| Photos (see all 10 | slideshow) | Videos (see all 9) |
| Emile Robert | ... | Young Joe Scot | |
| Daniel Craig | ... | Adult Joe Scot | |
| Julie Ordon | ... | Carrie Ann | |
| Gina Athans | ... | Apple | |
| Erich Conrad | ... | Voice of Radio DJ (voice) | |
| Eve | ... | Ophelia Franklin | |
| Emilia Fox | ... | Sister Jean | |
| Annabel Linder | ... | Dawn | |
| Angie Ruiz | ... | Priscilla | |
| Sue Dall | ... | Maitre D | |
| Mark Strong | ... | Mannie Miesel | |
| Pope Jerrod | ... | Waiter | |
| Darron Meyer | ... | Valet | |
| Harry Eden | ... | Teenage Joe Scot | |
| Max Deacon | ... | Teenage Boots McKay | |
| Olivia Williams | ... | Grace Scot | |
| Jodhi May | ... | Evelyn Adams | |
| Miriam Karlin | ... | Mrs. Rogers | |
| Mia Clifford | ... | Young Jesse Scot | |
| Jodie Tomlinson | ... | Jane Adams | |
| Helen McCrory | ... | Peggy Tickell | |
| James D'Arcy | ... | Jack Adams | |
| Alfie Allen | ... | Kevin Hubble | |
| Sid Mitchell | ... | Chillo | |
| Max Robson | ... | Max | |
| Jade Bryant | ... | Teenage Girl | |
| Felicity Jones | ... | Young Ruth | |
| Keeley Hawes | ... | Adult Jesse Scot | |
| Claire Forlani | ... | Adult Ruth | |
| rest of cast listed alphabetically: | |||
| Sid Karne | ... | Man at Bar (uncredited) | |
Directed by | |||
| Baillie Walsh | |||
Writing credits(in alphabetical order) | ||
| Baillie Walsh | writer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| John Mathieson | |||
Film Editing by | |||
| Struan Clay | |||
Casting by | |||
| Des Hamilton | |||
| Gaby Kester | |||
Production Design by | |||
| Laurence Dorman | |||
Art Direction by | |||
| Daniel Betteridge | |||
Set Decoration by | |||
| Fred Du Preez | |||
| Shirley Lixenberg | |||
Makeup Department | |||
| Raine Edwards | .... | key hair stylist: South Africa | |
| Raine Edwards | .... | key makeup artist: South Africa | |
| Denise Kum | .... | makeup artist | |
| Donald McInnes | .... | head hair designer | |
| Donald McInnes | .... | head makeup designer | |
| Laura Schiavo | .... | key makeup artist | |
| Sophie Slotover | .... | hair trainee | |
| Sophie Slotover | .... | makeup trainee | |
| Simone Stubbs | .... | makeup artist | |
| Lian van Wyk | .... | assistant hair stylist: South Africa | |
| Lian van Wyk | .... | assistant makeup artist: South Africa | |
Production Management | |||
| Pierre Buys | .... | unit manager | |
| Meg Clark | .... | post-production supervisor | |
| Lisa Jordan | .... | post production manager | |
| Ciara McGowan | .... | production manager | |
| Deirdre Williams | .... | production manager: South Africa | |
Art Department | |||
| Will Ayres | .... | stand-by props | |
| Sacha Beattie | .... | set dresser: South Africa | |
| Maria Constantinides | .... | art department coordinator | |
| Kasey Coory | .... | construction manager | |
| Zoë Finch | .... | assistant art director | |
| Matthew Foster | .... | chargehand stand-by props | |
| Mark Hedges | .... | prop storeman: UK | |
| Egbert Kruger | .... | property master: South Africa | |
| Dougie Lankston | .... | dressing props | |
| Tom Olive | .... | set dresser: South Africa | |
| Clive Pollick | .... | construction coordinator | |
| Gigi Potter | .... | construction administrator | |
| Hannah Read | .... | assistant set decorator | |
| Robert Thorne | .... | dressing props: UK | |
| Nick Turnbull | .... | property master | |
| Liz van den Berg | .... | head scenic | |
| Claude Wittwen | .... | property buyer: South Africa | |
Sound Department | |||
| Mark Auguste | .... | supervising sound editor | |
| Sam Auguste | .... | dialogue editor | |
| Christian Bourne | .... | boom operator | |
| Paul Carr | .... | adr mixer | |
| Wayne Dodd | .... | boom operator: South Africa | |
| Craig Irving | .... | sound re-recording mixer | |
| Andrea King | .... | foley artist | |
| Conrad Kuhne | .... | sound recordist | |
| Mark Lafbery | .... | foley recordist | |
| Kevin McCue | .... | sound re-recording mixer | |
| Michael Miller | .... | adr mixer | |
| Howie Nicol | .... | sound recordist | |
| Jack Stew | .... | foley artist | |
| Chris Sturmer | .... | sound consultant: dolby | |
| Jack Whittaker | .... | foley editor | |
Special Effects by | |||
| Roly Jansen | .... | special effects supervisor | |
| Mickey Kirsten | .... | special effects supervisor | |
| Cordell McQueen | .... | pyrotechnician | |
| Vasili Rinquest | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Bentley | .... | digital lab operator | |
| Tom Collier | .... | digital compositor | |
| Neil Culley | .... | digital compositor | |
| Stefan Drury | .... | head of visual effects | |
| Yanni Goudetsidis | .... | systems engineer | |
| David Margolis | .... | digital compositor | |
| Aileen McIntosh | .... | digital lab operator: Lipsync Post | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Glen Pratt | .... | visual effects supervisor | |
| Angela Rose | .... | digital compositor | |
| Abigail Scollay | .... | digital compositor | |
| Jon Stanley | .... | senior systems engineer | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Daniel Tomlinson | .... | digital lab operator | |
| Samantha Tracey | .... | visual effects coordinator | |
| Sheila Wickens | .... | digital compositor | |
| Blake Winder | .... | digital compositor: LipSync Post | |
| Dylan Wyn Owen | .... | digital compositor | |
Stunts | |||
| Graeme Crowther | .... | stunt coordinator: UK | |
| Francois Grobbelaar | .... | key stunt rigger | |
| Sid Karne | .... | stunts | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Bonnie Lee Bouman | .... | casting director: Johannesburg | |
| Claire Catterson | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
| Des Hamilton | .... | additional casting | |
Costume and Wardrobe Department | |||
| Tracey Berg | .... | wardrobe supervisor: South Africa | |
| Emma Bull | .... | costume assistant: UK | |
| Rae Donnelly | .... | costume buyer | |
| Claire Hardaker | .... | costume assistant: UK | |
| Nawaal Hendriks | .... | stand-by costumer | |
Editorial Department | |||
| Paul Ensby | .... | digital color timer | |
| Jim Wright | .... | first assistant editor | |
Music Department | |||
| Alison Butters | .... | music clearance | |
| Liz Gallacher | .... | music supervisor | |
| Richard Hartley | .... | conductor | |
| Robin Morrison | .... | music editor | |
| Paul Talkington | .... | music contractor | |
| Gary Thomas | .... | music engineer | |
| Alan Wilson | .... | music preparation | |
Transportation Department | |||
| Pierre Buys | .... | transport manager | |
| Nick Dunn | .... | transportation captain | |
| Brian Kelly | .... | transportation captain: UK | |
| Steve Michard | .... | driver: cast | |
| Karen Russell | .... | driver: minibus | |
Thanks | |||
| Danny Mandel | .... | many thanks | |
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| Quadrophenia | Norma Jean & Marilyn | The Young Americans | Tsotsi | Le violon rouge |
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Although Flashbacks of a Fool is Daniel Craig's pet project he's the film's executive producer as well as its star it actually contains surprisingly little of the blonde hunk (though for the ladies out there, you do, admittedly, get to see his bum).
Craig plays Joe Scott, a movie star who has plenty of money and sexual satisfaction in his life, one which - when he is not indulging in coke-addled rumpy pumpy at least - is mostly spent looking out to the sea from his minimalist cliff-top pad.
Yet he has no real friends and seemingly no real future "there's no role for you ANYWHERE," his agent tells Joe, a moment after he has seen his client throw his prized mobile phone out of a restaurant window.
As Joe begins to wonder what has happened to his life, we are taken back to his adolescent days of first love on the quiet English seaside, to discover what this Brit has in fact been trying to hide from with a life of debauchery and excess in LA.
Even a fan of this film should be able see why some might find it slow and slightly dull, as it does rely on the viewer sharing in a sense of glory in the mystical power of great records, the tragic romance of nostalgia and regret, and the theme of washed-up stardom.
Perhaps that provides limited scope for the film to garner a wide audience, but for those who can find true enjoyment from subtle portrayals of youth and humanity as much as from the more obvious merits of rapid plot progression that will matter little. The direction is superb, the script never feels rushed, and the wistful tone of someone looking back to their yesterdays to get on with their today is rare in its realisation of artistic vision.
There's no big finale, but that's not to say that the conclusion is anything less than perfect in its mood and its timing. A literate film that is there to relish on a quiet afternoon, Flashbacks of a Fool feels more typical of a book by Ian McEwan (though thankfully it bears little in common to the cinematic version of Atonement) than a film starring the current Bond. It could also have you listening to Roxy Music for the rest of your weekend, even if you've never before had the urge to sing along to Bryan Ferry in the bath - a pleasing added bonus.
There is nothing foolish about this film watch it accordingly.