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1939 (1989)
8/10
Of transition and of being forced to grow up
9 November 2001
1939 was a major project in the Swedish film industry. The Swedish people were invited to send in short descriptions of their own experiences during the war. The events depicted in the film are based on these stories. The main character, Annika, is based on a woman in real life, who travelled from Värmland to Stockholm to start a new life.

The film does create plausible images of what went on in Sweden during the war. The film also illustrates a time of transition, both for the world (from the old, safe environment to a new, unsecure one with prospects and dangers) and for the young people, who were forced to grow up quickly during this violent period of time. Everyone had to decide how to relate to the new world and what to do about their personal roots and beliefs. This is why I find the film so interesting.

I agree that 1939 can be considered slow at times, but I also happen to think that it is a tempo which suits the tale that is told. In my book, the key line is during one of the slower moments, when Annika's father says to Annika something along the lines of: "I am afraid of what's coming. Don't forget the old ways, Annika. Don't forget the way we used to live." Looking out over the meadows of his home, he realises that he is being left behind by the development, and that Annika and her peers are left at the helm. For me it is a thoroughly moving moment in the film. With the fast pace that we are living today, we would all do well to heed his plea.

This film didn't get the credit I think it merited, and at least for us Swedes 1939 should be considered an important film.
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Waiting for Godot (2001 TV Movie)
9/10
Brilliant!
2 July 2001
On June 30th 2001, this version of Waiting for Godot was on Ch 4 in England, as a part of their project "Beckett on film". Many of those who were lucky enough to see it will probably tend to agree that it was a thoroughly enjoyable film version of this fantastic play.

Waiting for Godot doesn't really invite filming, since it doesn't allow the utilization of the film medium; it is located in one single spot and has a very stationary character. Its main theme of the futility of man's aspirations comes across nicely though. The camera work was subtle but superbly done. The location chosen was very good, as well as the casting and the acting. The tree however looked too real for my taste. It fit nicely at the spot but I don't think it was used to support the activities. I gave this play-turned-film a 9. I would have given it a 10 if the tree had had the obviously fake expression usually used to support the absurd sense of the situation.

See it if you have the chance. If you are interested in the theatre, there is a good chance that you will like it.
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Beauty is not enough
4 December 2000
Let it be known that I made a sincere effort to understand and appreciate À la verticale de l'été. I did understand that the director is searching for "beauty in its simplest form" as another comment about this film reads. The film is indeed very beautiful, the joy of waking up and the Tai Shi-thing not the least. My problem is that for the first eighty or so minutes, it lacks a basic conflict. After that, several conflicts surface. If you are able to tell the characters apart, the not-so-obvious conflicts might have been really interesting. However, the movie also lacks a development in the characters personality, or a transition between different states of mind. The individual's development as a result of some kind of conflict is, for me, absolutely necessary for a movie to tell an interesting story. And this is what movies should do, isn't it - tell a story? There just isn't enough of a plot in this one to keep me interested. I am happy for the people who love it. I personally think that it's beauty is not enough. À la verticale de l'été should have been a painting instead of a movie.
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Dödsklockan (1999 TV Movie)
Very enjoyable. If you speak Swedish.
20 October 1999
Dödsklockan is an enjoyable thriller for those who understand Swedish. It is actually quite similar to Jägarna, but with less violence (which I think is a good thing) and a more convincing plot. I would like to add to the first review, that in addition to Loa and Keve, Anders Ekborg is also very good in Dödsklockan.
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Jumanji (1995)
8/10
A lovely little film
3 August 1999
This four year-old film, I would highly recommend for anyone out there in fantasy-land. Nice special effects, a very good idea behind the plot and Robin Williams all ensure a thoroughly enjoyable experience if you like action-comedies without the ubiquitous "Good vs. Bad" show-down. Jumanji is very different and well worth seeing.

I look forward to the upcoming Jumanji 2 next year; the cast for Jumanji 2 probably needs to include Gerard Depardieu instead of Robin Williams!!!! :-)
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