| Peter Mullan | ... | Joseph | |
| Olivia Colman | ... | Anita | |
| Karl Johnson | ... | Jack | |
| Paul Popplewell | ... | Pub Youth 1 | |
| William Ruane | ... | Pub Youth 2 | |
| Aston Kelly | ... | Pub Youth 3 | |
| Mahesh Soneji | ... | Man in Post Office | |
| Gaurav Soodan | ... | Youth in Post Office | |
| Osman Mohammed | ... | Youth 1 | |
| Umer Mohammed | ... | Youth 2 | |
| Patricia MacHugh | ... | Barmaid | |
| Dominic Curran | ... | Kid in Street |
Directed by | |||
| Paddy Considine | |||
Writing credits(in alphabetical order) | ||
| Paddy Considine | writer | |
Original Music by | |||
| Chris Baldwin | (original music by) | ||
Cinematography by | |||
| Thomas Townend | |||
Film Editing by | |||
| Colin Monie | |||
Casting by | |||
| Des Hamilton | |||
Production Design by | |||
| Ursula Cleary | |||
Art Direction by | |||
| Martin McNee | |||
Costume Design by | |||
| Carole K. Millar | |||
Makeup Department | |||
| Sarah Fidelo | .... | makeup designer | |
| Tracy Young | .... | makeup trainee | |
Production Management | |||
| Andrew Dearnley | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Carol-Anne Henderson | .... | second assistant director | |
| Ted Mitchell | .... | first assistant director | |
| Karen Quinn | .... | third assistant director | |
Art Department | |||
| Anne-Marie Coulter | .... | prop buyer | |
| Shona Paton | .... | stand-by art director | |
Sound Department | |||
| Phil Croal | .... | sound recordist | |
| Martin Cunningham | .... | boom operator | |
| Ben Harvey | .... | sound effects editor | |
| Greg Marshall | .... | sound re-recording mixer | |
| Leyton Rooney | .... | foley editor | |
Visual Effects by | |||
| Justin Lanchbury | .... | DI film consultant | |
Stunts | |||
| David Goodall | .... | fight arranger | |
Camera and Electrical Department | |||
| Jonny Kerr | .... | assistant camera | |
| Damian Leitch | .... | camera trainee | |
| Dean Rodgers | .... | still photographer | |
Casting Department | |||
| Des Hamilton | .... | casting assistant | |
Editorial Department | |||
| Gareth Parry | .... | on-line editor | |
| Andy Richards | .... | senior digital intermediate technician | |
| Gareth Spensley | .... | colorist | |
Other crew | |||
| Dorothy Connolley | .... | script supervisor | |
| Kieran Hannigan | .... | production trainee | |
| Kathleen MacLeod | .... | production coordinator (as Kathleen Lambie) | |
| Kathleen MacLeod | .... | production coordinator | |
| Tina Pawlik | .... | assistant production coordinator | |
| Niall Shamma | .... | production accountant | |
Thanks | |||
| Peter Carlton | .... | thanks | |
| Kahleen Crawford | .... | thanks | |
| Sam Fox | .... | thanks | |
| Sam Lavender | .... | thanks | |
| Conor McCaughan | .... | thanks | |
| Shane Meadows | .... | thanks | |
| Gary Oldman | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Lights in the Dusk | clive-ihd |
| I want it | mylundon |
| Where was it filmed? | dave-o_uk |
| funny BAFTA NO show | josh-reid2002 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb UK section |
| Add this title to MyMovies |
A man, Joseph, starts to come to a point of self-realisation about the effect that his violent and racist tendencies have on others and on himself when his rage sees him kicking his dog to the point of near death after a row in a pub. This BAFTA-winning short film from actor Paddy Considine was his directorial debut and was a personal film that he apparently wrote in only a few hours. This is not a fault with it because it appears that the character of Joseph was based on some of his father's characteristics and in this regard he was able to put them into actions easily enough.
The short film is all about the character of Joseph and his struggle to try and stop being the person that he is. In this story it is about his violent temper and so on but it could easily be about other things because as anyone with a "bad habit" knows, it is very difficult to know when you are doing it and therefore be able to stop it. Whether it be sarcasm, rudeness or something else, it often takes extremes to push oneself to the point of realising that it needs to change. The film captures this very well but it does help to have Mullan in the cast because this sort of character and setting is his bread and butter.
I don't mean to suggest that it was easy for anyone but Considine did say that he probably wouldn't have done the film without Mullan and you can understand why. His performance is really strong and the rage, self-loathing and lack of control are all plain to be seen in his eyes and body language. Considine directs well, with plenty of well-framed shots to draw the viewer into the film. I wasn't totally sure about the redemptive part of his film but I still found it to be a very well drawn character that made for a strong film. Not the most cheerful thing but still a very good short film.