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9/10
Michael Paré at his best
28 April 2024
Warning: Spoilers
I understand this film doesn't have widespread appeal, but there are those who love it; including me. Those of you who hate this film are welcome to your opinions. The film didn't speak to you. And that's fine. But it speaks volumes to me, and I've seen it multiple times.

The film strikes just the write note at the start with shipmates David Herdeg and Jim Parker at a dance with Jim's pregnant wife Pamela.

The principal characters are established right here, and we get our first glimpse of James Longstreet, the mysterious scientist behind the experiment to make ships invisible to radar.

The abrupt segue from Jim and Pamela having their last dance as a haunting melody plays to the sailors being trucked to their ship and the opening credits is both moving and suggestive of bad things to come. This is especially apparent when Pamela, who has one last wave to Jim and David on the street, gets into her car. The look on her face speaks volumes as the aforementioned haunting melody rises again.

The experiment is conducted, and the USS Eldridge becomes literally invisible. But things are going haywire on the ship. David and Jim leap over the side only to land in a deserted small town in Utah.

Here we enter the film's brilliant fish-out-of-water phase. David and Jim have just jumped from 1943 to 1984. The modern world is bewildering to them, and the film shows this to good effect.

The sailors meet Allison Hayes at a godforsaken Utah truck stop, and the lovely Nancy Allen enters the picture. They didn't dress her the least bit sexy, but she still manages to come across as a lovely, compassionate young woman. It was the perfect pitch for the character.

The laconic Paré and Allen play well together, particularly in a scene where she has just learned that he really is from the past, and he that his now late father was a successful auto racer. ("Good for you, pop. Good for you.")

Another dramatic transitions occurs after Longstreet and company fire a missile into a vortex in the sky that appeared when they tried to make a Utah town disappear and are stunned to see the town and the Eldridge in there. From that dramatic reveal we are suddenly flying over a California avocado grove with the sounds of Manfred Mann's "The Runner" playing in the background. It was the perfect tune for the scene.

Once David and Alison enter the nerve center of the experiment, the time-shifted sailor upbraids the now elderly Longstreet (Eric Christmas) with a simple "What the hell have you done, Longstreet?"

The chastened scientist tells David that the generators aboard the Eldridge were never shut down, and so a vortex was created across time when the experiment with the town was initiated.

The solution is for David to be shot into the vortex where he boards the Eldridge and dramatically shuts down the generator by smashing the equipment with an ax, has a few kind words for Jimmy and leaps over the side just before the ship reappears in 1943.

Alison borrows a jeep, drives into the just-reappeared town and finds David there. "I've got it all figured out," he tells her. "The navy owes me 40 years back pay."

It was the perfect end to a near perfect movie. The best thing Michael Paré ever did.
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Columbo: Fade in to Murder (1976)
Season 6, Episode 1
7/10
Better the second time around
1 December 2023
Though I'm a William Shatner fan, I didn't care for this episode overmuch after the first viewing. However, a second look gave me an appreciation for the interplay between the egotistical actor (Shatner) and Columbo; especially how the actor speaks sometimes as himself and sometimes as his detective character, helping Columbo solve the crime. (One wonders how much of a stretch it wasn't for Shatner to play an egotistical actor.)

That said, the producers missed a great opportunity to blow up the fourth wall and have Falk the actor be the killer with a police detective investigating him. Angie Dickinson was doing Police Woman on NBC at the time. A crossover episode where Pepper Anderson is real and Columbo is a TV show starring Peter Falk could have been awesome.
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The Bob Newhart Show: An American Family (1974)
Season 3, Episode 11
8/10
Guest stars steal the show!
28 November 2023
Veteran character actors John Randolph and Bernard Hughes are at their best here and steal the show, although Bill Daly put up a good fight for the laughs. Both sets of in laws show up for Thanksgiving, and the fussy mother of Bob (Martha Scott) clashes with the gregarious but inconsiderate father of Emily (Randolph). The father of Bob (Hughes) sums it up brilliantly to end the enmity.

Daly demonstrates his physical comedy chops when he climbs on the kitchen counter and uses an oven mitt to open the freezer so as not to walk on a freshly-waxed floor or get fingerprints on the handle of the door. His zeal to impress Bob and Ellen's parents add more comedy gold later.

It was nice to see Suzanne Pleshette wear the dress from the opening credits. She looked great for 37.
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Mountain Men: Hard Luck (2017)
Season 6, Episode 4
7/10
Questions
14 October 2023
I like the Mountain Men series quite a bit and am currently watching season six for the second time.

However, what I see makes me wonder how REAL this reality show is.

Take the case of Morgan Beasley, for example.

He walked 250 miles to his property in Season Four. Why he didn't have an airplane or helicopter drop him off is never mentioned or explained.

Then this season when he needs supplies for winter he takes a dangerous four-day raft trip on an icy river. Why not arrange to have the supplies delivered? If Margaret can be delivered to his camp by helicopter, why not 200 pounds of supplies?

And in this episode, Morgan returns with the supplies in a helicopter, but it can't land on his homestead for a reason that's not explained. The closest it can land is 12 miles away. Since Margaret was delivered right to the homestead, I have to wonder why Morgan and the supplies could not be.

Those three examples make me wonder if the producers of Mountain Men somehow encouraged (paid?) Morgan to do riskier things for the show. After all, it's much better TV if Morgan walks 250 miles to his property than if he's delivered by airplane. It's better TV if Morgan has to shoot the rapids to reach town than to use his satellite phone to have the supplies delivered. And it's better TV if Morgan has to be picked up 12 miles from home by Margaret and the horses instead of being dropped off at home.

If there's ever an honest book published on the making of this series we may get to learn what really happened.
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7/10
Strains credibility
13 June 2023
Warning: Spoilers
Overall, I liked this episode. But the storyline with Sarah and wheelchair-bound prosecutor Melissa Winters strains credibility.

Winters' story of the three-year-old crime has her coming home to find an unknown assailant struggling with her husband. The bad guy shoots her husband; turns and shoots her, then escapes. Unlike other cases that the CSI team solves in an hour or less, this one goes unsolved. That is blamed conveniently on a CSI who was about to retire and (apparently) couldn't be bothered to follow the evidence.

The bullet recovered from Winters' neck is matched with a gun used in a recent robbery, and the shooter is picked up. He confesses to entering the apartment when no one was home and trashing the place (to get even with the prosecutor for putting him in prison). He claims he found the gun when he smashed the coffee table.

Sarah notices that the blood stain on Mr. Winters' shirt indicates that he was lying down when shot. That blew up the disabled prosecutor's story. Funny how the retired CSI never noticed that...

Sarah figured out that Mrs. Winters shot her husband while he was asleep on the couch, then dropped the gun while dealing with a wave of emotion. But Mr. Winters wasn't dead yet and had enough energy to pick up the gun and shoot his wife in the neck. She had just enough time to hide the gun in the coffee table before passing out.

Who called 911? That is never addressed.

Mrs. Winters claims spousal abuse when confronted with her murder by Sarah. I guess divorces are hard to get in Las Vegas.

What doesn't make sense to me is why no one knew that someone broke in and trashed the Winters' place until he told Sarah about it. Why didn't Winters report this? Why didn't she move?

To be fair to CSI, however, many TV shows and movies play fast and loose with facts and probability, knowing that most viewers won't catch the discrepancies.
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Barney Miller: Fog (1980)
Season 6, Episode 22
8/10
Props for casting a real trumpet player
17 February 2023
Warning: Spoilers
One of the two arrestees in this episode (Fast Eddie Jennings) is a street musician played by Bill Dillard. God knows where Danny Arnold found him, but Dillard was an actual trumpet player who hadn't had a TV or movie credit since a 1969 TV movie when he got this role. His solo to close the episode, played from inside "the cage," makes a fitting coda to the sixth season and to what was probably Barney's last chance to make deputy inspector.

The pathos of the scene as everyone listens to Dillard playing is broken up hilariously when J. J. Barry as Fred Bauer pipes up and says "What year is this?"
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Kojak: Tears for All Who Loved Her (1977)
Season 5, Episode 8
9/10
A different kind of episode
10 February 2023
Having watched every Kojak episode from season one to this point, I noticed a remarkable change in the show. Suddenly there was more humor; almost slapstick. Crocker falls for a suspect. And the camera work was excellent; especially when it follows Kojak and McNeil up the stairs and into the squad room.

Rizzo and Stavros cutting up for the photographer was hysterical. I was immediately reminded of "Barney Miller," where Wojo and Harris might have done the same thing.

Ratings for "Kojak" were tanking during the fifth season, so what we see here (and from here on, I imagine) is the result of trying new things to revive the show. I like it so far.
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9/10
What!? No bigga sandwich?!
10 July 2022
Warning: Spoilers
This is my all-time favorite episode of Wings because of the numerous jokes about a party not being a party without a big sandwich.

The best line came from Antonio: "What?! No bigga sandwich!?"
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Kojak: Justice Deferred (1976)
Season 3, Episode 22
9/10
Hillarious
15 February 2022
Kojak always had a humorous element, but it's magnified here... and to great effect.

For example, Kojak appears in a monogrammed undershirt (TK) early on. That sounds like something they'd do in a variety show format, spoofing the show. But there it is in a real Kojak episode. I loved it.

Later on the detectives are eating in the squad room. As Stavros gives information on the case they're all working on, Kojak interrupts five times while passing out sandwiches from a deli. Everyone is eating and talking with their mouths full.

Kojak does flawless lines while holding a styrofoam coffee cup in his mouth.

Kojak called Savros "Demosthenes," which is the actor George Savalas' middle name and nom de plume in the first two seasons of Kojak.

Detective Gomez is half asleep as he works, and Kojak is unsympathetic on account of Gomez' girlfriend taking up so much of his time. Maybe that's why Gomez was never seen again on Kojak.

In another funny bit, Kojak returns a hard-as-rock pretzel to a vendor saying, "I want a pretzel, not a weapon."

A great older actress plays a small but humorous part, as she visits the squad room to be interviewed by Stavros. The detective offers her coffee, then orders Rizzo to fetch it. Rizzo dutifully brings the coffee, and we wonder if he lost a bet with Stavros. The seasoned citizen then raves about the police coffee, saying it's the best she's ever had. It's the kind of thing that would have been perfect for Barney Miller, and here it was on Kojak.

Another funny bit involves an old man in assisted living who takes a couple drags off Kojak's cigarette because he dearly misses being able to smoke cigars. Kojak orders Saperstein to buy the man a box of cigars.

The plot involves solving an 18-year-old murder and is complex indeed. In fact, Kojak pretends to be Sherlock Holmes at one point and calls McNeil Watson.

The plot was pretty good, but the humor made the episode so much better.

I hope this is a sign of good things to come.
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Kojak: Money Back Guarantee (1975)
Season 3, Episode 12
7/10
Reminds me of a Rockford Files episode
29 January 2022
Warning: Spoilers
This is a good Kojak episode with all the old familiar elements.

But they nabbed the ringleader (David Ogden Stiers) in a way that put me in mind of the Rockford Files episode called "White on White and Nearly Perfect," where Tom Selleck plays a private detective for whom clues fall out of thin air. He even tells Rockford not to worry, something will turn up to put them back on the case.

That's what happens in this episode when Kojak and company chase one of Major Winchester's henchmen in two cars. The henchman's car crashes, catches fire, and the fire department come to put it out. He's dead, of course, but a firefighter brings the henchman's wallet to Kojak, who opens it and sees a picture of said henchman with one of three bank employees they already had under surveillance.

Kojak already had a man at the bank, and he follows the woman to an apartment, calls Kojak and waits.

Kojak, Crocker and Stavros show up, pretend to be a cat scratching on the apartment door and capture Major Winchester, who happened to be the woman's main squeeze.

I can't help but wonder if the writers got themselves in a corner on time and invented this bit of business to wrap up the episode in the allotted time.
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8/10
One complaint and two comments
15 January 2022
Warning: Spoilers
This is an above-average Kojak with all the familiar elements and an interesting murder story to tell.

I have one complaint and two comments.

Complaint: The professor's murder was filmed in far-less-than-realistic fashion.

Comment No. 1: At first I thought the ethereal, monster-movie-type music chosen for the theme was out of place here. Then it occurred to me that the music may be intended to imply that the psych students are monsters. If so, it's brilliant!

Comment No. 2: At one point the heroine Lorelei dramatically laments regret for divorcing a husband who wanted a family because she wanted a career. Were they getting preachy about a woman's place being in the home? Or were they catering to the program's target demographic?
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Kojak: Be Careful What You Pray For (1975)
Season 3, Episode 4
8/10
A good but flawed episode
12 January 2022
My problem with this episode is where Crocker is lecturing Catholic school girls about the danger of rape. He tells them that most rapes are committed by people the girl (or woman) knows, and it could even be an uncle. Maybe that's how it was done in 1975, but it's hard to believe any cop would tell teenage girls that their uncles are potential rapists and to be careful around them. All that would likely do is raise their teenage anxiety to higher levels.

Meg Wyllie was good as the stern but good natured nun, but she is only four years older than Dan Frazer (Capt. McNeil), who was supposed to be a student of sister Agnes in his youth.

Another problem I have is that Crocker and another detective shoot at a semi that's being driven away, as it has already been established in Kojak that cops can't fire their weapon unless their life is in danger. That wasn't the case here, and Crocker could have easily killed someone inside the trailer. Kojak was right there and didn't even admonish Crocker.
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Kojak: The Trade-Off (1975)
Season 2, Episode 24
8/10
What! McNeil is married?
28 December 2021
Warning: Spoilers
Mrs. McNeil makes her one and only appearance in the series (thank God) in this episode after she is kidnapped.

One thing I like about the show is that the personal lives of the principal characters are seldom used for stories.

This episode is an exception, but not a bad effort.

I like the way it started with Kojak investigating the kidnapping alone, then bringing in Sgt. Vine and finally McNeil and everyone else.

Liam Dunn has a stellar cameo as a reformed check kiter, now working in hand-writing analysis, who helps Kojak with the letter Mrs. McNeil wrote under duress.

I've seen Dunn in many roles, and this is my favorite performance.

My sole gripe is that McNeil's shotgun sounds like a small caliber pistol when the villain is shot. Standards and practices? Or a mistake? We may never know.
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7/10
Good episode strains credibility
13 December 2021
Warning: Spoilers
Handuffed (behind his back) in a police vehicle, Yantzee escapes by slipping the cuffs all the way down the back side of his legs and over his shoes.

I suppose Houdini might be able to perform that feat, but it would be damn near impossible for an ordinary person, particularly while sitting in the back seat of a car.

I don't recall the exact episode, but this was done in the first season of Kojak, too. It wouldn't surprise me to learn that that shot was reused in this episode.
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Kojak: Cross Your Heart and Hope to Die (1974)
Season 2, Episode 13
6/10
Hitchcock should have had a cameo
12 December 2021
Warning: Spoilers
The similarity between this episode an Alfred Hitchcock's Psycho is obvious. An obsessive young man dresses as his mother and tries to stab Kojak.

Is this a police show, or a horror movie?

They should have offered Hitch a cameo.
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March or Die (1977)
7/10
Brings back boot camp memories
20 June 2021
The title of this movie was burned into my brain in 1977 when the film was shown to me and a few hundred other recruits in Navy boot camp at Great Lakes Recruit Training Center. The plot not so much.

Normally we recruits were told to keep our mouths shut, but for some reason the authorities let us talk and even shout during this movie. It was not unlike a midnight showing of "The Rocky Horror Picture Show," a phenomenon that was soon to come along.

Perhaps you can imagine the crude comments that 300 18-year-old "men" came up with whenever Catherine Deneuve was in the screen.

When one unfortunate man fell through a hole at an archeological site someone yelled "Make a hole! Service week!" (You probably have to have gone through Navy boot camp to get that one.)

Anyway, I watched "March or Die" again on You Tube last night and found it to be good enough to watch through to the end, which is more than I can say for any other movie I started watching on You Tube.
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Star Trek: Deep Space Nine: The Ship (1996)
Season 5, Episode 2
5/10
Disapointing
26 April 2021
Warning: Spoilers
My No. 1 problem with this episode is contrivances. Sisko and company are in the Gamma Quadrant but somehow manage to send a message to DS9 calling the Defiant to the scene. They don't bother to explain how this is possible.

The Jem'Hadar ship crash lands on a planet and comes to rest upside down and partly buried. Yet the Starfleeters manage to get it running. Scotty had nothing on this bunch.

The Defiant is capable of using a tractor beam to pull the crashed ship off the planet and into orbit. Hard to believe, even by Star Trek standards.

My secondary gripe is that nothing was shown of the exterior of the Jem'Hadar ship when Sisko and company were trying to make it move. And nothing at all was shown when the Defiant tractored the Jem'Hadar into orbit.

However, I understand why this was so, as the cost of creating such scenes would have been prohibitive.

The worst part of the episode is the last scene where Dax tries to cheer up Sisko, who feels bad because five Starfleeters died on the mission. I guess it's okay to have a scene like that, but the DS9 writers didn't pull it off. After two minutes I found myself reaching for the remote to end the pain of watching.
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Banacek: No Stone Unturned (1973)
Season 2, Episode 1
7/10
Candy Clark!
23 February 2021
Warning: Spoilers
It was great to see Candy Clark in a part she played right after appearing in "American Graffiti." I also enjoy Scott Brady's work, as he makes a great heavy but should have had more "good guy" parts.

As for the scenario in this episode it strains credibility to say a sculptor could create an inflatable replica of his work.

Furthermore, Candy Clark's character is in the hospital to be treated for injuries suffered in a motorcycle accident and out on the street with no ill effects ten minutes later. I know she's a great actress, but such powers of recovery are more in the line of an injured vampire than a human.

And... what's up with a 24-year-old actress (Christine Belford) implying that a 26-year-old actress (Clark) is just a kid? Peppard was 45, so he was too old for either of them.
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Becker: P.C. World (1999)
Season 1, Episode 10
5/10
Bogus premise
28 January 2021
A newspaper columnist overhears Becker ranting in Reggie's diner and writes a piece about the "racist" doctor.

Okay, fine, but in the real world there are libel laws that punish newspapers that publish derogatory information about anyone who is not a "public figure."

Ted Danson is a public figure but Becker certainly is not. The irascible doctor would have standing to file a multimillion dollar lawsuit against the columnist and newspaper.

Although I enjoy this series overall (season one anyway), this is a conceit too far.

In the real world, Becker would get a major settlement and the columnist would be fired (possibly along with his editor).
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Becker: Choose Me (1999)
Season 1, Episode 9
8/10
Saverio Guerra continues to shine as Bob
28 January 2021
Warning: Spoilers
Saverio Guerra continues to steal every scene he's in as Bob, the man who speaks of himself in the third person.

The running gag is Reggie having two tickets to a hockey game with Becker and Jake competing to be the plus one.

She leaves one ticket for them to decide who will see the game in person.

They give it to Bob and tell him that Reggie is into him.

Great ending.
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Mountain Men: Lost (2012)
Season 1, Episode 3
6/10
A little disappointing
2 January 2021
Warning: Spoilers
Having begun watching this series with the fourth, fifth and sixth seasons, I have just begun to watch the first season.

Eustace Conway's "fight" with lodger/worker Justin isn't much of a fight at all, as we never see the two exchange harsh words. And it's hard to believe that Eustace wouldn't have checked Justin's work in sighting his rifle before he went hunting.

Tom Oar goes missing, and neighbor Tim goes looking for him. We're treated to several minutes of Tim walking into the wild country yelling "Tom" and "Ellie" (Tom's dog) and kept in suspense about Tom's fate. Then he just turns up in no distress whatsoever, apparently oblivious to the "fact" that his wife was worried about him and a search party of one was out.

Marty's story is the most far fetched. The producers would have us believe that he carried a 70-pound snowmobile engine ten miles on foot to replace an engine that broke. After replacing the engine, Marty is on his way again when the steering breaks. He jerry rigs that with a small tree and drives home. All in five or six hours of daylight.

I'm glad I didn't start watching this series with the first season or I would have quit watching after this episode.
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Wonder Woman: Fausta, the Nazi Wonder Woman (1976)
Season 1, Episode 2
5/10
Ridiculously implausable
27 December 2020
Batman and Robin are realistic superheroes compared to Wonder Woman. This series was obviously made for kids, but so was "Batman," and at least there was something there for adults, too. "Fausta, the Nazi Wonder Woman" is just straight up crap. If it was in your toilet you'd need a plunger to get it down. The phrase "far fetched" doesn't go far enough to describe the absurdities.
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Sea Patrol: Ghosts of Things Past (2007)
Season 1, Episode 3
6/10
A conceit too big to swallow
21 August 2020
I'd give this episode two more stars if the producers hadn't expected me to believe something that was obviously false. To whit, the ship and crew pick up a man who was blown off a sailboat in a storm. The sea is now as calm as a bathtub. A diver has to be put overboard to check the screws for damage, and the chief engineer says the sea is too rough, so they need to visit Bright Island where the water will be calm enough to dive. They then travel ten miles to Bright Island, which has no harbor, and wait about a mile off shore, where the sea state is just as it was before the side trip. The exercise was obviously an excuse to get the ship to Bright Island to advance a story arc that began in the first episode.

I appreciate that it was necessary to get the ship back to Bright Island to continue that story arc, but this was a lousy way to do it. Did the producers think viewers are dumb? Or did they just not care?
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8/10
Worth watching
2 August 2020
I first saw this film in the theater when it came out, in part to get into an air-conditioned space for a couple hours, and enjoyed it immensely (to my surprise).

There are plenty of thrilling encounters with dinosaurs, and the film is just 90 minutes long, so you won't be bored by the conversations between dino attacks.

Tea Leoni is among my favorite actors, and she does a great job here as a mother looking for her son. Bill Macy is her ex-husband, and he was perfect for the part of a man who pretends to be way more than he is.

I only noticed this on the fourth viewing, but when Dr. Grant meets the Kirbys in a restaurant the Randy Newman song "Big Hat No Cattle" plays in the background, telegraphing the phoniness of Mr. Kirby.

The "making of" feature on the DVD is worth watching, too, as it goes into detail about how the dinosaurs were created. To my surprise many of them were real life models controlled remotely. You will also see that much of the jungle island was created on a sound stage. Maybe others can tell the difference, but it seemed real enough to me to be surprised to hear it was a set.

So forget the people who hated the film and give it a try. It's only 90 minutes long, so it's not like taking a chance on "Downfall" or "Ben Hur."
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The Bob Newhart Show: The Ceiling Hits Bob (1975)
Season 3, Episode 24
7/10
Good commentary by Bob
25 May 2020
Warning: Spoilers
The DVD set has a Bob Newhart commentary track on this episode, and it's worth listening to, though you won't hear much about the concept and filming of the episode.

For example, when mail man Eddie walks into the outer office set, Bob goes on for a good five minutes about the actor, Bill Quinn, who was his father in law.

At another point Bob tells a joke he often told to live studio audiences while doing his stand up before taping.

Bob reveals that Buddy Hackett set him up on a blind date with Ginny, the woman Bob married. And Ginny attended every taping of The Bob Newhart Show. (She's also responsible for the ending of Newhart, but that's another story.)

Then Bob goes on for five minutes or more naming the films he's been in and how he and Ginny took their kids to all the locations, trying to give them as normal a life as possible.

When the actor who plays Mr. Vickers, Lucian Scott, is on, Bob doesn't tell us about him but rather laughs along with every line as if seeing the episode for the first time.

At first I was annoyed that Bob wasn't talking about the episode except to riff on something that popped into his head when Bill Quinn entered the room (for example). But he was so entertaining that it didn't matter. Hope I didn't ruin it for you.
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