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10/10
An overlooked classic.
26 March 2008
Warning: Spoilers
Am I alone in thinking this film is a great comedy?

I never caught it in the 80's and only saw it very recently, but it had me in stitches!! All the Rocky cliché's are in there, from the underdog theme to the punishing and adrdous training methods to the tough ass trainer, the magnificent Darth Vader himself, James Earl Jones (Frank Couzo).

The dialogue has to be heard to be believed (Check out the quotes).......

If you want to see if someone has a real sense of humour show the this film and see if they smile.

Check Eric Roberts' wild over-acting and emoting......."This is the only thing I know........I am good at......"

Check Fatso Chris Penn's pathetically edited fighting style.

Check the driving hard rock soundtrack.

Check James Earl Jones bellowing "U-S-AAAAA!!" whilst victoriously pumping his first aloft

Just Check this film out!
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1/10
Best £1 I ever spent
20 March 2008
(PS - this an IRONIC review)

I found this in the bargain bucket of a Liverpool city centre store, and couldn't resist spending a measly quid on it.

There is no discernible plot to it, The "acting" is laughable and the relentlessly epileptic editing style is straight out of an 80's "Yo MTV Raps" programme.

Yet.......Watch it with a group of "inebriated" friends and you will be blown away......

The monologues are way better than anything Tarantino has penned (check the QUOTES section) and the level of awfulness on display is awesome!!!

It's the kind of film that most people will use as a place-mat on their coffee table, which the director and cast would probably take as a compliment!!

As unintentional comedies go, this takes some topping........

It'll be interesting many years from now to see whether Snoop & Ice-T leave this one one their respective film CV's...........
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Battlestar Galactica (2004–2009)
9/10
Excellent
2 August 2007
Star Wars came along in 77' and shook the whole formula up. For a time, sci-fi cinema and television followed suit, with Battlestar Galactica following the template explicitly: epic special effects and fantastically ornate production design, a distinctive stirring, sweeping John-Williams-type musical score, a tale of a desperate few human heroes battling a vastly superior force bent on subjugation and destruction…..

Watching the original series now with adult eyes is a strange experience; and both the strengths and flaws of the show become apparent very quickly. So firstly the strengths:

Rather than the somewhat aimless weekly wanderings of the USS Enterprise, Galactica is constantly being shadowed by the Cylon menace, fending off threat after threat in its quest to reach Earth. The fact they had a definite mission objective and a target to aim for throughout the show is a stronger and more appealing theme, I feel. It gave the storyline a constant solid base, and is in itself a great jump off point for any remake. The execution of the action scenes is still smart – the spacecraft designs and sound effects may have been soooooo A New Hope but they rocked!! (Note: great artists don't pay homage – they steal). Now, the flaws:

The sexual and political mores apparent in the script are hopelessly outdated, and the major characters are woefully underwritten and underdeveloped. Indeed apart from the Baltar character, the main players are not developed throughout the series, which is easily apparent in the resultant screenplays being reduced to formulaic and predictable routines. It's always sad to see popular, exciting shows go down this all-too-easy route, it smacks of wasted opportunity and a laissez-faire attitude from the network responsible. Crippled by low ratings, a series of increasingly awful scripts, massive production costs (a rumoured $1,000,000 per episode) and an indifferent studio, the 78' BSG and her fleet of rag-tag ships slipped out of sight after just one season. And there they stayed deep in the cosmos, far from Earth and just one step ahead of the relentless Cylons for the next 25 yarhren…………

Jump to 1987 and we have Star Trek: TNG gracing screens. Again, rather than the hunt-the-humans-to-extinction theme, TNG concentrated on the exploration side of space travel. Instead of Kirk and co slapping, shooting or screwing alien races, we had Picard & Co performing delicate inter-planetary negotiations and saving volatile eco-systems with the push of a button.

It was all too sterile, convenient and inoffensive for me. The characters were bland, charmless and had nothing to connect them to the average viewer. No matter how hard the cast pulled faces, the banality of the scripts and the dreary, unambitious nature of the series as a whole was shackling them. Whereas "Saga of a Star World" offered a glitzy, gee-whiz escapist romp for two hours that really sold the BSG concept, Encounter at Farpoint was full of waffling scientific talk and unmenacing, annoying villains (Q). As the seasons progressed however, there was a marked improvement, with more interesting story elements such as the Cardassians and the Borg being introduced. But still, despite the programme eventually picking up speed and generating more buzz, the elements of Star Trek which I detest – the constant sermonising of federation protocol to other species, the presence of planet – saving push buttons upon which to conveniently hang story lines, the clumsy attempts to address present-day current affairs through episodes – remained.

Perhaps this is the reason that the Star Trek franchise has died off a bit – it was so concerned with being PC and inoffensive and uncontroversial, and not taking risks, even many committed fans turned away from it in droves.

Fast forward to 2004 and we finally come to BSG – the re-imagining…

I borrowed the Season 1 box set off a friend and got stuck into it. I was kind of lost for a good portion of it– there are constant flashbacks to the miniseries (which stupidly I had skipped). But the initial episode of season one "33" was an absolute knockout. I was amazed by the visual style – the editing was a triumph, the hand-held camera style (much derided by other IMDb users but not this one) gave it a "war footage" feel that suited the sweaty combat tension down to a tee. The use of Kubrickian space physics and ditching lasers for more conventional weapons grounded the battles in a quasi-reality, which gives an extra sense of plausibility. The sets were magnificent and the re-design of the spacecraft was spot on (I even grew to like the Cylon raider re-design, given that the original looked so bad-ass!!!).

Unlike the original series, the desperation of the human situation is constantly highlighted and the actors give a real sense of this through their measured performances. Particular praise to Eddie Olmos, he brought a gravity, humanity and unbreakable strength to Adama, in my view his performance is much greater than Lorne Greene. Star of the show has to be James Callis as the devious Dr Gaius Baltar. His character is wonderfully complex, and his performance is a great showcase for this particular actor. We automatically despise Baltar for his sly deceiving nature, yet at the same time strangely feel sympathy for his pathetic guilt…..How many sci-fi villains can you honestly say that about? The rest of the cast perform admirably, and by the second season they have all got really into their roles, and are believable and engaging.

It is always a thrill to have a series which confounds your expectations, and BSG is certainly that. It is a real shame they are finishing after season 4, but at least it will go out with a bang…….In short, I fully recommend this if you want to check out an action-packed, entertaining adventure. Don't be a sheep and slag it off without giving it a real opportunity.
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Blade Runner (1982)
10/10
In the words of Rutger Hauer: "You can only be a genius so many times in your life…….".
29 June 2007
It must be wryly amusing for anyone who was originally involved in the making of this film to read 21st century reviews of the film. After being mercilessly slaughtered by critics at the time of its original release a quarter of a century ago, Blade Runner is now hailed by critics - probably many of the same as the most influential and visionary sci-fi film ever made. It is one of few select films which have had a great afterlife, long after they were originally released to an indifferent public.

Undoubtedly, the VCR revolution of the early 80's was the saviour of Blade Runner. The incredibly detailed cityscapes, the wonderfully observed roles of the replicants with their various unique physical traits and mannerisms, and the searing vision of an over-populated, acid-rain drenched Los Angles, were scrutinised, studied and raved over by the midnight movie / art student crowd. Word of mouth grew over the years, generating a huge fan-boy subculture which exist to this day (indeed, try typing Blade Runner into your search engine and check out some of the stunningly designed fan sites dedicated to the film). Other film-makers started to steal many of the visual motifs and concepts of the film; which is probably one of the most referenced works of art ever produced. You can see Blade Runner steals in toys, computer games, virtually any Japanese Sci-Fi Manga / Anime (Akira and Silent Mobius are stand out examples), countless TV shows and of course other dystopian Sci-fi epics.

So why the great influence? Visually, the film is still stunning, a totally convincing vision of a near-future LA of incessant pollution, commercial-drenched neon avenues and oppressive, towering skyscrapers. Pretty awesome when you think that CGI was only just rearing its head in the likes of Tron (released the same summer). The population is a broad mix of religions, races and languages, which is the way most major city centres are like now. Ridley Scott has never since achieved the same visual splendour – save perhaps for Gladiator – as this film.

The story itself is a pretty standard hardboiled noir cop thriller, with Harrison Ford's weary, disillusioned cop (Blade runner) being forced to hunt down illegal artificial slaves (replicants) who have escaped from deep space colonies and are attempting to reach their creators (the Tyrell Corporation) in order to extend their 4-year lifespan.

I won't tell the reader any more – It is for the fresh viewer to check out the details, I'll only give them the broad brush strokes.

Let it just be said that Blade Runner is a powerful, evocative and truly astonishing picture that rewards the viewer every time you watch it. If you can't take something away from this picture, then you are not a cinema lover.
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The Business (2005)
8/10
80's wish fulfillment
31 May 2007
It is noticeable that there are a lot of negative reviews of this title - I personally feel that comparing it to the likes of Goodfellas is rather unfair, given that it is set in a different continent with different characters and a more Brit-flick flavour. Given the sorry state of our film industry, its good to see a British production with the balls to take the Scorcese formula and adapt to our own blue-collar criminals - foul-mouthed, arrogant "loadsamoney" Laaandaaneeers!!! The Business is unashamedly a blokes film then, but there is much guilty fun to be had.

I lived out in Tenerife a good 6 years back, and can attest that there are still some of the cliché'd "hard-man/costa-del-crime" types living over there a' la Freddie Foreman. So the movie is surprisingly not that far from the truth!! The film has an admirable energy and a "F**k off England/Thatcher/unemployment" attitude that is both funny and relevant to the time it is set (the mid-80's). The fashion, language and atmosphere that Nick Love has tried to evoke in his film are also spot on.

Dyer gives his usual likable performance as "the kid Frankie", the fresh young Peckham punk mixed up with the big boys, and Tamer Hassan is solid as his smooth mentor, Charlie "the playboy". The supporting cast are also great - The faces seem to match the character traits for each person. The script is sharp, profane and witty, particularly the voice-over from Dyer's character.

Not totally original then, but a brash, ballsy, funny and entertaining crime romp.

Check it out!!
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8/10
Go in with an open, receptive mind & you'll be surprised.....
16 May 2007
There was a massively hostile reception towards this film when it first did the rounds here in Britain. It was even originally refused a video release as a result of cynical "concerned" political pressure from MP's and media hysteria in the wake of the James Bulger murder. I believe that attempting to manipulate public feelings towards the shocking, savage murder of a little boy for one's own political gain shows who the real evil people in our society are.

Having looked at interviews with the filmmakers, primarily Oliver Stone, and looking at the film in the context of the time it was shot and the decade-plus that has followed it, Natural Born Killers was strangely prophetic. We live in a media age, where everything is obsessively recorded and replayed. Stone's film goes way beyond the simplistic Tarantino outline and adds the media-as-evil angle. This may seem simplistic and a get-out clause for Stone, but I for one cannot watch televised news or read newspapers without being inwardly sceptical. Particularly in Britain. We have a tabloid gutter press to be ashamed of, written by idiots for imbeciles. Maybe that's why films like this get labelled with "violent/shock/murder/gun/video/banned/outrage" tags by our particular media.

Get past the violence – which is always a stumbling block for many people – and you will see that it is an engaging, exciting film, with wild, original characters and a great soundtrack. It is a genuine risk-take that is all too rare in Hollywood output these days. In terms of entertainment value, there is much guilty fun to be had here. Contrary to many reports, this film will not make you go out and kill your parents.

It will however, dazzle you and make you think about the world around you a bit more. Think people...OPEN YOUR EYES. Turn on Sky News, CNN, BBC News 24……What do you see? Images of school shootings in the US, daily carnage in Iraq, Afghanistan, Checheyna; bombings in London, Spain, Turkey, Bali……..Not make believe is it? Maybe some of the censorship policy makers, who feel that we are not adult or mature enough to watch fantasy stories with sex or violence, are trying to take the light off the more important issues which are in our faces every day. I have yet to see anything in a piece of fictional filmed entertainment that has the same power or horror as any random night spent watching the news. Praise be to the internet. At least it is free of censorship and ridiculous political fear-mongering.

Isn't it………..????
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9/10
On-screen evolution
10 May 2007
As a fan of all things Japanese - films, Anime, Manga, video games etc, this comment was always going to be biased. But then again, Final Fantasy has a huge following in the west also, so I can't be alone!! The uninitiated may be too far behind, so I wont bother with explaining the background, storyline (which even for a fan is boggling) or characters of the movie Advent Children. It is truly a "word of mouth" film - and that's one of the reason that I think it's so cool - There was no bullshit Hollywood-style promos when it was first released, so only the enlightened or truly curious could discover it. For everyone else, there is Ghost Rider. Or the latest Adam Sandler film. Or ........point made? I'll just say that anyone who has ever speculated as to what is possible on screen, and where cinema of the future is heading, should check this out without hesitation. The visuals are truly stunning - as many other have commented, words do not do them justice. Any random still taken from the film has a lifelike, human quality, and could stand as artwork in themselves. The sound is also fantastic, a classic orchestral soundtrack mixed with hard-rock and pumping technobeats for the films action scenes. Ah yes, the action scenes.....Think of some of the great stylistic moments in action / sci-fi cinema......The Star Destroyer roaring overhead from Episode IV......The T1000 walking through the metal bars from T2......The Matrix lobby shootout.....The Nazi truck chase from Raiders.....wrap them all up, magnify it by 50 and you're still not there. The action is utterly fantastic, defying physics and taking the viewer into place only possible in dreams. The imagination and thought that has gone into it is truly breathtaking. The replay factor for this is high, and as soon as you have seen it for the first time, you will want to tell your friends about it, and make them watch it. Thats about the highest recommendation I can give it. Go in with an open mind, and you will be thrilled and astonished.
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1/10
Dr Goebels would be proud of this
4 May 2007
To those who gave positive reviews to this jingoistic trash - either you're on drugs or you were need some sort of therapy. Hang your heads in shame.

I reckon this must be one of George Bush's favourite films: along with Red Dawn and Rambo 3. It is an astonishingly brazen propaganda exercise, with rampantly xenophobic stereotypes and an insultingly simplistic world view, which the average 7-year-old would scoff at.

I'd like to think Post 9/11, decision-makers would be sensible and that this wouldn't have a chance in hell of being released by a major studio. Depressingly, there was a huge audience for it at the time. I guess that controlling the minds of the masses isn't too difficult when you assault their senses relentlessly through the media. Nazism is alive and well, folks!! Devlin and Emmerich should never work again on the basis of this monstrosity Avoid Avoid Avoid Avoid Avoid.

Life's too short.

Anyone agree?
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Cross of Iron (1977)
10/10
War with the emphasis on "raw"
3 May 2007
Warning: Spoilers
Scanning through some of the (very few) harsh reviews of this film, it's hard to believe that some people who profess to enjoying intelligent, groundbreaking cinema didn't actually like it. My advice: Go rent out a Michael Bay / Bruckheimer film....something like Pearl Harbor. That will be more to your tastes I imagine.

Cross of Iron is the kind of film that scars you mentally. I remember seeing it at a young age on British television in the early 80's, and being totally blown away by it. There are so many visually memorable things about it that stay in your head long after viewing it.....the hypnotic, kinetic camera work, the astonishing, stream-of-consciousness editing style, the grimy, blood, mud & s**t-smeared battlefields that feel almost like the great war rather than WW2.

Of course, great visuals are nothing when they are not married to a great story. The tale is deceptively simple - a recon unit of the Werhmacht is desperately fighting for survival and escape, against the seemingly endless waves of vengeful Russian forces in the immediate aftermath of Stalingrad. The unit is headed by Steiner (James Coburn, never better), a dead-eyed, worn-out Corporal who cares nothing for the Third Reich, the Furher and the army officers, only for his platoon of unwashed, burnt out and cynical troops. His men idolise him for his fearlessness and decisiveness in combat, and as a group they make a deadly and efficient fighting force. The unit is thrown into chaos by the arrival of Captain Stransky (a wonderfully slimy Maximillian Schell), a vain aristocratic officer who is deep down a coward, but is driven forward by his desire to gain an Iron Cross - something which sets him in immediate conflict with Stiener and his unit. Steiner ridicules Stransky's insane desire for a medal as he already has several - "it's just a piece of worthless metal". Stransky however will stop at nothing, even turning on his own forces, to gain an Iron Cross. Thus a deadly circle of sacrifice, mistrust, betrayal, judgement and redemption is set in motion.

The fact that the main protagonists are German and the "villans" (as such) are Russians is the first of many surprises in the film that defy Hollywood convention. It is risk-taking like this that very rarely happens in modern cinema.

As for the performances.....James Coburn's face expresses more in the flicker of an eyebrow and an enigmatic half-smile/half-frown than the likes of Hanks, Affleck, Cage etc could summon over an entire film. The supporting cast are also excellent. Schell is great as the cowardly Captain Stransky. David Warner and James Mason also excel in small but well observed and minutely detailed roles. Steiner's unit is a group of extraordinary actors. Many look as though they have been plucked from a spaghetti western - battered features, grimy unshaved faces, leering faces. Throughout the film there is a real sense of the actors functioning as a "combat unit" - Peckinpah obviously enjoyed being a part of the group and encouraged them to bounce off each other. This is especially evident in the bunker scenes when they are shown not as faceless killing machines but as human soldiers - joking, farting, drinking, at ease. This contrasts sharply when they are on the battlefield, and they become almost animalistic in their struggle to survive.

The battle scenes are truly amazing - the now trademark Peckinpah cross-cutting, slow-motion and multiple points-of-view are evident throughout Watching them now, you can see where the likes of John Woo, James Cameron and definitely Oliver Stone picked up many motifs and ideas.

If you have any serious love for cinema, are jaded by the standard jingoistic bulls**t that Hollywood churns out, and want to discover a film that will stay with you for a long time after you have viewed it, then I recommend that you make the effort to seek this out. If any film deserved the special edition re-issue treatment, this is it.

Stransky: "All right......I accept. I'll show you how a Prussian Officer can fight!!" Steiner: "And I'll show you....where the iron crosses grow!"
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