn the minister's motivations for wanting to appoint "Madhurantkan" as the new monarch as the plot develops. How each person's loyalty is motivated differently. Some people are driven by friendship, while others are driven by vengeance and pride.

The meeting sequence between "Aditya" and "Nandini" is handled masterfully, and both "Vikaram" and "Aishwarya" gave flawless performances. Their emotional state is shown with circular camera movement, while keeping its focus on their expressions. "Aditya" keeps a smile on his face while carrying guilt in his heart and desire for vengeance of "Nandini" fading away is beautifully done. Fire burning in the back and "Nandini" realises her mistake, and scene end with voice of helplessness, Just beautiful.

Due to Mani Ratnam's cautious direction and AR Rahman's soundtrack, the drama in the film avoids becoming overly dramatic.

When compared to the first part, music whether it be BGM or songs is an improvement.

A beautiful, intimate, and sensuous encounter occurs when "Kundavai" and the blinded "Vallavaraiyan" they meet without being sexually or verbally explicit.

I enjoyed "Jayam Ravi" who played "Arunmozhi" in that role, but the director's decision to have him fight against Pandya assassins in slow motion appeared artificial in the environment, which was depicted as being rustier and rawer.

I would suggest a recap of first part to enjoy part 2 more, And watch it on big screen.

Suzume (2022)

Not the best from "Makoto Shinkai".

[8/10 · 2 May 2023]

The filmmaker of the critically praised film "Your Name" is back with a brand-new Adventure Fantasy.

Teenage girl's emotional journey starts with falling in love with a boy and progresses to saving Japan and discovering some answers about her upbringing.

Although the plot twists help to keep viewers interested, the story is straightforward. There are some points towards the end when the action sags a little, but the constant introduction of new characters keeps us invested in the plot.

I think "Shinkai" is great because world creater with his gorgeous animation, and when we first glimpse the "ever-after" realm, it seems like it will go on forever because of how captivating the graphics are. Love how creator flex their animation muscles in the quiet moments also.

The movie's music is undoubtedly a standout. It is used perfectly in silent, melancholy, and emotional occasions.

The romance that was depicted didn't appeal to me. The bond between "Suzume" and "Sota" hasn't grown to the point where one would die for the other. Although they lasted less time, other relationships felt more organic. It doesn't matter if it's her aunt, the cat, the barman or a new buddy she meets along the way.

I enjoy using abandoned locations and people's memories to constantly remind us that ruins once had vibrant memories.

The movie skillfully explains how experiencing loss, grieving, caring for and standing up for loved ones, and finding yourself gives life soul and gives you hope for a better tomorrow.

There are some gaps and ambiguities in the story. Even so, it makes for a wonderful movie for anime fans and those who wish to start.