Since he was nominated for both an Oscar and a BAFTA (which he later won) for his scene-stealing supporting performance in The Banshees of Inisherin, there’s been much talk about Barry Keoghan’s inspiring rise to fame.
As will likely be etched into Irish folklore as his Hollywood trajectory continues its sharp ascent, the Dubliner — born in one of the city’s most disadvantaged neighborhoods — would spend seven years in foster homes as a child. It was only around 2008, aged 16, when Keoghan’s love of movies was piqued by an ad in a shop window looking for actors for a new crime drama that was being shot locally. Three years later, he landed a role in Irish TV series Love/Hate (which would become a breeding ground for young Irish talent), followed by 2014’s indie hit ‘72, before breaking out internationally in 2017 with both Dunkirk and The Killing of a Sacred Deer.
As will likely be etched into Irish folklore as his Hollywood trajectory continues its sharp ascent, the Dubliner — born in one of the city’s most disadvantaged neighborhoods — would spend seven years in foster homes as a child. It was only around 2008, aged 16, when Keoghan’s love of movies was piqued by an ad in a shop window looking for actors for a new crime drama that was being shot locally. Three years later, he landed a role in Irish TV series Love/Hate (which would become a breeding ground for young Irish talent), followed by 2014’s indie hit ‘72, before breaking out internationally in 2017 with both Dunkirk and The Killing of a Sacred Deer.
- 3/10/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Jhené Aiko has dropped a new music video for her track “Tryna Smoke,” which comes off the singer’s album Chilombo. The 4/20-themed clip showcases Aiko and a group of friends, including Big Sean and Mila J, admiring a sizable bag of weed, rolling joints and smoking up.
The video, directed by Eyes, has a Seventies vibe, with the group sitting in a circle as they celebrate their love of getting high. “If I could fly/I would probably never come down,” Aiko croons in the song. “With all of...
The video, directed by Eyes, has a Seventies vibe, with the group sitting in a circle as they celebrate their love of getting high. “If I could fly/I would probably never come down,” Aiko croons in the song. “With all of...
- 4/21/2021
- by Emily Zemler
- Rollingstone.com
Jhené Aiko has released an at-home performance featuring songs from her most recent album, Chilombo, as well as one cut from her 2014 debut, Souled Out.
For the performance, Aiko set up in front of her fireplace and molded the seven tracks into a seamless and serene medley with minimal instrumental backing — just harp, keyboard, and the enveloping hum of her healing sound bowls. Aiko opened with “Triggered (Freestyle),” then went into “Trigger Protection Mantra,” “W.A.Y.S.,” “Born Tired,” “Summer 2020,” “10K Hours,” and closed with “Magic Hour.”
View this...
For the performance, Aiko set up in front of her fireplace and molded the seven tracks into a seamless and serene medley with minimal instrumental backing — just harp, keyboard, and the enveloping hum of her healing sound bowls. Aiko opened with “Triggered (Freestyle),” then went into “Trigger Protection Mantra,” “W.A.Y.S.,” “Born Tired,” “Summer 2020,” “10K Hours,” and closed with “Magic Hour.”
View this...
- 1/4/2021
- by Jon Blistein
- Rollingstone.com
Here’s one for Orange customers and information on how you can get the Orange Film to Go this week. Every week, Orange will be doing their Film Night Live which is an online web streaming Q&A to coincide with the movie that they are giving away for nothing (I can’t use the word ‘free’ but essentially it’s for the price of a text) on iTunes. This will be happening every week on Thursday and has the catchy title, Film To Go (we don’t want to hear people calling it Orange Thursdays!). Each week at 8pm, there will be a live webcast which they call Film Night Live. We’ve teamed up with Orange to bring you the bradcast on the HeyUGuys Facebook page here.
This week, the movie being given away is SoulBoy starring 2010 movie starring Martin Compston, Felicity Jones, Alfie Allen, Nichola Burley, Pat Shortt and Huey Morgan.
This week, the movie being given away is SoulBoy starring 2010 movie starring Martin Compston, Felicity Jones, Alfie Allen, Nichola Burley, Pat Shortt and Huey Morgan.
- 10/6/2011
- by David Sztypuljak
- HeyUGuys.co.uk
By Sean O’Connell
Hollywoodnews.com: The word on “Like Crazy” out of Sundance this year was that it’s the film that broke the most hearts. Felicity Jones emerged from last winter’s festival as a talent to pay attention to. That’s why she’ll be honored with the “New Hollywood Award” at this year’s 15th Annual Hollywood Film Festival and Hollywood Film Awards.
This year’s ceremony, presented by Starz Entertainment, is scheduled for Monday, Oct. 24, at the Beverly Hilton Hotel in Beverly Hills. Jones will accept the award for her work in “Crazy,” a long-distance love affair co-starring Anton Yelchin that was co-written and directed by Drake Doremus.
Paramount Vantage plans to open “Like Crazy” in theaters on Oct. 28.
In the meantime, here’s Jones’s full bio:
Felicity Jones earned a Special Jury Award for acting when “Like Crazy” debuted at the Sundance Film Festival.
Hollywoodnews.com: The word on “Like Crazy” out of Sundance this year was that it’s the film that broke the most hearts. Felicity Jones emerged from last winter’s festival as a talent to pay attention to. That’s why she’ll be honored with the “New Hollywood Award” at this year’s 15th Annual Hollywood Film Festival and Hollywood Film Awards.
This year’s ceremony, presented by Starz Entertainment, is scheduled for Monday, Oct. 24, at the Beverly Hilton Hotel in Beverly Hills. Jones will accept the award for her work in “Crazy,” a long-distance love affair co-starring Anton Yelchin that was co-written and directed by Drake Doremus.
Paramount Vantage plans to open “Like Crazy” in theaters on Oct. 28.
In the meantime, here’s Jones’s full bio:
Felicity Jones earned a Special Jury Award for acting when “Like Crazy” debuted at the Sundance Film Festival.
- 9/26/2011
- by Sean O'Connell
- Hollywoodnews.com
Universal Pictures and Relativity Media are competing with two projects based on Snow White. Deadline Hollywood is reporting that Charlize Theron and Julia Roberts are competing for the same in role, but for different studios. Theron is in negotiations for the role of the Evil Queen in Universal’s Snow White and The Huntsman, with Julia Roberts wanted for the same role, but in Relativity Media’s The Brothers Grimm: Snow White. Originally, Angelina Jolie was wanted for the role, but her busy schedule made it impossible.
Tom Hardy (Inception, The Dark Knight Rises) was originally up for the role of The Huntsman (here), but his work on the next Batman film could keep him busy. Michael Fassbender (X-men: First Class, Inglorious Basterds) is now reportedly up for the role.
With the role of the villain now pretty much taken care of, Universal is looking for their actress to portray Snow White.
Tom Hardy (Inception, The Dark Knight Rises) was originally up for the role of The Huntsman (here), but his work on the next Batman film could keep him busy. Michael Fassbender (X-men: First Class, Inglorious Basterds) is now reportedly up for the role.
With the role of the villain now pretty much taken care of, Universal is looking for their actress to portray Snow White.
- 12/14/2010
- by Matt Keith
- Killer Films
Torino Film Festival audience members will be among the first in the world to see Darragh Byrne's 'Parked', at its world premiere on December 2nd at the Italian festival. The feature will join other Irish works such as Shimmy Marcus' 'Soulboy' and Colm McCarthy's 'Outcast'. The festival has also chosen to honour 'The General' director John Boorman and 'The Dead' helmer, John Huston.
- 11/15/2010
- IFTN
The Other Guys gives comedian best opening since Elf, while arthouse film Winter's Bone dodges the curse of the 'gritty' tag
The winner
Will Ferrell has never been as potent at the UK box office as in the Us, and that remains the case, but The Other Guys posted the actor's best opening in a lead role since 2003's Elf. The £1.98m debut compares favourably with recent Ferrell releases Land Of The Lost (£643,000), Step Brothers (£1.68m) and Semi-Pro (£775,000). Blades Of Glory and Talladega Nights both opened with just over £1m, while Anchorman began its run with a relatively modest £556,000. Elf was way ahead with a debut of £4.54m.
The result is a timely fillip for the actor, who had previously overworked his patented formula of characters buoyed by "unearned confidence". As for co-star Mark Wahlberg, following on from his funny supporting turn in Date Night, The Other Guys indicates a...
The winner
Will Ferrell has never been as potent at the UK box office as in the Us, and that remains the case, but The Other Guys posted the actor's best opening in a lead role since 2003's Elf. The £1.98m debut compares favourably with recent Ferrell releases Land Of The Lost (£643,000), Step Brothers (£1.68m) and Semi-Pro (£775,000). Blades Of Glory and Talladega Nights both opened with just over £1m, while Anchorman began its run with a relatively modest £556,000. Elf was way ahead with a debut of £4.54m.
The result is a timely fillip for the actor, who had previously overworked his patented formula of characters buoyed by "unearned confidence". As for co-star Mark Wahlberg, following on from his funny supporting turn in Date Night, The Other Guys indicates a...
- 9/21/2010
- by Charles Gant
- The Guardian - Film News
The Last Exorcism (15)
(Daniel Stamm, 2010, Us) Patrick Fabian, Ashley Bell. 87 mins
There's an epic, gothic Dennis Wheatley-style horror struggling to get out of this curiously lightweight mockumentary, in which a jaded Louisiana evangelical priest (Fabian) takes on a local case of possession to prove that demons only exist in the mind. Stamm orchestrates some good old-fashioned in-camera shocks, but the handheld format is limiting, and what ought to be a truly horrific climax ends in a tired Blair Witch fizzle rather than a bang.
Certified Copy (12A)
(Abbas Kiarostami, 2010, Fr/It/UK) Juliette Binoche, William Shimell, 107 mins
Slightly wooden but deceptively memorable meta romance, in which a woman (Binoche) meets a man (Shimell) who may or may not be her husband.
Dinner For Schmucks
(12A) (Jay Roach, 2010, Us) Steve Carell, Paul Rudd, Zach Galifianakis. 114 mins
Rudd is an aspiring exec who takes Carell to his boss's who-can-bring-the-biggest-nerd dinner party.
(Daniel Stamm, 2010, Us) Patrick Fabian, Ashley Bell. 87 mins
There's an epic, gothic Dennis Wheatley-style horror struggling to get out of this curiously lightweight mockumentary, in which a jaded Louisiana evangelical priest (Fabian) takes on a local case of possession to prove that demons only exist in the mind. Stamm orchestrates some good old-fashioned in-camera shocks, but the handheld format is limiting, and what ought to be a truly horrific climax ends in a tired Blair Witch fizzle rather than a bang.
Certified Copy (12A)
(Abbas Kiarostami, 2010, Fr/It/UK) Juliette Binoche, William Shimell, 107 mins
Slightly wooden but deceptively memorable meta romance, in which a woman (Binoche) meets a man (Shimell) who may or may not be her husband.
Dinner For Schmucks
(12A) (Jay Roach, 2010, Us) Steve Carell, Paul Rudd, Zach Galifianakis. 114 mins
Rudd is an aspiring exec who takes Carell to his boss's who-can-bring-the-biggest-nerd dinner party.
- 9/3/2010
- by The guide
- The Guardian - Film News
Felicity Jones has said that she had an "extraordinary" experience working with Russell Brand and Helen Mirren on The Tempest. The SoulBoy actress, who plays Miranda in director Julie Taymor's adaptation of William Shakespeare's play, told Digital Spy that she was able to take away a lot from her time with Brand and Mirren. "It was absolutely extraordinary," she said. "They're both brilliant actors so I had a fantastic learning experience watching them work. Obviously Julie Taymor is an insane visionary so it's (more)...
- 8/31/2010
- by By Simon Reynolds
- Digital Spy
Martin Compston could have been a footballer, but gave up dreams of Celtic Park for a career in the movies. He's played the bad guy many times, but his scariest job to date? Learning to dance
It has been nearly a decade since Ken Loach cast 17-year-old Martin Compston in Sweet Sixteen, as a Scottish kid who drifts into dealing heroin. The teenager had never acted before – not uncommon for a Loach film. All he'd ever wanted was to play football. As it happens, the week he left school, he found himself with not one but two potentially life-changing offers: one from Loach and a contract with Greenock Morton Fc. It all worked out fine. Loach wangled it with the club so that he could miss a bit of training. It must have must have been a difficult decision, after a season, to hang up his boots to concentrate on acting.
It has been nearly a decade since Ken Loach cast 17-year-old Martin Compston in Sweet Sixteen, as a Scottish kid who drifts into dealing heroin. The teenager had never acted before – not uncommon for a Loach film. All he'd ever wanted was to play football. As it happens, the week he left school, he found himself with not one but two potentially life-changing offers: one from Loach and a contract with Greenock Morton Fc. It all worked out fine. Loach wangled it with the club so that he could miss a bit of training. It must have must have been a difficult decision, after a season, to hang up his boots to concentrate on acting.
- 8/26/2010
- by Cath Clarke
- The Guardian - Film News
With one movie out in September and another in production, plus the success of Amy Winehouse, Duffy and Janelle Monáe, northern soul is the sound that never dies. Paolo Hewitt explores the roots of Britain's most enduring subculture
Multimedia Alert! You can listen to many of the artists mentioned in Paolo's piece and trace the evolution of the northern soul sound from Brother Ray to Janelle Monáe by opening The Guide's cool, if highly subjective, Spotify playlist
Last June, the 62-year-old American singer Nolan Porter flew into Britain to perform sell-out shows in Warwick and Oldham. Fans who revere Porter's two massive northern soul anthems, If I Could Only Be Sure and Keep On Keeping On, afforded the singer a rapturous welcome. Backed by Birmingham soul outfit the Stone Foundation, Porter was so taken aback by the response, he vowed to return to Britain as quickly as possible.
Next month a new British film,...
Multimedia Alert! You can listen to many of the artists mentioned in Paolo's piece and trace the evolution of the northern soul sound from Brother Ray to Janelle Monáe by opening The Guide's cool, if highly subjective, Spotify playlist
Last June, the 62-year-old American singer Nolan Porter flew into Britain to perform sell-out shows in Warwick and Oldham. Fans who revere Porter's two massive northern soul anthems, If I Could Only Be Sure and Keep On Keeping On, afforded the singer a rapturous welcome. Backed by Birmingham soul outfit the Stone Foundation, Porter was so taken aback by the response, he vowed to return to Britain as quickly as possible.
Next month a new British film,...
- 8/20/2010
- The Guardian - Film News
The Illusionist and Ben Miller's directing debut, Huge, are two of the gems this year
Magicians don't exist is the forlorn message of Sylvain Chomet's beautiful animation The Illusionist, which opened the 64th Edinburgh international film festival. I should think film festival organisers often reach a similarly prosaic conclusion, for they can only work with what's in front of them. But the collection of films on show this year has certainly got some style about it, if not quite magic.
After complaining for the past few years about Edinburgh holding its gala nights in the unattractive multiplex on the edge of town, I was delighted with the transformation of the lovely old Festival theatre on Nicolson Street into an atmospheric cinema. It gave the opening night a real flourish, complete with dancing girls in feathers, a brass band and moustached mime-artists performing magic.
The Illusionist, the follow-up to the director's award-winning Belleville Rendez-Vous,...
Magicians don't exist is the forlorn message of Sylvain Chomet's beautiful animation The Illusionist, which opened the 64th Edinburgh international film festival. I should think film festival organisers often reach a similarly prosaic conclusion, for they can only work with what's in front of them. But the collection of films on show this year has certainly got some style about it, if not quite magic.
After complaining for the past few years about Edinburgh holding its gala nights in the unattractive multiplex on the edge of town, I was delighted with the transformation of the lovely old Festival theatre on Nicolson Street into an atmospheric cinema. It gave the opening night a real flourish, complete with dancing girls in feathers, a brass band and moustached mime-artists performing magic.
The Illusionist, the follow-up to the director's award-winning Belleville Rendez-Vous,...
- 6/19/2010
- by Jason Solomons
- The Guardian - Film News
A charming film from Shimmy Marcus, SoulBoy is the story of Joe (Martin Compston, Sweet Sixteen), an aspiring cool guy in his late-teens. Life in Stoke-on-Trent becomes more exciting when a new girl in town (Nichola Burley) introduces him to the world of Soul.
With his heart set on her, he throws himself into the Northern Soul music scene, making his first appearance at its epicentre: Wigan.
It would be easy to slap a “coming of age” badge on this film in the same way that the soul kids advertise their favourite artists on their leather bowling bags, but SoulBoy deserves a more nuanced description.
No issue is left untouched, giving Joe a place in the real world of relationships, role models, moral decisions, and demons. Its setting is tight in scope but universal in story as Joe tries to find his place in an established culture with customs, behaviours,...
With his heart set on her, he throws himself into the Northern Soul music scene, making his first appearance at its epicentre: Wigan.
It would be easy to slap a “coming of age” badge on this film in the same way that the soul kids advertise their favourite artists on their leather bowling bags, but SoulBoy deserves a more nuanced description.
No issue is left untouched, giving Joe a place in the real world of relationships, role models, moral decisions, and demons. Its setting is tight in scope but universal in story as Joe tries to find his place in an established culture with customs, behaviours,...
- 6/18/2010
- by Nicola Balkind
- HeyUGuys.co.uk
London -- Former Bond girl Britt Ekland, director Mike Hodges, New York's Museum of Modern Art's senior film curator Laurence Kardish and Iranian director Rafi Pitts have all been called to jury duty as the Edinburgh International Film Festival (Eiff) is due to kick off June 16.
The quartet have signed up for the festival's main draw jury, the Michael Powell jury, and will assemble under the panel's president Patrick Stewart, organizers said.
Named in homage to the U.K. filmmaker and inaugurated in 1993, the Michael Powell Award is sponsored by the U.K. Film Council and carries a prize of £15,000 ($22,000).
The prize aims to reward imagination and creativity in British filmmaking and 2009 saw Duncan Jones walk off with the prize for his debut "Moon," while the jury gave Katie Jarvis last year's best performance in a British film for "Fish Tank."
The winner of 2010's Michael Powell Award will come from Ashey Horner's "brilliantlove,...
The quartet have signed up for the festival's main draw jury, the Michael Powell jury, and will assemble under the panel's president Patrick Stewart, organizers said.
Named in homage to the U.K. filmmaker and inaugurated in 1993, the Michael Powell Award is sponsored by the U.K. Film Council and carries a prize of £15,000 ($22,000).
The prize aims to reward imagination and creativity in British filmmaking and 2009 saw Duncan Jones walk off with the prize for his debut "Moon," while the jury gave Katie Jarvis last year's best performance in a British film for "Fish Tank."
The winner of 2010's Michael Powell Award will come from Ashey Horner's "brilliantlove,...
- 6/15/2010
- by By Stuart Kemp
- The Hollywood Reporter - Movie News
Sir Patrick Stewart heads the jury at Edinburgh this year, with some strong British films in contention. Meanwhile, Madonna is to make a second foray into direction and lost gem Bronco Bullfrog is restored to its full youthful East End glory. By Jason Solomons
Tartan up the juries
Sir Patrick Stewart - we do not yet know if he will insist on using the full, grand title - is to head the Jury at the 64th Edinburgh international film festival. The actor, who can legitimately be called "Mr President" for the duration of the event, will sit in judgment over the prestigious Michael Powell award, given to the best British film at the festival. Competitors include: Paul Andrew Williams's Cherry Tree Lane (his searing debut London to Brighton premiered at the festival in 2006); Nick Moran's The Kid; Huge, the directing debut of comic actor Ben Miller; and Soulboy,...
Tartan up the juries
Sir Patrick Stewart - we do not yet know if he will insist on using the full, grand title - is to head the Jury at the 64th Edinburgh international film festival. The actor, who can legitimately be called "Mr President" for the duration of the event, will sit in judgment over the prestigious Michael Powell award, given to the best British film at the festival. Competitors include: Paul Andrew Williams's Cherry Tree Lane (his searing debut London to Brighton premiered at the festival in 2006); Nick Moran's The Kid; Huge, the directing debut of comic actor Ben Miller; and Soulboy,...
- 6/5/2010
- by Jason Solomons
- The Guardian - Film News
Two highly-anticipated second feature films from U.S. underground filmmakers will be making their World Premieres all the way over at the 64th annual Edinburgh International Film Festival, which will run for twelve days on June 16-27. The films are Rona Mark’s The Crab and Zach Clark’s Vacation!.
The Crab, which screens on June 21, is the touching story of a verbally abusive man born with two enormous, mutant-like hands; while Vacation!, which screens on June 20, tracks four urban gals let loose in a sunny seaside resort down South.
Both Mark and Clark previously screened their debut features at Eiff. Mark’s Strange Girls screened there in 2008 and Clark’s Modern Love Is Automatic screened in 2009. Both films also ended up as runners-up in Bad Lit’s annual Movie of the Year award, again Strange Girls in 2008 and Modern Love in 2009. Sadly, these two masterpieces are still unavailable on...
The Crab, which screens on June 21, is the touching story of a verbally abusive man born with two enormous, mutant-like hands; while Vacation!, which screens on June 20, tracks four urban gals let loose in a sunny seaside resort down South.
Both Mark and Clark previously screened their debut features at Eiff. Mark’s Strange Girls screened there in 2008 and Clark’s Modern Love Is Automatic screened in 2009. Both films also ended up as runners-up in Bad Lit’s annual Movie of the Year award, again Strange Girls in 2008 and Modern Love in 2009. Sadly, these two masterpieces are still unavailable on...
- 6/4/2010
- by Mike Everleth
- Underground Film Journal
The Edinburgh International Film Festival this afternoon published their full line-up for 2010, and it’s looking good. Check out the website - www.edfilmfest.org.uk
I’ll be covering the festival which runs from 16th-29th of June, so keep your eye out for reviews, interviews and insider info in our third year of coverage from Eiff.
The McHenry brothers direct Jackboots on WhiteHall an eagerly anticipated film in which Winston Churchill hides out in lawless Scotland, as an all-star cast voices an alternative animated history of WWII – I can’t wait to see this one! In Ollier Kepler’s Expanding Purple World, the brilliant Edward Hogg (White Lightnin’; Bunny and the Bull) stars in a darkly funny study of one man’s walk on the weird side. Then there’s Cherry Tree Lane, Paul Andrew Willaim’s latest thriller. Pelican Blood by Karl Golden looks pretty incredible and...
I’ll be covering the festival which runs from 16th-29th of June, so keep your eye out for reviews, interviews and insider info in our third year of coverage from Eiff.
The McHenry brothers direct Jackboots on WhiteHall an eagerly anticipated film in which Winston Churchill hides out in lawless Scotland, as an all-star cast voices an alternative animated history of WWII – I can’t wait to see this one! In Ollier Kepler’s Expanding Purple World, the brilliant Edward Hogg (White Lightnin’; Bunny and the Bull) stars in a darkly funny study of one man’s walk on the weird side. Then there’s Cherry Tree Lane, Paul Andrew Willaim’s latest thriller. Pelican Blood by Karl Golden looks pretty incredible and...
- 6/1/2010
- QuietEarth.us
London -- This year's Edinburgh International Film Festival will close with the world premiere of "Third Star," a British tragicomedy from newcomer Hattie Dalton starring Benedict Cumberbatch, Tom Burke, Jj Feild and Adam Robertson.
The movie will bookend the Scottish shindig with the previously announced opening gala of Sylvain Chomet's "The Illusionist" at the festival boasting 133 movies from 34 countries, organizers said Tuesday.
British galas competing for the U.K. Film Council sponsored Michael Powell Award for best British feature include world debuts for Paul Andrew Williams' "Cherry Tree Lane," "Huge" by Ben Miller, Edward McHenry and Rory McHenry's "Jackboots On Whitehall," Nick Moran's "The Kid," Viv Fongenie's "Ollie Kepler's Expanding Purple World," "Pelican Blood," by Karl Golden and "Soulboy" by Shimmy Marcus.
Organizers picked Ryan Piers Williams' "The Dry Land," Werner Herzog's "My Son, My Son, What Have Ye Done?," Floria Sigismondi's...
The movie will bookend the Scottish shindig with the previously announced opening gala of Sylvain Chomet's "The Illusionist" at the festival boasting 133 movies from 34 countries, organizers said Tuesday.
British galas competing for the U.K. Film Council sponsored Michael Powell Award for best British feature include world debuts for Paul Andrew Williams' "Cherry Tree Lane," "Huge" by Ben Miller, Edward McHenry and Rory McHenry's "Jackboots On Whitehall," Nick Moran's "The Kid," Viv Fongenie's "Ollie Kepler's Expanding Purple World," "Pelican Blood," by Karl Golden and "Soulboy" by Shimmy Marcus.
Organizers picked Ryan Piers Williams' "The Dry Land," Werner Herzog's "My Son, My Son, What Have Ye Done?," Floria Sigismondi's...
- 6/1/2010
- by By Stuart Kemp
- The Hollywood Reporter - Movie News
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