The fourth episode of FX's Shogun, based on the 1975 James Clavell novel, has been slow at times, but the fourth episode has gotten me hooked. Director Frederick E. O. Toye helmed the show, with Nigel Williams and Emily Yoshida writing. The slowness is not due to lack of action or presence, but the rhythm of the narrative. The main focus is on Cosmo Jarvis' John Blackthorne, or Anjin, as he slowly adapts to his new Japanese surroundings. This episode presents him with his biggest challenges yet, including his relationship with Moeka Hoshi's Usami Fuji. The writers use this relationship to further the relationship between Mariko (Anna Sawai) and Blackthorne, but more of it is needed as the series progresses. The two inch closer on a couple of occasions, especially during gift exchanges. The "all-noble man" schtick of Blackthorne is appreciated, but his performance in the 1600s is sometimes unappealing. The "twist" of Blackthorne not having been to a ground battle before is predictable, but the show manages to put Toranaga's men over the edge by learning how to use cannons. The political game of Shogun remains intriguing, but the development of this aspect in this episode was disappointing. The growing sense of war has been present in the past few episodes, and Sawai's character announced a guest in the final line of "The Eightfold Fence." However, the political subplot didn't stand out in this episode. It's clear that there are frustrations within the small village Toranaga and his people are living in, and the Council may be working to highlight these issues. The absence of Toranaga for most of the episode was disappointing. Anna Sawai's performance in Blackthorne's bath scene was stellar, with a special fanfare for pretending to be another woman who snuck into the Englishman's bedroom. The show's full potential is evident, but the author is eagerly anticipating more of her past. They are curious about why she speaks perfect English and why the religious subplot hasn't been revisited for a while, which is a significant aspect of the show. Shogun Season 1 Episode 4 showcases the talent of Rachel Kondo and Justin Marks in establishing tone in a world where the average viewer knows very little. The opening scenes, such as a messenger carrying an urgent missive for Lord Omi, are familiar to viewers, as they depict peasants preparing for the arrival of bigwigs and the local lord beaming with anticipation. The title of hatamoto and the mores of feudal Japan are universal concepts, and we recognize Fuji's despair when we see it. While we are learning about the customs that have cost her her son and husband and are causing her degradation, we understand the depth of her suffering on an innate level. This pain could make her a danger to those around her or instill her with profound compassion and empathy. Fuji, ordered to serve as Blackthorne's consort, begs to quit the clan and become a nun, but is denied by Lady Mariko. Both women are without their husbands, but Mariko believes Buntaro died with honor, while Fuji's husband committed seppuku, leaving her without benefits. Fuji agrees to serve as the Anjin's consort for six months, as she retains power as a former samurai caste member. Toranaga, a former member of the samurai caste, avoids seppuku byzantine schemes. The Council of Regents must recruit a replacement before handing down a death sentence to Toranaga. Shogun writers face the challenge of introducing unfamiliar traditions and practices to a Western and 21st-century audience without pandering or slowing down the action. The series is innovative and distinct, making it a cliche to compare it to TV's last great feudal epic, Game of Thrones.
1 out of 2 found this helpful.
Was this review helpful? Sign in to vote.
Permalink