81
Metascore
38 reviews · Provided by Metacritic.com
- 100Screen DailyTim GriersonScreen DailyTim GriersonShe Dies Tomorrow is both cheeky and disconcerting — and unlike life, it ends right when it should.
- 90The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeMovies like this are why arthouses exist, and why we'll seek them out again as soon as it's safe to breathe near our fellow humans.
- Seimetz leaves you feeling content, exhausted, worn out, entertained, provoked, and does so in ninety minutes, no less.
- 83The A.V. ClubKatie RifeThe A.V. ClubKatie RifeIt is an emotionally vulnerable piece of work, touching on everything from the pain of experiencing a mental illness that no one around you understands to what it means to waste your life.
- 80SlashfilmMatt DonatoSlashfilmMatt DonatoAmy Seimetz plays by her own rules like this is the last film she’ll ever make (it won’t be, no shot). She Dies Tomorrow ponders self-fulfillment with agency and riveting execution. Seimetz’s fearlessness is what sells every ounce of this uncontrollable narrative’s every zig and zag. From tone to philosophy to composition, this is Seimetz’s soul on celluloid.
- 70VarietyTomris LafflyVarietyTomris LafflyThe film feels a bit too experimental at times, suffering from lags in tempo and purpose, but it never succumbs to the ordinary either. There is a rare, unrefined quality to Seimetz’s film — a personal work of art that feels deeply honest throughout.
- 63Slant MagazineChuck BowenSlant MagazineChuck BowenPerhaps as a result of her attempting to avoid all matter of clichés, not just of genre, Amy Seimetz revels in vagueness.
- 63Movie NationRoger MooreMovie NationRoger MooreThe performances click, although I have to say nobody here generates much in the line of pathos.