Exclusive: Sales and distribution veteran Mark Lindsay to introduce five new titles to Cannes buyers.
New York-based Saboteur Media has launched a production and finance operation with a broader sales remit and hired former Miramax International senior executive Mark Lindsay as president of distribution.
The moves comes as executive director Nick Quested expands the suite of services beyond those of documentary distributor and sales company initially launched under the auspices of Goldcrest Films.
Saboteur now operates as a stand-alone entity that produces, finances and sells narrative and documentary features, with particular emphasis on empowering the New York creative community and an opportunistic eye towards television.
The company has the ability to finance tax credits and invest equity in select projects, which will not rely on pre-sales in order to get greenlight. It serves as co-producer on all five titles headed for Cannes.
Lindsay, whose executive roles have included head of sales and distribution at Kimmel International, Arclight...
New York-based Saboteur Media has launched a production and finance operation with a broader sales remit and hired former Miramax International senior executive Mark Lindsay as president of distribution.
The moves comes as executive director Nick Quested expands the suite of services beyond those of documentary distributor and sales company initially launched under the auspices of Goldcrest Films.
Saboteur now operates as a stand-alone entity that produces, finances and sells narrative and documentary features, with particular emphasis on empowering the New York creative community and an opportunistic eye towards television.
The company has the ability to finance tax credits and invest equity in select projects, which will not rely on pre-sales in order to get greenlight. It serves as co-producer on all five titles headed for Cannes.
Lindsay, whose executive roles have included head of sales and distribution at Kimmel International, Arclight...
- 4/26/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The fall festival rush is upon us. Locarno is currently ramping up. Venice has released their line-up and Thom Powers and the Toronto International Film Festival team have dropped a bomb with a previously unannounced new feature from powerhouse docu-provocateur Michael Moore. It is truly a miracle that the production of a film such as Moore’s upcoming Where To Invade Next (see still above) managed to go completely undetected by the filmmaking community until it was literally announced to world premiere at one of the largest film festivals in the world. Programmed as a one of the key films in the Special Presentations section at Tiff, the film sees Moore telling “the Pentagon to ‘stand down’ — he will do the invading for America from now on.” Also announced to premiere at Tiff was Avi Lewis’ This Changes Everything, which has slowly been rising up this list, as well as...
- 8/7/2015
- by Jordan M. Smith
- IONCINEMA.com
It’s been a surprisingly interesting month of moving and shaking in terms of doc development. Just a month after making his first public funding pitch at Toronto’s Hot Docs Forum, legendary doc filmmaker Frederick Wiseman took to Kickstarter to help cover the remaining expenses for his 40th feature film In Jackson Heights (see the film’s first trailer below). Unrelentingly rigorous in his determination to capture the American institutional landscape on film, his latest continues down this thematic rabbit hole, taking on the immensely diverse New York City neighborhood of Jackson Heights as his latest subject. According to the Kickstarter page, Wiseman is currently editing the 120 hours of rushes he shot with hopes of having the film ready for a fall festival premiere (my guess would be Tiff, where both National Gallery and At Berkeley made their North American debut), though he’s currently quite a ways away from his $75,000 goal.
- 7/6/2015
- by Jordan M. Smith
- IONCINEMA.com
Well folks, after a rather long and brutal winter (at least for me here in Buffalo), we are finally heading into the wonderful warmth of summer, but with that blast of sunshine and steamy humidity comes the mid-year drought of major film fests. After the Sheffield Doc/Fest concludes on June 10th and AFI Docs wraps on June 21st, we likely won’t see any major influx in our charts until Locarno, Venice, Telluride and Tiff announce their line-ups in rapid succession. In the meantime, we can look forward to the intriguing onslaught of films making their debut in Sheffield, including Brian Hill’s intriguing examination of Sweden’s most notorious serial killer, The Confessions of Thomas Quick, and Sean McAllister’s film for which he himself was jailed in the process of making, A Syrian Love Story, the only two films world premiering in the festival’s main competition.
- 6/1/2015
- by Jordan M. Smith
- IONCINEMA.com
It should come as no surprise that Cannes Film Festival will play host to Kent Jones’s doc on the touchstone of filmmaking interview tomes, Hitchcock/Truffaut (see photo above). The film has been floating near the top of this list since it was announced last year as in development, while Jones himself has a history with the festival, having co-written both Arnaud Desplechin’s Jimmy P. and Martin Scorsese’s My Voyage To Italy, both of which premiered in Cannes. The film is scheduled to screen as part of the Cannes Classics sidebar alongside the likes of Stig Björkman’s Ingrid Bergman, in Her Own Words, which will play as part of the festival’s tribute to the late starlet, and Gabriel Clarke and John McKenna’s Steve McQueen: The Man & Le Mans (see trailer below). As someone who grew up watching road races with my dad in Watkins Glen,...
- 5/1/2015
- by Jordan M. Smith
- IONCINEMA.com
Now that the busy winter fest schedule of Sundance, Rotterdam and the Berlinale has concluded, we’ve now got our eyes on the likes of True/False and SXSW. While, True/False does not specialize in attention grabbing world premieres, it does provide a late winter haven for cream of the crop non-fiction fare from all the previously mentioned fests and a selection of overlooked genre blending films presented in a down home setting. This year will mark my first trip to the Columbia, Missouri based fest, where I hope to catch a little of everything, from their hush-hush secret screenings, to selections from their Neither/Nor series, this year featuring chimeric Polish cinema of decades past, to a spotlight of Adam Curtis’s incisive oeuvre. But truth be told, it is SXSW, with its slew of high profile world premieres being announced, such as Alex Gibney’s Steve Jobs...
- 2/27/2015
- by Jordan M. Smith
- IONCINEMA.com
Turkey or no turkey, these next couple of days lucky filmmakers who’ve been selected to screen as part of the Sundance Film Festival will get the invitation notice straight from John Cooper and the Park City programming team, and thus, those that we’re betting have made the cut have also inched up the list a bit. One of those that seem an obvious choice to premiere at the fest is director Steve Hoover and producer Danny Yourd’s Crocodile Gennadiy. Following up their Grand Jury Prize winning Blood Brother with incredible turnaround time, our new most anticipated film tracks the delicate operations of Gennadiy Mokhnenko, a Ukrainian activist, orphanage manager and savior of countless children whose addict parents favor injected cold medicine and alcohol over them. Part heartwrenching domestic drama, part sleuth thriller, the film looks to use the Ukrainian uprising as a backdrop to highlight its protagonist...
- 11/27/2014
- by Jordan M. Smith
- IONCINEMA.com
They often get quite a bit less attention than their fictional brethren, and it doesn’t help that many films fly under the radar while development and filming is underway. To chart this course with a little more precision, I’m launching Ioncinema.com’s latest feature, What’s Up Doc?, our monthly Top 50 Most Anticipated films, a sort of hitlist and/or snapshot of the most alluring, the most promising documentary film projects from the established documentarian guard, the new crop of future voices or the fiction filmmakers who on occasion dip their toes in the form. Curated by me, Jordan M. Smith, you’ll find docu items that are in their beginning stages to being moments away from their film festival berth. Like any such list, we can expect film items to fluctuate in ranking, with the cut-off being publicly items — such recent examples include Laura Poitras’s white hot Edward Snowden project,...
- 10/23/2014
- by Jordan M. Smith
- IONCINEMA.com
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