Directed by
| Carolina Giammetta | ||
Writing Credits (in alphabetical order)
| Carolina Giammetta | ||
Cast (in credits order)
| Flaminia Cinque | ... | Mamma Rosa | |
| Vincenzo Nicoli | ... | Papa Tony | |
| Anna-Maria Everett | ... | Commare Lydia | |
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Janet Amsden | ... | Nonna |
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Billie-Lee Parker | ... | Maria Callone |
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Daniel Price | ... | Dino |
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Harvey Wells | ... | Paul |
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Hubert Lewandowski | ... | Giuseppe |
Produced by
| Alexandra Blue | ... | producer |
| Jessica Hodges | ... | line producer |
Music by
| Aaron Kenny | ||
Cinematography by
| Nicola Daley | ||
Editing by
| Richard Ketteridge | ||
Casting By
| Sonia Allam | ||
Production Design by
| Alexandra Toomey | ||
Art Direction by
| Charlotte Ball | ||
| Thalia Ecclestone | ||
Costume Design by
| Jeffrey Michael | ||
Makeup Department
| Bean Ellis | ... | hair and make-up designer |
| Bethany Fletcher | ... | hair and make-up supervisor |
Production Management
| Lisa Ann Killeen | ... | production manager (as Lisa Killeen) |
Second Unit Director or Assistant Director
| Eno Enefiok | ... | first assistant director |
| Eve Perry | ... | second assistant director |
Art Department
| Eilidh Brooker | ... | art department trainee |
| Kimberly Collison | ... | art department trainee (as Kim Collinson) |
| Izzy Lovett | ... | art department trainee |
| Sasha Owen | ... | art department assistant |
Sound Department
| Taz Fairbanks | ... | boom operator |
| Buster Flaws | ... | dialogue editor |
| Zoe Freed | ... | foley artist |
| Stefano Marchetti | ... | re-recording mixer |
| George Riley | ... | sound effects editor |
| Gwendolen Sena | ... | sound recordist |
| Sam Walsh | ... | foley mixer |
Visual Effects by
| Kerrie Bryant | ... | visual effects line producer: Technicolor |
| Paddy Eason | ... | visual effects supervisor |
| Mark Epstein | ... | compositor |
| Chris Forrester | ... | compositor |
| Mark Harris | ... | vfx (as Mark Holman Harris) |
Camera and Electrical Department
| Lea Aubigne | ... | clapper loader |
| Anton Badstuber | ... | Digital Imaging Technician |
| Fabio Dominguez Alonso | ... | best boy (as Fabio Alonso) |
| James Forman | ... | gaffer |
| Ilaria Fulvio | ... | Focus Puller / focus puller |
| Edel Gardner | ... | best boy |
| Esteban Gimpelewicz | ... | gaffer |
| Lenka Rayn H. | ... | still photographer |
| Michael Henery | ... | cinematography equipment account manager (as Mike Henery) |
| Douglas Kwan | ... | lighting trainee |
| Marie-Claire Thomas | ... | camera trainee |
| Alex Tolios-Zisos | ... | grip |
| Bernie Totten | ... | Jimmy Jib Operator / jimmy jib operator |
| John Wenman | ... | gaffer |
Costume and Wardrobe Department
| Szabina Gyocsi | ... | costume trainee |
| William Martin | ... | Costume assistant |
| Carolina Wetterstad | ... | costume supervisor |
Editorial Department
| Matt Adams | ... | digital intermediate executive producer |
| Annalisa Boyd | ... | assistant editor |
| Jodie Davidson | ... | digital intermediate colorist |
| Johnathan Wei Dickinson | ... | digital intermediate editor |
| Grace Lan | ... | digital intermediate supervisor |
| Abigail McKenzie | ... | digital intermediate producer |
| Sean McMorris | ... | post-production manager: Molinare |
| Stuart Mcneil | ... | digital intermediate technical supervisor |
| Siôn Penny | ... | online editor |
Location Management
| Jenny Broad | ... | location scout |
| Julia Jendrysik | ... | location coordinator |
| Connor White-Andrews | ... | location scout |
Script and Continuity Department
| Liam Foley | ... | script editor |
| Sara Romanelli | ... | script supervisor |
Additional Crew
| Eliora Darmon | ... | runner |
| Hayder Rothschild Hoozeer | ... | production assistant / runner |
| Dominika Nosal | ... | runner |
| Madeleine Sara | ... | runner |
Thanks
| Danny Simmonds | ... | thanks |
