55
Metascore
6 reviews · Provided by Metacritic.com
- 80Los Angeles TimesAnnlee EllingsonLos Angeles TimesAnnlee EllingsonWritten with a poet's ear and directed with an artist's eye, Forgetting the Girl plumbs the psyche of an unassuming studio photographer.
- 70VarietyJoe LeydonVarietyJoe LeydonFirst-time feature helmer Nate Taylor, working from an adroitly constructed screenplay by Peter Moore Smith, skillfully evokes a clammy sense of dread in this stealthily suspenseful indie.
- 60The New York TimesDavid DeWittThe New York TimesDavid DeWittIts characterizations may be overwrought — it is a thriller, after all — and the audience might prefer to have sympathy for a character without being practically told to feel it. But the acting is strong.
- 60The Hollywood ReporterFrank ScheckThe Hollywood ReporterFrank ScheckWhile only sporadically effective in its attempt at creating a modern-day Psycho, Forgetting the Girl does manage to sustain a sufficiently disturbing mood that is not easily forgotten.
- 42The PlaylistGabe ToroThe PlaylistGabe ToroForgetting the Girl ends up building towards a massive revelation, one that suddenly gives up the ghost and allows the film to define itself as one specific genre. Not romance or thriller or comedy, mind you, but that type of indie that plays peek-a-boo with its topics for long enough before springing something that allows the final twenty minutes to be occupied by bargain-basement pop psychology.
- 30The DissolveMike D'AngeloThe DissolveMike D'AngeloFirst-time director Nate Taylor, who has a background in editing, gives Forgetting The Girl impressive technical polish, but the performances he gets from his young, unknown cast are strictly amateur-hour.