Directed by
| Kenneth Glenaan | ||
Writing Credits (in alphabetical order)
| James Kelman | ||
Cast (in credits order)
Produced by
| Marcus Lyle Brown | ... | producer |
| Yvette Marie Brown | ... | producer |
| Phil Hunt | ... | executive producer |
| Donald MacKinnon | ... | line producer |
| Compton Ross | ... | executive producer |
| Carole Sheridan | ... | producer |
| Brad Southwick | ... | line producer |
Music by
| Dirk Powell | ||
Cinematography by
| Tony Slater Ling | ||
Editing by
| Colin Monie | ||
Casting By
| Tracy Kilpatrick | ||
Production Design by
| Scotty Morris | ||
Art Direction by
| Martin Butterworth | ... | (uk) |
| Miguel Lasala | ||
Costume Design by
| Laura Faye Sirkin-Brown | ||
Makeup Department
| Courtney Callais | ... | key makeup artist |
Second Unit Director or Assistant Director
| Gilda Longoria | ... | second assistant director |
Art Department
| Anthony Chow | ... | on set dresser |
Sound Department
| Sam Biggs | ... | sound effects editor |
| Greg Crawford | ... | adr mixer: Atlanta |
| Aidan Dykes | ... | adr mixer |
| Paul Hanks | ... | foley artist |
| Kahl Henderson | ... | re-recording mixer / supervising sound editor |
| Lee Herrick | ... | dialogue/adr editor |
| Ariane Jackson | ... | sound post coordinator |
| Roy Machado | ... | adr mixer |
| Micheal MacKinnon | ... | re-recording mixer |
| Joe Morley | ... | foley artist |
| Jason Neumann | ... | adr mixer |
| Eric Richardson | ... | sound mixer |
| Simon Trundle | ... | foley mixer |
| Jon Vogl | ... | adr mixer |
| Jeremy Zussman | ... | assistant adr engineer |
Camera and Electrical Department
| Andy Abshier | ... | second assistant camera: "b" camera |
| Heidi Bayer | ... | rigging gaffer |
| Vincent Bearden | ... | camera operator: "b" camera / steadicam operator |
| Eliot Brasseaux | ... | still photographer |
| David Claar Jr. | ... | second assistant camera: "a" camera |
| Robert 'Tweedy' Francis | ... | lighting technician |
| Antoine Martin | ... | camera trainee |
| Gerard Martin | ... | first assistant camera: "a" camera |
| Nino Paternostro | ... | best boy electric / gaffer |
| Gerald Reihsen | ... | digital imaging technician |
| Tony Slater Ling | ... | camera operator |
| Calvin Ursin Jr. | ... | key grip |
| Coy Ursin | ... | grip |
| Sergio Villegas | ... | gaffer |
| Evan Woss | ... | first assistant camera: "b" camera |
Casting Department
| Mae Chapman | ... | extras casting |
| Blair Foster | ... | casting associate |
Costume and Wardrobe Department
| Colby Hébert | ... | set costumer |
| Darolyn Robertson | ... | set costumer |
Editorial Department
| Katie Croft | ... | digital intermediate assistant |
| Alexander Crone | ... | technical operator |
| Michael Hopkins | ... | digital intermediate assistant |
| Jordan Malonga | ... | technical operator |
| Lizzie Newsham | ... | digital intermediate coordinator |
| Florian Nonnenmacher | ... | first assistant editor |
| Cesar Guto Piletti | ... | digital intermediate assistant |
| Robert Wareing | ... | technical operator |
Script and Continuity Department
| Meredith Crowson | ... | script supervisor |
| Victoria Youngman | ... | script supervisor: second unit |
Transportation Department
| Ken Smith | ... | transportation coordinator |
Additional Crew
| Michelle Accurso | ... | production assistant |
| Trish Callais | ... | production coordinator |
| Natalie Coleman | ... | For Head Gear Films |
| D'Andre Kelly | ... | production assistant |
| Wicken Taylor | ... | production secretary (as Amy Wickenheiser) |
Thanks
| Liam Brennan | ... | special thanks |
| Ryan Dewar | ... | special thanks (as Ryan Alexander Dewar) |
| John-Paul Hurley | ... | special thanks |
| Helen Mackay | ... | special thanks |
