Directed by
Iain Softley |
Writing Credits (in alphabetical order)
Chris Gerolmo | ||
Sébastien Japrisot | ... | (novel) |
Iain Softley | ... | (screenplay) |
Cast (in credits order)
Tuppence Middleton | ... | Micky | |
Alexandra Roach | ... | Do | |
Kerry Fox | ... | Julia | |
Frances de la Tour | ... | Elinor | |
Emilia Fox | ... | Dr. Sylvie Wells | |
Aneurin Barnard | ... | Jake | |
Stanley Weber | ... | Serge | |
Alex Jennings | ... | Chance | |
Maisie Lloyd | ... | Young Do | |
Ciara Southwood | ... | Young Micky | |
Nathalie Paris | ... | Yvette | |
Erich Redman | ... | Dr. Muller | |
Elizabeth Healey | ... | Do's Mother | |
Pierre Boulanger | ... | Jean Claude | |
Tim Wallers | ... | Do's Father | |
Emma Dennis-Edwards | ... | Pub Waitress | |
Mandi Sidhu | ... | Chance's Receptionist | |
Neelam Bakshi | ... | Landlady | |
Rest of cast listed alphabetically: | |||
Dean Roof | ... | DJ (uncredited) |
Produced by
Motti Colman | ... | executive producer |
Anders Erdén | ... | executive producer (as Anders Erden) |
Peter Hampden | ... | executive producer |
Robert Jones | ... | producer |
Dixie Linder | ... | producer |
Norman Merry | ... | executive producer |
Anne Sheehan | ... | executive producer |
Lee Vandermolen | ... | executive producer |
Music by
Christian Henson |
Cinematography by
Alex Barber |
Editing by
Stuart Gazzard |
Casting By
Dixie Chassay |
Production Design by
Gary Williamson |
Art Direction by
Sarah Pasquali |
Set Decoration by
Cathy Cosgrove |
Costume Design by
Verity Hawkes |
Makeup Department
Nathaniel De'Lineadeus | ... | dental effects designer |
Carmel Jackson | ... | key makeup artist |
Chris Lyons | ... | special effects teeth |
Kristyan Mallett | ... | prosthetic supplier |
Jan Sewell | ... | makeup designer |
Lesley Smith | ... | makeup artist |
Production Management
Arnaud Duterque | ... | production manager |
Gisela Evert | ... | post-production supervisor |
Second Unit Director or Assistant Director
Dominic Channing-Williams | ... | third assistant director (as Dom Channing-Williams) |
Louise Caruana Galizia | ... | third assistant director |
Ben Harrison | ... | second assistant director: additional photography |
Art Department
Simon Annand | ... | photographs by: "The Half: Frances de la Tour" |
Temple Clark | ... | storyboard artist |
Peter Hallam | ... | property master: additional photography |
Lizzie Kilham | ... | standby art director |
Shay Leonard | ... | stand-by props |
Chris Rosser | ... | assistant art director |
William Scott | ... | painting by: "Brown Between Black: Arc No 1076" |
Richard Symons | ... | props |
Remo Tozzi | ... | set designer |
Sound Department
Tim Atkins | ... | adr recordist / sound mix assistant |
Paul Cotterell | ... | re-recording mixer |
Paul Hanks | ... | foley artist |
Andy Stallabrass | ... | adr mixer |
George Trevis | ... | sound maintenance |
Martin Trevis | ... | sound mixer |
Simon Trundle | ... | foley editor / foley mixer |
Ian Wilson | ... | supervising sound editor |
Paul Wrightson | ... | supervising dialogue editor / supervising dialogue/adr editor |
Robert Karlsson | ... | dolby sound consultant (uncredited) |
Special Effects by
Richard Conway | ... | special effects supervisor |
Nick Smith | ... | special effects technician |
Mark White | ... | special effects floor supervisor |
Visual Effects by
Carmine Agnone | ... | 3d generalist: Baseblack |
Priyanka Balasubramanian | ... | visual effects producer |
Claudio Bassi | ... | digital compositor: Baseblack |
Chris Bentley | ... | titles coordinator |
George Dodgson | ... | visual effects |
Péter Farkas | ... | digital compositor: Baseblack |
Anthony Fernandez | ... | visual effects producer |
Rudi Holzapfel | ... | visual effects supervisor: Baseblack |
Stephanie C. Kelly | ... | compositor |
Robbie Lee | ... | visual effects editor: Baseblack |
Edward Martin | ... | modeling artist |
Bhumika Mayer | ... | visual effects coordinator: Baseblack |
Abigail McKenzie | ... | digital lab operator |
Mark O'Kane | ... | character modeller/texturer |
Stephanie Jean Staunton | ... | digital compositor |
Fredrik Sundqvist | ... | titel designer |
Daniel Tomlinson | ... | scanning & recording manager |
Thomas Waddington | ... | digital lab operator |
Robin Willott | ... | visual effects |
Micky Wyle | ... | visual effects |
Tim Young | ... | digital compositor: Baseblack |
Stunts
Belinda McGinley | ... | stunts |
Camera and Electrical Department
Dave Armstrong | ... | key grip (as David Armstrong) |
Robbie Bryant | ... | central loader |
Lewis Crutch | ... | video assist |
Nicola Dove | ... | still photographer |
Ian Jackson | ... | camera trainee dailies |
Roland Keane | ... | camera facilities coordinator |
Roger McDonald | ... | additional photography |
Beau Scott | ... | camera trainee |
Morgan Spencer | ... | second assistant camera |
Nick C. Teulon | ... | trainee grip (as Nick Teulon) |
Tim Wiley | ... | gaffer |
Casting Department
Isabella Odoffin | ... | casting assistant |
Costume and Wardrobe Department
Ellen Claridge | ... | costume supervisor |
Editorial Department
Rob Ackerman | ... | technical support |
Katie Bullock-Webster | ... | post-production coordinator |
Lee Clappison | ... | digital colourist |
James Clarke | ... | head of digital intermediate |
Peter Collins | ... | digital intermediate |
Ritchie Ferguson | ... | technical support |
Thomas Goldser | ... | assistant editor |
Lee Hodgkinson | ... | post-production coordinator |
Lisa Jordan | ... | facility director: LipSync Post |
Scott Macbeth | ... | technical support |
Diana Vasquez | ... | assistant on-line editor |
Rick White | ... | head of vt |
Location Management
Jeremy Bau | ... | location manager |
Roberto Kouyoumdjian | ... | locations |
Sebastien Ordonez | ... | assistant location manager |
Robin Pim | ... | location manager |
Music Department
Leo Abrahams | ... | musician: guitars (as Leo Abrahmas) |
Dot Allison | ... | musician: vocals |
Samuel Karl Bohn | ... | assistant to composer / music technical preparation |
Goetz Botzenhardt | ... | score mixer |
Caroline Dale | ... | musician: cello |
Ben Foskett | ... | orchestrator |
Becca Gatrell | ... | music supervisor (as Rebecca Gatrell) |
Gareth Griffiths | ... | music contractor: Cool Music |
Christian Henson | ... | orchestrator |
Colin Rae | ... | music copyist |
Nick Taylor | ... | music recordist |
Huw Watkins | ... | musician: pianos |
Rolf Wilson | ... | orchestra leader |
Script and Continuity Department
Jane Jackson | ... | script supervisor |
Transportation Department
Charles Heidet | ... | picture car coordinator: France |
Additional Crew
Daren Bailey | ... | marine coordinator |
Helenka Boden | ... | floor runner/stand in |
Anna Brazinova | ... | head of administration: Prescience |
Jane Burton | ... | miscellaneous crew |
Isabel Chick | ... | production accountant for prescience |
Jon Croker | ... | story editor |
Francesca Currey | ... | production assistant: additional photography |
Katherine Evans | ... | production assistant |
Melissa Fish | ... | legal services |
Paula Jack | ... | dialect coach: pre-production |
Clare Kirby | ... | miscellaneous crew |
Graeme Law | ... | miscellaneous crew |
Amy Mobley | ... | assistant production coordinator |
Freya Pinsent | ... | production accountant |
Peter Raven | ... | production executive: Lip Sync Productions |
Rachel S. Smith | ... | floor runner/stand in |
Suzette Styler | ... | runner |
Clea Tammes | ... | unit publicist |
Claire Walker | ... | production runner |
Derek Warman | ... | fire officer |
Howard Watkins | ... | head of title design |
Thanks
Allan Scott | ... | special thanks |