If the Academy judged features by the same standards that they do live action shorts, the best picture ballot would be full of starry, quasi-political issue movies: well-meaning but manipulative films like “Father Stu” and “The Janes.” In this category, it’s the message that matters to Oscar voters, which makes this year’s “2024 Oscar Nominated Short Films: Live Action” program (available exclusively in theaters from ShortsTV) one of the most frustrating lineups in recent memory. Or it would, if not for the presence of one genuinely brilliant, liberatingly unserious nominee among them. That would be “The Wonderful Story of Henry Sugar,” the best of several delightful Roald Dahl adaptations director Wes Anderson cooked up for Netflix … but we’ll come to that in due time.
The slate opens with a far inferior Netflix short, “The After,” a risibly manipulative portrait of grief and finding the strength to move...
The slate opens with a far inferior Netflix short, “The After,” a risibly manipulative portrait of grief and finding the strength to move...
- 3/4/2024
- by Peter Debruge
- Variety Film + TV
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