"Arrested Development" Borderline Personalities (TV Episode 2013) Poster

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8/10
AD still has my heart... fire
gizmomogwai17 February 2014
Warning: Spoilers
One of the first episodes of season 4 (presuming you watched them in their intended order), Borderline Personalities begins telling what's become of George Sr. since 2006. Season 4, particularly its beginning, has been criticized as below AD standards. Looking at the beginning of the season, I think Flight of the Phoenix and Indian Takers are quite underrated. For Borderline Personalities, the "disappointing" label seems to stick better, but there are still laughs and some cleverness here.

My biggest turnoff in this episode was the bathroom humour between Barry and Oscar at the end. That's unfortunate, but not exactly unprecedented, looking at seasons 1-3. You can also argue George and Sitwell childishly struggling over blueprints is silly, but that's not unprecedented, either, and not totally unfunny. George's "vision" of the ostrich man is unusual for AD, which ruled out having dream sequences from the very beginning, but it later turns out the "ostrich man" was real. I do agree Seth Rogen was miscast as Young George.

That said, there are reasons not to overlook Borderline Personalities. Heart Fire, who communicates by thought, is a quirky new character, absurd in how well some people understand her and how she expects others to. She's probably one of the best new characters of season 4, along with Debrie, whose humour is very dark. The corrupt anesthesiologist isn't bad, either. The flashes of Buster are wonderful, too, namely his dramatic reaction to George and Lucille's "divorce" and helping Lucille smoke. Resembling a twisted mother bird feeding regurgitated food to her young, that's an inventive and cruel joke. This is certainly among the weakest of AD episodes- but weak for AD is still better than most things.
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5/10
I was warned about season 4...
bijlesexact4 September 2019
Warning: Spoilers
... and still I gave it a chance. I'm two eps in, and I'm not convinced.

When it comes to pop culture, I am always late to the party it seems. A friend tipped me about this series a year back and I couldn't really get past the pilot. It felt odd, too whacky, not for me. Until I gave it a second chance a few weeks back, and I was hooked. AD was just so fast, it had so much energy, weird callbacks, running gags, dialogue and characters that I did not want it to end.

But at the end of S03 I knew it had to end there. Michael sailing off with his son was perhaps the most striking development in the entire story. Or maybe just Maeby and George Michael.

But now S04 has started and everything is different. The actors have aged visibly - no real problem with that per se, but it feels harder to associate them with the crazy energy and huge momentum they delivered a decade ago.

The kickoff of this season feels like meeting your high school best friend again after 20 years - sure you'll have a lot to talk about, but is there really the same connection? It's tempting to go on like nothing and no-one has changed but you will find out things have. The series has been taken into another direction, in terms of tone and style, but also, something else is missing. I find myself laughing only about the callbacks to previous seasons. And that's telling.

And it's just not enough. AD was well ahead of its time - too much perhaps. It's the kind of show designed for pure binge-watching. It's too bad Netflix wasn't around at the time. Still, there's really no need for exhuming everything that was once great.
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