Directed by
Gary Hawes |
Writing Credits
Gary Hawes |
Cast (in credits order)
Vincent Gale | ... | The Man | |
Thea Gill | ... | The Woman | |
Alex Ferris | ... | The Son |
Produced by
Alistair Abell | ... | producer |
Gary Hawes | ... | producer |
Music by
Michael Richard Plowman | ... | musical composer |
Cinematography by
Ryan Bailey |
Editing by
Tyler J. Smart |
Casting By
Errin Lally | ... | (as Errin Clutton) |
Production Design by
Maurice Woodworth |
Costume Design by
Courtney Daniel |
Makeup Department
Lauren Jones | ... | hair stylist |
Ashleigh McTavish-Wisden | ... | makeup artist |
Second Unit Director or Assistant Director
Ty Haller | ... | first assistant director |
Dan Henderson | ... | second assistant director |
Art Department
Dunamis Detheridge | ... | set dresser (as Luke Detheridge) |
Sound Department
Kristian Bailey | ... | sound mixer |
Craig George | ... | effects editor |
Chris Glyn-Jones | ... | boom operator |
Dave Griffiths | ... | sound mixer (as David Griffiths) |
Mark Hensley | ... | re-recording mixer |
Neil McBride | ... | boom operator |
Angelo Nicoloyannis | ... | dialogue editor / re-recording mixer |
Naan Spiess | ... | boom operator |
Special Effects by
Philippe Filiatreault | ... | special effects (as Phil Filiatreault) |
Dan Henderson | ... | special effects |
Camera and Electrical Department
Cary Lalonde | ... | first assistant camera |
Darryl Lavelle | ... | gaffer (as Darryl Laval) |
Robin Lindala | ... | camera operator |
Ashley Maile | ... | still photographer |
Richard McSweeney | ... | second assistant camera |
Craig Riley | ... | swing: grip/lighting |
James Williams | ... | key grip |
Costume and Wardrobe Department
Allison Chretien | ... | costumer |
Editorial Department
Tyler J. Smart | ... | on-line editor |
Location Management
Sean Patrick Finnan | ... | location manager (as Sean Finnan) |
Script and Continuity Department
Faria Khan | ... | script supervisor |
Additional Crew
Katie Chapman | ... | assistant to director |
Jane Quennell | ... | caterer (as Jane Quenell) |
Thanks
Brad Brough | ... | special thanks |
Mark Callow | ... | special thanks: Callow Insurance |
Lina Cino | ... | special thanks |
Sean Clement | ... | special thanks |
Melissa Crich | ... | special thanks (as Melissa Barrie) |
Nav Degun | ... | special thanks: William F. White |
Craig Ferris | ... | special thanks (as Craig) |
Shelley Ferris | ... | special thanks |
Wendii Fulford | ... | special thanks |
Judy Gladstone | ... | special thanks: Bravo! |
Marilyn Hawes | ... | special thanks |
Ron Hawes | ... | special thanks (as Ron) |
Robert Hayley | ... | special thanks (as Rob Hayley) |
Lena Lees | ... | special thanks: Play Management |
Linda McAteer | ... | special thanks: Post Modern Sound |
Deborah Mele | ... | special thanks (as Deb Mele) |
John Mele | ... | special thanks (as John) |
Terry David Mulligan | ... | special thanks |
Don Painchaud | ... | special thanks |
John Pantages | ... | special thanks |
Patrick Ramsay | ... | special thanks (as Patrick Ramsey) |
Roger Reid | ... | special thanks: Kodak |
Mark Scott | ... | special thanks: Post Modern Sound |
Shane Smith | ... | special thanks: WWSFF |
Mike Vézina | ... | special thanks (as Mike Vezina) |
Jonas Young | ... | special thanks: Technicolor |