Below you will find our total coverage of the 2013 Toronto International Film Festival, including a round up on experimental short films, reviews, and the festival-spanning dialog between our two main critics at Tiff. More interviews will be added to the index as they are published.
Correspondences
between Fernando F. Croce and Daniel Kasman
#1
Daniel Kasman's introduction
#2
Fernando F. Croce on Jim Jarmusch's Only Lovers Left Alive, François Ozon’s Young & Beautiful, Frank Pavich's Jodorowsky's Dune
#3
Daniel Kasman on Catherine Breillat's Abuse of Weakness, Jafar Panahi's Closed Curtain, Frederick Wiseman's At Berkeley
#4
Fernando F. Croce on Kelly Reichardt's Night Moves, Eli Roth's The Green Inferno, Hélène Cattet and Bruno Forzani's The Strange Colour of Your Body's Tears, Sylvain Chomet's Atilla Marcel
#5
Daniel Kasman on David Rimmer's Variations on a Cellophane Wrapper, Luther Price's Pop Takes, Kenneth Anger's Airships, Stephen Broomer's Pepper's Ghost,...
Correspondences
between Fernando F. Croce and Daniel Kasman
#1
Daniel Kasman's introduction
#2
Fernando F. Croce on Jim Jarmusch's Only Lovers Left Alive, François Ozon’s Young & Beautiful, Frank Pavich's Jodorowsky's Dune
#3
Daniel Kasman on Catherine Breillat's Abuse of Weakness, Jafar Panahi's Closed Curtain, Frederick Wiseman's At Berkeley
#4
Fernando F. Croce on Kelly Reichardt's Night Moves, Eli Roth's The Green Inferno, Hélène Cattet and Bruno Forzani's The Strange Colour of Your Body's Tears, Sylvain Chomet's Atilla Marcel
#5
Daniel Kasman on David Rimmer's Variations on a Cellophane Wrapper, Luther Price's Pop Takes, Kenneth Anger's Airships, Stephen Broomer's Pepper's Ghost,...
- 9/30/2013
- by Notebook
- MUBI
Above: a publicity image from Albert Serra's Story of My Death.
My friend,
I don't know if you heard, Fern, but apparently there are only two feature films at Tiff this year projected on 35mm—Raya Martin and Mark Peranson's La última película (which, incidentally, in its story claims to have bought up all the remaining film stock in the world to use on the picture) and, unexpectedly, Joseph H. Lewis's Gun Crazy (last year the similarly restrained Tiff Cinematheque retrospective program also only featured one movie shown on film). I keep seeing, before the movies start, prerolls for Christie digital projection systems; even a blasé audience member couldn't help but notice these booming, grandiose bumpers proclaiming the projectors' cutting edge technology. I wonder if things would be any different if over the last 100 years all movies shown on film were preceded with a trailer proclaiming the...
My friend,
I don't know if you heard, Fern, but apparently there are only two feature films at Tiff this year projected on 35mm—Raya Martin and Mark Peranson's La última película (which, incidentally, in its story claims to have bought up all the remaining film stock in the world to use on the picture) and, unexpectedly, Joseph H. Lewis's Gun Crazy (last year the similarly restrained Tiff Cinematheque retrospective program also only featured one movie shown on film). I keep seeing, before the movies start, prerolls for Christie digital projection systems; even a blasé audience member couldn't help but notice these booming, grandiose bumpers proclaiming the projectors' cutting edge technology. I wonder if things would be any different if over the last 100 years all movies shown on film were preceded with a trailer proclaiming the...
- 9/12/2013
- by Daniel Kasman
- MUBI
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