51
Metascore
24 reviews · Provided by Metacritic.com
- 70VarietyJustin ChangVarietyJustin ChangThis tale of a still-grieving widow (Bening) hypnotized by a dead ringer for her late husband verges on ludicrous, but ultimately succeeds at conveying one person’s complicated yet emotionally rational response to a highly irrational situation.
- 70Village VoiceSherilyn ConnellyVillage VoiceSherilyn ConnellyBening and Harris have excellent chemistry.
- 63New York PostLou LumenickNew York PostLou LumenickIt’s the wonderful performances by Bening and Harris that make this flawed, somewhat maudlin film worth seeing.
- 60The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeAnnette Bening captivates as the self-delusionist, with Ed Harris ruggedly irresistible as the object of her fantasy.
- 60Time OutKeith UhlichTime OutKeith UhlichMelodrama often risks the ridiculous to achieve the sublime, and though this unabashedly earnest tearjerker doesn’t completely transcend its narrative absurdities, it’s enough of a distinctively odd duck to keep you engaged.
- 50The DissolveMike D'AngeloThe DissolveMike D'AngeloWhether it’s worth seeing a film solely for one amazing performance is a personal judgment call; for those who take that particular leap once in a while, though, here’s a worthy candidate.
- 50The A.V. ClubIgnatiy VishnevetskyThe A.V. ClubIgnatiy VishnevetskyThe Face Of Love provides itself with countless similar opportunities for emotional sweep, and squanders most of them by being workmanlike and unambitious, presuming that a story and a string score are enough to carry a movie.
- 50Los Angeles TimesRobert AbeleLos Angeles TimesRobert AbeleArie Posin regrettably sticks to the tastefully designed, artless tear-jerker. The lost opportunity is that he's got the masterful Bening and Harris to play with, great enough actors to turn any interaction — however tritely written — into an intimate, emotionally honest dance of the scarred and delicate.
- 38Slant MagazineChuck BowenSlant MagazineChuck BowenAn almost offensively "tasteful" dud that remains irritatingly on the surface, more alive to the set design than the characters' motivations.