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Baillie Walsh (writer)
17 October 2008 (USA) more
A fading Hollywood star looks back at the days of his youth as he returns home from his best friend's funeral. | full synopsis
Film Company Ordered To Pay For Damaged House
(From WENN. 29 October 2008, 6:32 PM, PDT)
Flashbacks Of A Fool
(From New York Post. 17 October 2008, 8:17 AM, PDT)
If you are willing to become emotionally involved - this film is for you. more (32 total)
| Emile Robert | ... | Young Joe Scot | |
| Daniel Craig | ... | Adult Joe Scot | |
| Julie Ordon | ... | Carrie Ann | |
| Gina Athans | ... | Apple | |
| Erich Conrad | ... | Voice of Radio DJ (voice) | |
| Eve | ... | Ophelia Franklin | |
| Emilia Fox | ... | Sister Jean | |
| Annabel Linder | ... | Dawn | |
| Angie Ruiz | ... | Priscilla | |
| Sue Dall | ... | Maitre D | |
| Mark Strong | ... | Mannie Miesel | |
| Pope Jerrod | ... | Waiter | |
| Darron Meyer | ... | Valet | |
| Harry Eden | ... | Teenage Joe Scot | |
| Max Deacon | ... | Teenage Boots McKay | |
| Olivia Williams | ... | Grace Scot | |
| Jodhi May | ... | Evelyn Adams | |
| Miriam Karlin | ... | Mrs. Rogers | |
| Mia Clifford | ... | Young Jesse Scot | |
| Jodie Tomlinson | ... | Jane Adams | |
| Helen McCrory | ... | Peggy Tickell | |
| James D'Arcy | ... | Jack Adams | |
| Alfie Allen | ... | Kevin Hubble | |
| Sid Mitchell | ... | Chillo | |
| Max Robson | ... | Max | |
| Jade Bryant | ... | Teenage Girl | |
| Felicity Jones | ... | Young Ruth | |
| Keeley Hawes | ... | Adult Jesse Scot | |
| Claire Forlani | ... | Adult Ruth | |
| rest of cast listed alphabetically: | |||
| Sid Karne | ... | Man at Bar (uncredited) | |
Directed by | |||
| Baillie Walsh | |||
Writing credits(in alphabetical order) | ||
| Baillie Walsh | writer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| John Mathieson | |||
Film Editing by | |||
| Struan Clay | |||
Casting by | |||
| Des Hamilton | |||
| Gaby Kester | |||
Production Design by | |||
| Laurence Dorman | |||
Art Direction by | |||
| Daniel Betteridge | |||
Set Decoration by | |||
| Fred Du Preez | |||
| Shirley Lixenberg | |||
Makeup Department | |||
| Raine Edwards | .... | key hair stylist: South Africa | |
| Raine Edwards | .... | key makeup artist: South Africa | |
| Denise Kum | .... | makeup artist | |
| Donald McInnes | .... | head hair designer | |
| Donald McInnes | .... | head makeup designer | |
| Laura Schiavo | .... | key makeup artist | |
| Sophie Slotover | .... | hair trainee | |
| Sophie Slotover | .... | makeup trainee | |
| Simone Stubbs | .... | makeup artist | |
| Lian van Wyk | .... | assistant hair stylist: South Africa | |
| Lian van Wyk | .... | assistant makeup artist: South Africa | |
Production Management | |||
| Pierre Buys | .... | unit manager | |
| Meg Clark | .... | post-production supervisor | |
| Lisa Jordan | .... | post production manager | |
| Ciara McGowan | .... | production manager | |
| Deirdre Williams | .... | production manager: South Africa | |
Art Department | |||
| Will Ayres | .... | stand-by props | |
| Sacha Beattie | .... | set dresser: South Africa | |
| Maria Constantinides | .... | art department coordinator | |
| Kasey Coory | .... | construction manager | |
| Zoë Finch | .... | assistant art director | |
| Matthew Foster | .... | chargehand stand-by props | |
| Mark Hedges | .... | prop storeman: UK | |
| Egbert Kruger | .... | property master: South Africa | |
| Dougie Lankston | .... | dressing props | |
| Tom Olive | .... | set dresser: South Africa | |
| Clive Pollick | .... | construction coordinator | |
| Gigi Potter | .... | construction administrator | |
| Hannah Read | .... | assistant set decorator | |
| Robert Thorne | .... | dressing props: UK | |
| Nick Turnbull | .... | property master | |
| Liz van den Berg | .... | head scenic | |
| Claude Wittwen | .... | property buyer: South Africa | |
Sound Department | |||
| Mark Auguste | .... | supervising sound editor | |
| Sam Auguste | .... | dialogue editor | |
| Christian Bourne | .... | boom operator | |
| Paul Carr | .... | adr mixer | |
| Wayne Dodd | .... | boom operator: South Africa | |
| Craig Irving | .... | sound re-recording mixer | |
| Andrea King | .... | foley artist | |
| Conrad Kuhne | .... | sound recordist | |
| Mark Lafbery | .... | foley recordist | |
| Kevin McCue | .... | sound re-recording mixer | |
| Michael Miller | .... | adr mixer | |
| Howie Nicol | .... | sound recordist | |
| Jack Stew | .... | foley artist | |
| Chris Sturmer | .... | sound consultant: dolby | |
| Jack Whittaker | .... | foley editor | |
Special Effects by | |||
| Roly Jansen | .... | special effects supervisor | |
| Mickey Kirsten | .... | special effects supervisor | |
| Cordell McQueen | .... | pyrotechnician | |
| Vasili Rinquest | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Bentley | .... | digital lab operator | |
| Tom Collier | .... | digital compositor | |
| Neil Culley | .... | digital compositor | |
| Stefan Drury | .... | head of visual effects | |
| Yanni Goudetsidis | .... | systems engineer | |
| David Margolis | .... | digital compositor | |
| Aileen McIntosh | .... | digital lab operator: Lipsync Post | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Glen Pratt | .... | visual effects supervisor | |
| Angela Rose | .... | digital compositor | |
| Abigail Scollay | .... | digital compositor | |
| Jon Stanley | .... | senior systems engineer | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Daniel Tomlinson | .... | digital lab operator | |
| Samantha Tracey | .... | visual effects coordinator | |
| Sheila Wickens | .... | digital compositor | |
| Blake Winder | .... | digital compositor: LipSync Post | |
| Dylan Wyn Owen | .... | digital compositor | |
Stunts | |||
| Graeme Crowther | .... | stunt coordinator: UK | |
| Francois Grobbelaar | .... | key stunt rigger | |
| Sid Karne | .... | stunts | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Bonnie Lee Bouman | .... | casting director: Johannesburg | |
| Claire Catterson | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
| Des Hamilton | .... | additional casting | |
Costume and Wardrobe Department | |||
| Tracey Berg | .... | wardrobe supervisor: South Africa | |
| Emma Bull | .... | costume assistant: UK | |
| Rae Donnelly | .... | costume buyer | |
| Claire Hardaker | .... | costume assistant: UK | |
| Nawaal Hendriks | .... | stand-by costumer | |
Editorial Department | |||
| Paul Ensby | .... | digital color timer | |
| Jim Wright | .... | first assistant editor | |
Music Department | |||
| Alison Butters | .... | music clearance | |
| Liz Gallacher | .... | music supervisor | |
| Richard Hartley | .... | conductor | |
| Robin Morrison | .... | music editor | |
| Paul Talkington | .... | music contractor | |
| Gary Thomas | .... | music engineer | |
| Alan Wilson | .... | music preparation | |
Transportation Department | |||
| Pierre Buys | .... | transport manager | |
| Nick Dunn | .... | transportation captain | |
| Brian Kelly | .... | transportation captain: UK | |
| Steve Michard | .... | driver: cast | |
| Karen Russell | .... | driver: minibus | |
Thanks | |||
| Danny Mandel | .... | many thanks | |
Rated R for strong sexual content, nudity, language and some drug use.
Argentina:110 min | Greece:110 min
2.35 : 1 more
Ireland:16 | UK:15 | USA:R | Brazil:16 | Taiwan:R-12 (original rating) | Australia:MA | Finland:K-13 | Argentina:16 | Singapore:R21 (cut)
Boots:
[In the Tunnel] Hey Joe! You know David Bowie believes in aliens?
Young Joe Scot:
Yeah, I know.
[pause]
Young Joe Scot:
You stink! You need a bath.
Boots:
I had a bath.
Young Joe Scot:
When?
Boots:
I...
[thinking]
Young Joe Scot:
Exactly! You never take a bath! You stink!
Boots:
Well, how often do you have a bath then?
[...]
more
References Ring of Bright Water (1969) more
If There is Something more
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This film was right up my street. I would recommend it to anyone who is happy and indeed eager to become emotionally involved in a story. I have to say that the lip sync sequence was outstanding and it stayed in my head for days afterwards. I was thinking about the film for days after I'd seen it. There was something incredible for me in the way the whole film was shot but especially the flashbacks to the seaside - it awoke something for me from that era that I had forgotten about from my childhood and I found it strangely comforting. Not that I grew up near the sea but it struck a chord deep inside. How great to be able to capture something so brilliantly and bring it to life for others. I am envious of Baillie WALSH for this but thank God for him also. I look forward to seeing what else can be done.
Daniel CRAIG was stunning in the role, and brought it to life by showing us something we haven't seen in him too often - the sadder/nastier character - although his physique was maybe a little too perfect to make the decadent, fast living, hedonistic junkie completely believable - although I will forgive him for this! Harry EDEN who played the young Joe showed us all the awkwardness of youth and adolescence along with the desperation to grow up and all it's pitfalls. He was stunning on screen and oozed fragility. I would have liked to see the link showing how young Joe became an actor but understand there is a limit to how long a film can reasonably be.
Similarly to NOTES ON A SCANDAL and THE MOTHER - this for me was the kind of film that I could enjoy over and over and each time still feel that I am a seeing something I shouldn't - like a secret - and watching every delicious moment without being noticed myself.