At its core, this film is a story of hope. In Nazi-controlled Rome, it feels as if there is none. The war drags on and while one can hear Jazz from the American radio broadcasts, it feels as if they will never reach the city, and yet, despite the lack of any reason to hope, they do. The atheist communist resistance leader hopes even though his resistance makes no progress. The widowed mother, pregnant, and her fiancé, awaiting their marriage day hope and find love in each other, despite the struggle and pain that surrounds them. The children hope and fight for a better world, despite not knowing anything better for much of their lives. The parish priest, ever devout, hopes, even as he watches the world scorn his faith and God. It is hope (and a strong hatred for the Fascists) that unite these characters, and perhaps it is hope that sets them free.
To an Italian watching this film in 1945, it must have been a film that stirred mixed emotions. It is idealistic, yes, but it shows a film that celebrates the heroes of the war. It shows people with hope, who would do anything to see their city free. Seeing these heroes must have filled an Italian, perhaps with pride, but also with shame, for this is not a film released with the cushion of time, but with the sharp memory of the war front and center on the viewer's mind. To see this film, it's hope, it's grief, it's pain, put yourself there. Maybe hope is all we need.
To an Italian watching this film in 1945, it must have been a film that stirred mixed emotions. It is idealistic, yes, but it shows a film that celebrates the heroes of the war. It shows people with hope, who would do anything to see their city free. Seeing these heroes must have filled an Italian, perhaps with pride, but also with shame, for this is not a film released with the cushion of time, but with the sharp memory of the war front and center on the viewer's mind. To see this film, it's hope, it's grief, it's pain, put yourself there. Maybe hope is all we need.
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