Cadillac Records (2008)

Director:

Darnell Martin

Writer (WGA):

Darnell Martin (written by)

Release Date:

5 December 2008 (USA)

Genre:

Biography | Drama | History | Music | Romance

Tagline:

If you take the ride, you must pay the price.

Plot:

Chronicles the rise of Chess Records and its recording artists.

Plot Keywords:

Sex | 1950s | Homage | Singing | Rhythm And Blues

Awards:

Nominated for Golden Globe. Another 4 wins & 16 nominations

Cast

  (Credited cast)

Adrien Brody	...	Leonard Chess
Jeffrey Wright	...	Muddy Waters
Gabrielle Union	...	Geneva Wade
Columbus Short	...	Little Walter
Cedric the Entertainer	...	Willie Dixon
Emmanuelle Chriqui	...	Revetta Chess
Eamonn Walker	...	Howlin' Wolf
Mos Def	...	Chuck Berry
Beyoncé Knowles	...	Etta James
rest of cast listed alphabetically:
Joshua Alscher	...	Mick Jagger
Tim Bellow	...	Man in the Caddy
Tony Bentley	...	Lomax
Lawrence P. Beron	...	Overseer
Tammy Blanchard	...	Isabelle Allen
Eric Bogosian	...	Alan Freed
Marc Bonan	...	Keith Richards
Wayne Cobham	...	Piano - Ettas Recording Recording Group
Ryan Curtis	...	Picnic Boyfriend
Veronika Dash	...	Blonde
Eshaya Draper	...	Charles Waters - 7 Years Old
John Farrer	...	Violinist - Ettas Recording group
Shiloh Fernandez	...	Phil Chess
Jill Flint	...	Shirley Feder
Doug W. Goldman	...	Trumpet - Ettas Recording group
Gano Grills	...	Slick Pimp
Suzette Gunn	...	Minnie
Evan Hart	...	Young lover
Osas Ighodaro	...	Vicky - Maid
Kevin Jackson	...	Mysterious Black Man
Albert Jones	...	Hubert Sumlin
Nate Jones	...	Etta's Recording Group
Rayan Lawrence	...	Harmonica Player
Chyna Layne	...	Juanita
Malikha Mallette	...	Little Walter's girlfriend
Kevin Mambo	...	Jimmy Rogers
Aaron Munoz	...	Manager
Anthony Del Negro	...	Bandstand Dancer
Natasha Ononogbo	...	Muddy Waters' Girlfriend
Ginnie Randall	...	Muddy Waters Grandmother
Norman Reedus	...	Chess
Jake Robards	...	Robert
Jay O. Sanders	...	Mr. Feder
Stephen Seidel	...	Officer Brown
Derrick Simmons	...	Dice Player
Valence Thomas	...	James Cotton
Isiah Whitlock Jr.	...	Black mississippi dj
Dwan Dink Young	...	Drums - Ettas Recording group

MPAA:

Rated R for pervasive language and some sexuality.

Runtime:

109 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

USA:R (certificate #44889) | UK:15 | Ireland:15A | Singapore:M18 | Sweden:11 | Japan:PG-12 | Netherlands:16 | Australia:M

Filming Locations:

Louisiana, USA

Company:

LightWave Entertainment

Trivia:

Leonard Chess's brother Philip was his partner in both the night club and Chess Records. However, Philip never appears or is mentioned in the film.

Goofs:

Anachronisms: Alan Freed introduces "Surfin' USA." The song came out in 1963, when Freed was out of the radio business.

Quotes:

Etta James: Don't be looking at me like I ain't got no draws on.

Movie Connections:

Featured in The 66th Annual Golden Globe Awards (2009) (TV)

Soundtrack:

I Can't Be Satisfied

Huge

While this film lacks an original framework (it's "Ray" and "La Bamba" and "Hot Wax" and "Why Do Fools Fall in Love"....), both the subject--a seminal recording label--and the performances make this electrifying entertainment.

I can't speak to the accuracy of its historical facts regarding Leonard Chess' exploitation of some of music's largest figures, but the screenplay zooms along and takes us with it. Jeffrey Wright finally gets a role that hopefully will secure his stature. It's overdue. As Muddy Waters his towering strength both as a character and an actor are very impressive here. As well, the entire supporting cast (and it's a large cast) really rise to the occasion. Columbus Short as Little Walter and Gabrielle Union as Water's wife are equally impressive. And in smaller roles, Eamonn Walker as Howlin' Wolf and Mos Def as Chuck Berry nearly steal the show.

I've never been much of a fan of Adrien Brody, but in the first half of the film, he's quite effective. It's only when Beyoncé Knowles arrives that he stumbles, and who can blame him. Ms. Knowles takes a sensational role and scorches the screen. As the conflicted and troubled Etta James, there's a scene on a livingroom floor in front of a fireplace that should win Ms. Knowles many awards. And we're given a generous helping of sensational James' track very well covered by Ms. Knowles.

When we watch America's taste in music change--both before and after the centerpiece of this story--we're at first exhilarated at the discovery of this "new" form of music, and when it wanes and the lives that were propelled to stardom flag, we feel an enormous sadness. But what we know today--that these individuals became legends--is of great consolation.

I don't care that the structure is straightforward. The recreation of the period and it's attitudes are spot on, and the cinematography by Anastas N. Michos make the film rise above any weakness in the script.

Then, there's the soundtrack....