Directed by
| Isak Borg | ||
| Dena Hysell-Cornejo | ||
Writing Credits (in alphabetical order)
| Isak Borg | ... | (screenplay by) |
| Isak Borg | ... | (story) |
| Isak Borg | ... | (written by) |
| Dena Hysell-Cornejo | ... | (story) |
| Golan Ramraz | ... | (screenplay by) |
| Golan Ramraz | ... | (story) |
| Golan Ramraz | ... | (written by) |
Cast
Produced by
| Nino Conchetta | ... | executive producer |
| D. Alan Cooksey | ... | associate producer |
| Mark A. Gamma | ... | associate producer |
| Dena Hysell-Cornejo | ... | producer: Dena Hysell-Cornejo |
| Golan Ramraz | ... | co-producer |
| Ellyn Vander Wyden | ... | line producer / producer |
Music by
| Mj Mynarski | ... | composer |
Cinematography by
| Will Turner | ||
Editing by
| Joseph Gutowski | ||
Casting By
| Russell Boast | ||
Production Design by
| Joe James | ||
Art Direction by
| Julie James | ||
Costume Design by
| Swinda Reichelt | ||
Makeup Department
| Mary Gordon | ... | key hair stylist |
| Lindsey Interrante | ... | makeup department head |
| Brian Spears | ... | prosthetics designer / special makeup effects artist |
Production Management
| Jill Sacco | ... | unit production manager |
Second Unit Director or Assistant Director
| John Carney | ... | second second assistant director |
| Jake Martin | ... | first assistant director |
| Lauren Parrelli | ... | directors assistant |
| Maricela Reyes | ... | second assistant director |
Art Department
| Daniel Barker | ... | assistant property master |
| Kelsey Hillerud | ... | set dresser |
Sound Department
| Eric Crepeau | ... | sound effects editor |
| Nicholas Fedora | ... | foley artist / foley editor / foley supervision |
| Samantha Iorio | ... | foley artist / sound designer |
| Brian Magrum | ... | adr mixer |
| Steve Neal | ... | chief engineer |
| Christopher Robleto-Harvey | ... | sound mixer (as Christopher Robleto) |
| Bernardo Zumpano | ... | foley editor |
Special Effects by
| Pete Gerner | ... | special effects |
| Brian Spears | ... | special effects |
Visual Effects by
| Mark Foscolo | ... | visual effects artist |
| Dan Pochtrager | ... | visual effects artist |
| Stuart Racey | ... | visual effects producer |
| Pete Sussi | ... | visual effects supervisor |
Stunts
| Declan Mulvey | ... | stunt coordinator |
Camera and Electrical Department
| Kaity Barnes | ... | best boy electric |
| Richard P. Dipietro | ... | best boy grip |
| Colin MacDonnell | ... | steadicam op |
| Zachary P. McGeehan | ... | camera operator |
| Brandon J. Meadows | ... | gaffer |
| Brian O'Connor | ... | key grip |
| Marc Schreibman | ... | first assistant camera |
| Tomer Sinai | ... | digital imagining technician |
| Bernd Woloszczak | ... | second assistant camera |
Costume and Wardrobe Department
| Rachel Sangalli | ... | costume assistant |
Editorial Department
| Robert Crosby | ... | colorist |
Location Management
| Mitchell Allen | ... | location assistant |
| Henry Winnik | ... | location scout |
Script and Continuity Department
| Tressa Giardina | ... | additional script supervisor |
Additional Crew
| Louise Bartolotta | ... | production assistant |
| Katie Bliss | ... | production coordinator (as Kathryn Bliss) |
| Sara Block | ... | production assistant |
| Lee Cahill | ... | animal wrangler |
| Joshua K. Carpenter | ... | distribution executive |
| Joseph N. DiCara | ... | intern on location |
| Amanda Galasso | ... | production assistant |
| Annie Jeeves | ... | publicist |
| Matt Keyser | ... | key set pa |
| Jeffrey Marvin | ... | production accountant |
| Tim Russell | ... | production assistant |
