Sanga establishes the film’s offbeat style by frequently relying on Kieslowski’s quirky voiceover to frame events, a technique that boosts the effectiveness of characterization but somewhat diminishes the impact of plot developments.
This small, observant movie, directed and written by Kerem Sanga, is the better for not going in predictable directions. A story that you half-expect to turn into a melodrama stays true to the sensibilities of its immature, painfully sincere characters, who are faced with life-changing decisions.
Those expecting a balanced perspective might be tickled by the couple's chemistry but disappointed when the film opts not to make that relationship more central to the plot.
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Slant MagazineClayton Dillard
Slant MagazineClayton Dillard
Another effort to explain how difficult it is to be a young, white, smart, non-disfigured, upper-middle-class male.