Directed by
Ben Charles Edwards |
Writing Credits (in alphabetical order)
Nadia Doherty | ... | (screenplay by) |
Ben Charles Edwards | ... | (based on an original story: written by) |
Ben Charles Edwards | ... | (screenplay by) |
Cast (in credits order)
Camilla Rutherford | ... | Coral | |
Keaton Tetlow | ... | Michael | |
Nicholas Tucci | ... | Richard | |
Page Ruth | ... | Donna | |
Sandra Andreis | ... | Linda | |
Davi Santos | ... | Sam | |
Colleen Heidemann | ... | Mrs. Start | |
Malik Ibheis | ... | Pogo | |
Lida Fox | ... | Demon of Flies | |
Carl Prekopp | ... | Pogo (voice) |
Produced by
Michelle Arnusch | ... | associate producer |
Kirsty Bell | ... | producer |
John Bretherton | ... | associate producer |
Katie Dolan | ... | development producer |
Ben Charles Edwards | ... | producer |
Christopher James Lopez | ... | line producer |
Phil McKenzie | ... | executive producer |
Emily Hunter Salveson | ... | producer: Streamline Global |
Joshua Zabar | ... | producer: Streamline Global |
Music by
Will Berger | ... | (as William Berger) |
Gus Collins | ... | (as Angus Collins) |
Benjamin Markham | ||
Orri P. Dyrason | ... | (uncredited) |
Cinematography by
John Bretherton |
Editing by
Brenna Rangott | ||
John Smith | ||
Brad Watson | ... | (as Bradley Watson) |
Production Design by
Jessica Ennis | ||
Trinity Tristan |
Art Direction by
Joonie Jang | ||
Trinity Tristan |
Costume Design by
Elfee Duquette |
Makeup Department
Kevin Carter | ... | contact lens painter |
Janelle Chaplin | ... | key hair stylist |
Carmilla Cunny | ... | makeup artist |
Melanie Licata | ... | SFX Makeup Department Head / makeup department head |
Cynthia Walker | ... | makeup artist |
Production Management
Bridgett Chelini | ... | production manager |
Samantha Slater | ... | unit production manager |
Ryan Donnell Smith | ... | production executive |
Second Unit Director or Assistant Director
Mackenzie Chelini | ... | second second assistant director |
Jordan Jaffe | ... | second assistant director |
Douglas Martin Jr. | ... | first assistant director |
Art Department
Marcus Dobbs | ... | graphic designer |
Sam Sheppard | ... | props |
Trinity Tristan | ... | set designer |
Sound Department
Will Berger | ... | dialogue editor / re-recording mixer |
Gus Collins | ... | ADR supervisor / sound designer (as Angus Collins) |
Benjamin Markham | ... | sound designer |
Joshua Wichard | ... | additional voiceover |
Special Effects by
Melanie Licata | ... | special effects department head |
Tony O'Brien | ... | special effects assistant |
Visual Effects by
Stephen Grimes | ... | compositor |
Andrew R. Jones | ... | lighting & rendering technical director (as Andy Jones) |
Thomas Mattinson | ... | visual effects producer: for Viridian FX |
Gary Maudsley | ... | lead compositor |
Kit Monkman | ... | visual effects producer: for Viridian FX |
James Moreman | ... | cg supervisor |
Ben Ramskill | ... | digital compositor |
James Alastair Sarson | ... | compositor (as James Sarson) |
Osmaner Tasdiken | ... | cg generalist |
Wenqi Wan | ... | lead digital artist |
Yvette Yang | ... | visual effects editor |
Camera and Electrical Department
Matthew Atwood | ... | best boy electric |
John Bretherton | ... | a camera |
Nestor Celaya | ... | second assistant camera |
Davon Chandler | ... | stills photographer |
Alex Ciaramello | ... | electric swing grip |
Atton Conrad | ... | second unit camera operator |
Christian Cruz | ... | first assistant camera |
Dan Debrey | ... | gaffer |
Alex Deleon | ... | second assistant camera |
Karim Kassem | ... | first assistant camera dailies |
Kenneth Kildee | ... | key grip |
Michael Klein | ... | steadicam |
Logan Mitchell | ... | best boy grip |
Charlie Muentes | ... | second assistant camera dailies |
Morgan Sinclair | ... | Second Unit Camera Operator |
Casting Department
Doug Haley | ... | casting |
Costume and Wardrobe Department
Camille Lim | ... | wardrobe supervisor |
Editorial Department
Annabel Bennett | ... | post production executive producer: Whitehouse Post |
Johanna Halbartschlager | ... | post-production assistant |
Thomas Hill | ... | assistant editor |
Hannah Hunt | ... | on-line editor |
Natalia Jaeger | ... | colourist |
Brenna Rangott | ... | additional editing |
Brad Watson | ... | additional editing (as Bradley Watson) |
Pat Wintersgill | ... | digital intermediate producer |
Music Department
Gillian McGuire | ... | viola / violin (as Gillian Maguire) |
Ian Neil | ... | music supervisor |
Script and Continuity Department
Donté Grey | ... | script supervisor |
Tobi Mathews | ... | clearances: c/o Lateral 4T |
Transportation Department
Adam Kenner | ... | production driver |
Additional Crew
Kirsty Bell | ... | chief executive officer: Goldfinch |
Nicholas Carrington | ... | operations manager |
Scott Garraud | ... | production assistant |
Paul Hillier | ... | insurance: c/o Tysers |
Miranda Manziano | ... | key production assistant |
Tobi Matthews | ... | legal and business affairs / title research |
Phil McKenzie | ... | chief operations officer: Goldfinch |
Sarah Poole | ... | Group Manager: Goldfinch |
Thanks
Frances Barber | ... | special thanks |
Adam Caddy | ... | special thanks |
Chris Edwards | ... | special thanks |
Madeleine Edwards | ... | special thanks |
Sam Edwards-Nielsen | ... | special thanks |
Svana Gisla | ... | special thanks |
Alan Latham | ... | special thanks |
Chris Manno | ... | special thanks |
Philippe Martinez | ... | special thanks |
Madeline Mills | ... | special thanks |
Yasmin Mills | ... | special thanks |
Howard Price | ... | special thanks |
Becci Sheppard | ... | special thanks |
Craig Sheppard | ... | special thanks |
Roger Craig Smith | ... | special thanks (as Roger Smith) |
Shelley Smith | ... | special thanks |
Rob Stratton | ... | special thanks |
Karly Tetlow | ... | special thanks |
Nathan Tetlow | ... | special thanks |
Nicholas Tucci | ... | in memory of |