With films like “Destruction Babies” and “Miyamoto”, Tetsuya Mariko has really left an impact in the Japanese movie industry during the latest years, as one of the few remaining directors of ‘tense cinema', as established by directors such as Takashi Miike, Sion Sono, Toshiaki Toyoda and Shinya Tsukamoto. Now, with “Before Anyone Else”, he attempts to take his talents outside Japan, to the US specifically, hopefully in a new endeavor and not because he cannot find space in his home country anymore.
Before Anyone Else is screening at Osaka Asian Film Festival
In black-and-white and low definition, the movie begins with a young woman driving a car, getting out of it, and then the camera turning to the backseat, showing a baby sitting there. The next cut shows a completely different scene, in color this time, where a group of four Americans and Asian Americans break into a pawn shop.
Before Anyone Else is screening at Osaka Asian Film Festival
In black-and-white and low definition, the movie begins with a young woman driving a car, getting out of it, and then the camera turning to the backseat, showing a baby sitting there. The next cut shows a completely different scene, in color this time, where a group of four Americans and Asian Americans break into a pawn shop.
- 3/3/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Filmmaker Kenneth Karlstadt has conjured a chaotic coming of age story, “Kids In Crime,” for Norway’s TV2. The writer-director grew the project out from his well received short, “The Hunger,” into eight short episodes.
It’s a format hoped to attract younger audiences aged 16-22, who are surrounded by many alternative forms of entertainment through social media, games, and streamers. It is unclear how well this strategy worked, but the show proved to be one of 2022’s most successful shows for TV2, according to Brede Havland, producer for Einar Film Drama. It has also been nominated for the Nordisk Film & TV Fond Prize 2023.
An impactful new offering, “Kids In Crime” presents Karlstadt’s nose for rebellious but tight narratives and a set of teenage characters hoping to live with the volume turned high. Set in 2001, the show follows the three teenagers Tommy, Pål and Monica, played by newcomers Kristian Repshus,...
It’s a format hoped to attract younger audiences aged 16-22, who are surrounded by many alternative forms of entertainment through social media, games, and streamers. It is unclear how well this strategy worked, but the show proved to be one of 2022’s most successful shows for TV2, according to Brede Havland, producer for Einar Film Drama. It has also been nominated for the Nordisk Film & TV Fond Prize 2023.
An impactful new offering, “Kids In Crime” presents Karlstadt’s nose for rebellious but tight narratives and a set of teenage characters hoping to live with the volume turned high. Set in 2001, the show follows the three teenagers Tommy, Pål and Monica, played by newcomers Kristian Repshus,...
- 1/27/2023
- by Callum McLennan
- Variety Film + TV
Based on an adult-oriented manga by “Angel Guts” creator Takashi Ishii, “Mermaid Legend” was Toshiharu Ikeda’s first film after leaving Nikkatsu, and was produced by the Director’s Company and distributed by Atg. The movie won three awards in Yokohama Film Festival, for director, Actress and Cinematography, and despite its exploitation premises, also channels the intense anti-nuclear sentiment of the decade.
on YesAsia
Keisuke, a frequently drunken fisherman who opposes the construction of a nuclear plant in the seaside village he lives with his young wife, is murdered by a group of thugs who are the puppets of the corrupt contractor who is tasked with securing the location for the construction. His wife, Migiwa, actually witnesses the whole thing as it happens while she was diving, a common profession for women of the area who fished that way, barely escaping the murderers herself. When she tries to inform the police,...
on YesAsia
Keisuke, a frequently drunken fisherman who opposes the construction of a nuclear plant in the seaside village he lives with his young wife, is murdered by a group of thugs who are the puppets of the corrupt contractor who is tasked with securing the location for the construction. His wife, Migiwa, actually witnesses the whole thing as it happens while she was diving, a common profession for women of the area who fished that way, barely escaping the murderers herself. When she tries to inform the police,...
- 9/7/2022
- by Panos Kotzathanasis
- AsianMoviePulse
Beginning 2000s, director Akihiko Shiota emerged as part of a new wave of Japanese filmmakers portraying teenage alienation in postmodern Japan. Like many other famous directors of his generation, Shiota was a student of Shigehiko Hasumi at Tokyo Film School. Though less prolific than his former classmates Shinji Aoyama (“Eureka” 2000) and Kiyoshi Kurosawa (“Cure” 1997), Shiota produced impressive movies such as “Moonlight Whispers” (1999), “Harmful Insect” (2001) and “Canary” (2004), which all deal with young outcasts and a lack of parental presence. In the course of his career, Shiota shifted his focus from serious indie dramas to sentimental commercial productions and effect-filled entertainment (“Dororo” 2007). He finally ended up in the genre of medical drama with the TBS tearjerker “I Just Wanna Hug You” (2014). What may look like a decline of artistic demand, is proven wrong by Shiota’s newest film “Farewell Song” (2019).
“Farewell Song” was screened on Japannual Film Festival in Vienna.
Although Shiota...
“Farewell Song” was screened on Japannual Film Festival in Vienna.
Although Shiota...
- 10/15/2019
- by Alexander Knoth
- AsianMoviePulse
For many film fans the name Bernard Rose is usually connected to perhaps his most famous film “Candyman”. However, the English director has also made a name for himself directing many period films, for example, about the life of musician Niccolo Paganini (“The Devil’s Violinist”), Ludvig van Beethoven (“Immortal Beloved”) as well as an adaptation of Leo Tolstoy’s “Anna Karenina”. His new film “Samurai Marathon” takes place during the time and age of the samurai.
Tokyo native Nana Komatsu was born in 1996 and began her career starring in a short film, called Tadaima, before immediately graduating to movies like Close Range Love and The World Of Kanako. Prior to these, however, she was a popular account holder on Instagram and a model. By 2015 she had already won the 38th Japan Academy Prize: Newcomers Of The Year award. She has since added several awards to her roster. Her credits...
Tokyo native Nana Komatsu was born in 1996 and began her career starring in a short film, called Tadaima, before immediately graduating to movies like Close Range Love and The World Of Kanako. Prior to these, however, she was a popular account holder on Instagram and a model. By 2015 she had already won the 38th Japan Academy Prize: Newcomers Of The Year award. She has since added several awards to her roster. Her credits...
- 6/30/2019
- by Rouven Linnarz
- AsianMoviePulse
Stars: Yuya Yagira, Nijoro Murakami, Masaki Suda, Nana Komatsu | Written by Tetsuya Mariko, Kôhei Kiyasu | Directed by Tetsuya Marko
When you watch a film you often look for some meaning behind the images you are seeing. Whether it be horror, action, love, or any other genre there is an aim to the story. This is what makes Tetsuya Marko’s Destruction Babies (Disutorakushon beibîzu) so hard to pin down, because it doesn’t care about the rules, it just wants to cause chaos!
The film starts with Taira (Yuya Yagira) deciding to leave town before a coming of age festival. Nobody seems to care but for his younger brother Shota (Nijoro Murakami) who witnesses Taira being attacked by a group of young thugs. Wandering to a nearby city, he starts fighting with anybody in his path, which catches the interest of Yuya Kitahara (Masaki Suda) who soon joins Taira in his need for destruction.
When you watch a film you often look for some meaning behind the images you are seeing. Whether it be horror, action, love, or any other genre there is an aim to the story. This is what makes Tetsuya Marko’s Destruction Babies (Disutorakushon beibîzu) so hard to pin down, because it doesn’t care about the rules, it just wants to cause chaos!
The film starts with Taira (Yuya Yagira) deciding to leave town before a coming of age festival. Nobody seems to care but for his younger brother Shota (Nijoro Murakami) who witnesses Taira being attacked by a group of young thugs. Wandering to a nearby city, he starts fighting with anybody in his path, which catches the interest of Yuya Kitahara (Masaki Suda) who soon joins Taira in his need for destruction.
- 2/6/2017
- by Paul Metcalf
- Nerdly
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