Endgame (2009)

Director:

Pete Travis

Writer:

Paula Milne (writer)

Genre:

Drama

Plot:

A story based on the covert discussions that brought down the Apartheid regime in South Africa. |

Plot Keywords:

Africa | South Africa | Peace | Jail Cell | 1990s

Cast

Amelia Bullmore	...	Gill
Dominik Danielewicz	...	Street Protestor
Chiwetel Ejiofor	...	President Thabo Mbeki
Kas Graham	...	Protestor
David Henry	...	Professor Marinus Wiechers
William Hurt	...	Professor Will Esterhuyse
Derek Jacobi	...	Rudolf Agnew
Langley Kirkwood	...	W / O Jack Swart
Matthew Marsh	...	F.W. de Klerk
Jonny Lee Miller	...	Michael Young
Clarke Peters	...	Nelson Mandela
Danny Scheinmann	...	Albie Sachs
Mark Strong	...	Dr. Niel Barnard
Jacques Strydom	...	Roadblock Policeman
Karl Thaning	...	F.W. de Klerk's agent
Ramon Tikaram	...	Aziz Pahad
Lizanne Tulip	...	High Profile Banker
Timothy West	...	P.W. Botha

MPAA:

Rated PG-13 for violence/disturbing images and some strong language.

Runtime:

Germany:109 min (European Film Market)

Country:

UK

Language:

English | Afrikaans | Xhosa

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

USA:PG-13 (certificate #45654)

Company:

Film Afrika Worldwide

Soundtrack:

Low Life

A hidden revolution

The end of the hated Apartheid regime in South Africa is an uplifting story, but also, as told in this drama-documentary, an oddly undramatic one. There was no revolution, nor even a commitment to reform from within. Instead, as the system became increasingly untenable on the ground in the face of growing popular unrest, a series of unofficial negotiations between prominent Afrakaaners and the opposition were eventually endorsed by F.W. de Klerk shortly after his appointment as leader of the country, in a tacit acknowledgement that he had run out of other options. Undramatic maybe, but this is still a worthy retelling of the mechanics of the process. It's surprising to see Thabo Mbeki, later much criticised as a later south African leader when he denied that H.I.V. causes A.I.D.S., portrayed here in such a positive light. William Hurt is completely convincing as an Afrikaaner, while 'Wire' veteran Clarke Peters captures the essence of Nelson Mandela with a delicate performance . There's an element of hagiography in the film's treatment of the men who negotiated, but it is justifiably an uplifting story, especially in the knowledge of how, in the main, Mandela has managed to justify his status as virtual deity since his release; and how, for all its continuing problems, South African society has not collapsed with democracy.