36 out of 45 people found the following comment useful :- Daring, ambiguous and hard to forget, 17 January 2008
Author:
Max_cinefilo89 from Italy
First there was Sofia Coppola, who made her directorial debut with the
all but safe Virgin Suicides. Now Lucìa Puenzo, another in-bred
filmmaker (her father is one of Argentina's most famous directors), has
chosen an even more uncomfortable subject for her first steps behind
the camera, and the result is a beautiful, bold and oddly touching
picture.
Much of the movie's power derives from the astounding central
performance by Inés Efron, who plays the troubled Alex, a 15-year old
girl living in a village by the sea in Uruguay. It was her father,
marine biologist Kraken (Ricardo Darìn) who decided to move there from
Buenos Aires, and for a good reason: his daughter suffers from a rare
and frankly embarrassing medical condition, the nature of which is
hinted at in the title. It has already caused her to break her best
friend's nose, and more problems will come as the family receives an
unexpected visit from a surgeon and his young son Alvaro, with whom
Alex embarks on an awkward relationship.
XXY tackles a delicate issue with great care, allowing both sides to
speak their mind (although the movie isn't really about taking sides)
and addressing the problem without trivializing it. Most surprisingly,
it doesn't get as explicit as other films with similar themes (Boys
Don't Cry comes to mind), except for the wonderfully shocking climax
(in every sense) of one of Alex's encounters with Alvaro. It's a scene
of unexpected poignancy, especially considering the contrast between
the brutality of that moment and Alex's visible vulnerability. Therein
lies the movie's core: it is not a traditional teen story, nor is it a
conventional issue picture; at its center we have a person who is
seemingly unable to accept herself, as well as her complex bonds with
other people.
It is those connections that the director analyzes with startling
precision in the second half, with particular attention to the way the
two kids relate with their fathers (close-ups are very important here,
as the devastated looks on the great actors' faces act as a
counterbalance to the seductive landscape). And there lies the biggest
shock: Alex and Kraken, despite the difficulties they're going through,
manage to get closer, while Alvaro's apparently perfect life is
shattered in a brief, bleak lesson of cynicism from his old man. As a
matter of fact, that might be too much: that scene is just a little too
cold, too cruel to really feel at home in the picture. However, the
rest of XXY holds up in an almost perfect way, with its strong story,
affecting cast and an open ending which, despite being frustrating at
first, makes perfect sense: this kind of story cannot really end.
18 out of 22 people found the following comment useful :- Contemporary way of looking at Hermaphrodism., 7 October 2007
Author:
davidtraversa-1 from Spain
*** This comment may contain spoilers ***
I Just saw this new movie from the Argentinian cinema and found it
deeply moving.
To me the idea of showing the inner struggle of an hermaphrodite with
profound respect was a First. I never saw a movie treating this theme
before (And never in a Hollywood product!!).
Not only his/her struggle, but both his/hers parents. His/hers parents
lived 15 years (the child's present age as shown in the movie) of sheer
torment. What could they do about the problem? Where could they go to
talk about it without raising eyebrows? - the world can be terribly
cruel with anyone "different".
I remember only one scene with an albino hermaphrodite in a frontal
nude scene in a Fellini movie -"Satyricon"- But there, it was used only
as shock value. A freak case. Not here! This is a very humane movie,
very tender in it's treatment of a very delicate problem (Could it be
because the director is a woman?).
And the beautiful, truly beautiful ending! in the past a character like
this one was always killed at the end: It drowned, it fell in an abyss.
It perished, no matter how. It did not have the right to live.
It seems that now we have grown more adult somehow; in this movie, not
only the hermaphrodite refuses to be operated on, to become either a
man or a woman, NO! she decides to remain what she is: A naturally born
human being with BOTH SEXES. And really...Why not?? Great film! great,
GREAT film!
Technically though, I found a couple of faults: Although my mother
tongue is Spanish, after a while I had to put the subtitles on, since
almost all the actors (Mainly Ricardo Darin -the father of the
hermaphrodite) go through the movie mumbling their words, sort of like
Marlon Brando used to do thanks to the Actor's Studio's Method, and I
was missing part of the dialogue (My hearing is excellent, but the
straining wasn't worth it, and I was using headphones!); also they
talked in extremely low voices, so, since the sea rumble or the rain
noise are on most of the time as background sound (They are on location
in an Uruguayan beach town), they drowned the actors voices most of the
time.
I imagine the director wanted to give the feeling of casual, nonchalant
conversation. Fine, you can find the way to do it employing other ways,
not the way it was done in this movie (Maybe they didn't have enough
budget, or the sound wasn't top drawer, I don't know).
The other fault was the length of some scenes..., it looked like one of
those old 60s movies from Sweden, where the actors were shown on
profile, looking to the right into the horizon for two full minutes
without speaking a word or moving at all.
But these two faults are minor really. This film makes you think about
the very wrong and terribly unjust ways of contemporary society when
looking at minorities. Excellent all actors and a superb director.
5 out of 5 people found the following comment useful :- the story of ambiguity, 31 December 2007
Author:
Julio Marinelli from Argentina
*** This comment may contain spoilers ***
This is, perhaps, one of the most auspicious directorial debuts in
Argentine cinema, a film whose Technical quality is flawless;
containing also some surprising performances delivered by Ines Efron as
the main character an Darin as his troubled father. This is a movie
about personal choices and the confusion of the sexual awakening,
rather than a movie about a unusual physical condition the girl has.
The middle and most dramatic scene is were Alex and Alvaro have sex in
the barn, but i think this particular scene is not important for the
discovery of Alex condition that you can easily guess from the movie
title, but actually by the fact that, given the chance to choose what
to be, She will not choose to change, even against her parents
assumptions that she would want to be a girl. Towards the end of the
movie we see how she was rise being both sex at he same time as an
addition, not a subtraction. There is only one scene that I believe
doesn't work well enough, that is the personal and cold chat Alvaro and
his father have at the beach, it is just too forced and unnecessary in
a movie that is not at all explicit but actually beautifully graphic.
This is a fantastic debut for Lucia Puenzo, who manages cinematography
and the technical aspects as a professional, delivering this excellent
depiction of the ambiguity of sexual awakening were the choices that we
make are the things that define what we are beyond physical aspects.
5 out of 6 people found the following comment useful :- Choices, 15 November 2007
Author:
jruvira from San Nicolás, Argentina
*** This comment may contain spoilers ***
I wouldn't like to include spoilers, but what follows may give you some
hints. Sorry.
Some questions that may help you choose to watch this movie or not
-especially when you haven't seen the trailers before (as is usually my
case): - Are you open minded enough? - Are you able to feel empathy
with any confused human being? - Do you think that, when facing a
choice, you may choose and you may not choose at all?
XXY depicts a universal part of our lives: the discovery of our own
sexuality. What's so particular here is that Alex is given more
choices, and none falls into any categorization whatsoever. I mean,
she/he may not be homosexual if she/he chooses girls as her/his primary
object of desire. She/he may also choose men, and she/he wouldn't be
gay at all!
There are some shocking scenes (don't choose this movie for a romantic
evening!), nothing unbearable for an open-minded viewer. In fact,
you'll see them with a smile if you don't expect them. You'll say "of
course, Alex is really able to do that... I hadn't noticed!".
And the ending is, in my personal point of view, exactly the way that
situation may be resolved. May be complex for many people, but for me
it's just perfect.
Technically, sound is extremely awful. It reminds me of the movies
Lucía Puenzo's father used to do: back in the eighties, most
Argentinean movies had a really bad sound treatment. Maybe her father
paid some assistance in that topic... being Argentine myself, I left
subtitles on just in case I missed something. And they proved to be
very helpful. The set up is pretty "fairy-taley" for my taste: it makes
you feel characters like Alex are only allowed to exist, isolated, in
remote, far far away places. It resembles, somewhat, to Pan's
Labyrinth's atmosphere (it's just a resemblance, XXY has nothing to do
with Pan's Labyrinth... don't go and watch it after XXY). I don't mean
this story should be located inside a metropolitan environment, but
suburban at least. Would help us see Alex just like the girl/boy next
door.
XXY is a pleasant and moving experience. I hope you all enjoy it as I
did.
4 out of 5 people found the following comment useful :- She's A Boy/He's A Girl, 3 September 2008
Author:
Seamus2829 from United States
As everybody knows, adolescence is a roller coaster ride for the seven
odd years from 12 to 19 (and sometimes even longer). Add the premise of
being a 15 year old Hermaphrodite,and things can get even scarier. This
is the story of a 15 year old Argentine girl,living on the Argentine
coastline. A visit from another couple,with their 15 year old son makes
this for an unusual,but sensitively played drama that in the hands of
another director would/could be easily turned into crass exploitation.
Granted,there is sexual experimentation aplenty,but this is handled
with taste (don't expect a John Waters-esquire treatment here---not
like in Pink Flamingo's,anyway). This is a well written,directed,filmed
& acted out drama about mature subject matter. No rating here (it
wasn't submitted for an rating from the M.P.A.A.),but contains some
very mature subject matter,including a rather uncomfortable sexual
harassment scene).
4 out of 5 people found the following comment useful :- Boy Meets Girl - In Spades, 26 December 2007
Author:
writers_reign from London, England
*** This comment may contain spoilers ***
I heard a lot of good things about this movie so I decided to give it a
whirl though I can't claim to be a fan of Argentinean cinema nor too
wild about 'controversial' subjects but in spite of an appalling
soundtrack - and I caught it in a top-of-the-line multiplex - its
ultimate sensitivity won me over. Apparently the first-time director
Lucia Puenzo is the daughter of a well-known (presumabmly domestic)
Argentinian director and the fact that she is female may have something
to do with the delicate way she handles the story of a fifteen year old
hermaphrodite facing parental pressure to opt for one sex or the other
and sign up for the applicable surgery. To everyone's credit the film
avoids the almost obligatory tragic ending in such cases usually
involving suicide or 'accidental' death and thus resulting in a 'clean'
ending; far from it; in this case the person involved opts to go
through life just as he/she is and deal with each problem as it occurs.
Not for everyone, of course, but a brave film that deserves to find its
audience.
1 out of 1 people found the following comment useful :- An unusual coming-of-age, 31 August 2008
Author:
herjoch from Germany
Hermaphrodites or intersexuals,as they are called today - imho a
slightly pejorative expression - are a rare theme in contemporary art;
I can only think of Euginides book "Middlesex". The more it is
surprising,that "XXY" comes from Argentine, a country not especially
prominent in modern gender discourses. But Luisa Puenza impresses in
her first feature film with a sensibility and open-mindedness,which
will last in the memory for a long time.Puberty is always a difficult
state between two identities: Not longer a child and not yet an
adult.For the main protagonist Alex that problem doubles,because for
her there is also the question of her future sexual identity.Society
demands a clear decision.Like the language,which cannot find an
expression for his/her existence - the adults alternately speak of
"her" or "him" -, so the medicine aims at subjecting everyone to its
sexual bipolarity. With witty dialogs and panache the film proclaims
the right of being different and of searching one's own sexual niche.
But luckily it's far from being dogmatic or didactic.It also
understands the position of the parents to give their child a kind of
shelter and save it from the confrontation with society.What the film
openly criticizes are the operations, or should I better say
amputations shortly after birth. The acting is generally fine,
especially by Efron("Glue") and Darin.The missing star is the result of
little flaws: In some places it too symbolically conceived: It takes
place at the coast,which combines land and water; the father working as
a marine biologist for sea turtles,whose sex cannot be defined from
outside.Such clear hints wouldn't have been necessary. Luckily in our
modern advanced society it is for an individual easier possible to
define its own "normality" and fight for it, though it will be a
lifelong fight.The film shows that in a way encouraging the viewers.
0 out of 1 people found the following comment useful :- Just good intentions (but excellent players ), 2 May 2008
Author:
gbx06 from Mexico
*** This comment may contain spoilers ***
I confess that what most caught my attention about the film was to know
that it won the prize of critics week at Cannes Film Festival and this
was my great motivation. Less or nothing I knew about the plot, I only
knew what was necessary, a hermaphrodite girl trough her puberty and
physical problems.
But even with the controversy that a topic like this could generate or
the different ways in which we can tackle this problem, I found myself
in front of a movie that only uses this fact like a pretext for telling
a story much more deep and universal: the parent-child relationship. So
even that the film is moving in dangerous and turbulent waters it
maintains by two main characters played by Darin and Palacios.
So while the movie shows the tribulations of a young woman seen as a
freak and the sexual doubts of a "normal" teenager, the real tension
focuses on the relationship of the parents which are the two faces of a
same coin. So while a parent tries to understand and help her daughter
to choose an operation, the other one despises his "healthy" son for
believing him something useless (the campfire scene is really
excellent).
Unfortunately, even when the movie gets anthology moments the lack of a
decisive action to deepen squarely on the discrimination issue and
hatred to everything that we think different from normal (like sometime
Boys don't cry made it), so the director Lucia Puenzo never takes risks
to go beyond of a politically correct film (even with their
"violations") where the fable's end is just a closer look to the
differences in a general way. For this reasons, the film is only good
intentions even when everything else is almost perfect.
3 out of 7 people found the following comment useful :- shocking in an uncommon way, 4 January 2008
Author:
claudiarefresh from France
*** This comment may contain spoilers ***
It is probably the most shocking move I've seen. It wasn't only the
scene which is shocking, what shocked me is how a human being can live
like this, being tortured by who she/he really is. How pathetic if we
can't even love the way we are! Just because we are different?? I felt
sad and I cried when she was almost raped by a group of boys, what she
got was the worst discrimination a human being could face. But she has
no right to defend for herself, the way her body is. Just because she
is different!
I was truly moved by how parents' love could be, the real acceptance
with someone we love, is the real family love.
4 out of 9 people found the following comment useful :- Worth watching, 5 March 2008
Author:
louiseaj08 from United Kingdom
*** This comment may contain spoilers ***
I saw it yesterday and thought it was great. Not so sure about the
ending which was a bit open ended but it was pretty good all the same.
The girl (Ines Efron) who plays Alex is a PRETTY good actress. I quite
like the character of her father and thought the guy who played him was
really good as well. There were several main characters in the film yet
all their emotions and viewpoints were portrayed clearly. They all got
so say their part. There was no focusing on just Alex all the time. The
film was the right duration, set in the right locations, the
soundtrack...I can't actually remember a sound track. Maybe some more
incidental music could have been used. Not huge hits or anything, just
music for effect.. I think it as there though because somehow the
feelings still came anyway. For Lucia Puenzo's first film...I'm
impressed. Yeah, all in all it was good and I think it is worth
watching. Go see it.
Own the rights?

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36 out of 45 people found the following comment useful :-

Daring, ambiguous and hard to forget, 17 January 2008
Author: Max_cinefilo89 from Italy
First there was Sofia Coppola, who made her directorial debut with the all but safe Virgin Suicides. Now Lucìa Puenzo, another in-bred filmmaker (her father is one of Argentina's most famous directors), has chosen an even more uncomfortable subject for her first steps behind the camera, and the result is a beautiful, bold and oddly touching picture.
Much of the movie's power derives from the astounding central performance by Inés Efron, who plays the troubled Alex, a 15-year old girl living in a village by the sea in Uruguay. It was her father, marine biologist Kraken (Ricardo Darìn) who decided to move there from Buenos Aires, and for a good reason: his daughter suffers from a rare and frankly embarrassing medical condition, the nature of which is hinted at in the title. It has already caused her to break her best friend's nose, and more problems will come as the family receives an unexpected visit from a surgeon and his young son Alvaro, with whom Alex embarks on an awkward relationship.
XXY tackles a delicate issue with great care, allowing both sides to speak their mind (although the movie isn't really about taking sides) and addressing the problem without trivializing it. Most surprisingly, it doesn't get as explicit as other films with similar themes (Boys Don't Cry comes to mind), except for the wonderfully shocking climax (in every sense) of one of Alex's encounters with Alvaro. It's a scene of unexpected poignancy, especially considering the contrast between the brutality of that moment and Alex's visible vulnerability. Therein lies the movie's core: it is not a traditional teen story, nor is it a conventional issue picture; at its center we have a person who is seemingly unable to accept herself, as well as her complex bonds with other people.
It is those connections that the director analyzes with startling precision in the second half, with particular attention to the way the two kids relate with their fathers (close-ups are very important here, as the devastated looks on the great actors' faces act as a counterbalance to the seductive landscape). And there lies the biggest shock: Alex and Kraken, despite the difficulties they're going through, manage to get closer, while Alvaro's apparently perfect life is shattered in a brief, bleak lesson of cynicism from his old man. As a matter of fact, that might be too much: that scene is just a little too cold, too cruel to really feel at home in the picture. However, the rest of XXY holds up in an almost perfect way, with its strong story, affecting cast and an open ending which, despite being frustrating at first, makes perfect sense: this kind of story cannot really end.
18 out of 22 people found the following comment useful :-

Contemporary way of looking at Hermaphrodism., 7 October 2007
Author: davidtraversa-1 from Spain
*** This comment may contain spoilers ***
I Just saw this new movie from the Argentinian cinema and found it deeply moving.
To me the idea of showing the inner struggle of an hermaphrodite with profound respect was a First. I never saw a movie treating this theme before (And never in a Hollywood product!!).
Not only his/her struggle, but both his/hers parents. His/hers parents lived 15 years (the child's present age as shown in the movie) of sheer torment. What could they do about the problem? Where could they go to talk about it without raising eyebrows? - the world can be terribly cruel with anyone "different".
I remember only one scene with an albino hermaphrodite in a frontal nude scene in a Fellini movie -"Satyricon"- But there, it was used only as shock value. A freak case. Not here! This is a very humane movie, very tender in it's treatment of a very delicate problem (Could it be because the director is a woman?).
And the beautiful, truly beautiful ending! in the past a character like this one was always killed at the end: It drowned, it fell in an abyss. It perished, no matter how. It did not have the right to live.
It seems that now we have grown more adult somehow; in this movie, not only the hermaphrodite refuses to be operated on, to become either a man or a woman, NO! she decides to remain what she is: A naturally born human being with BOTH SEXES. And really...Why not?? Great film! great, GREAT film!
Technically though, I found a couple of faults: Although my mother tongue is Spanish, after a while I had to put the subtitles on, since almost all the actors (Mainly Ricardo Darin -the father of the hermaphrodite) go through the movie mumbling their words, sort of like Marlon Brando used to do thanks to the Actor's Studio's Method, and I was missing part of the dialogue (My hearing is excellent, but the straining wasn't worth it, and I was using headphones!); also they talked in extremely low voices, so, since the sea rumble or the rain noise are on most of the time as background sound (They are on location in an Uruguayan beach town), they drowned the actors voices most of the time.
I imagine the director wanted to give the feeling of casual, nonchalant conversation. Fine, you can find the way to do it employing other ways, not the way it was done in this movie (Maybe they didn't have enough budget, or the sound wasn't top drawer, I don't know).
The other fault was the length of some scenes..., it looked like one of those old 60s movies from Sweden, where the actors were shown on profile, looking to the right into the horizon for two full minutes without speaking a word or moving at all.
But these two faults are minor really. This film makes you think about the very wrong and terribly unjust ways of contemporary society when looking at minorities. Excellent all actors and a superb director.
5 out of 5 people found the following comment useful :-

the story of ambiguity, 31 December 2007
Author: Julio Marinelli from Argentina
*** This comment may contain spoilers ***
This is, perhaps, one of the most auspicious directorial debuts in Argentine cinema, a film whose Technical quality is flawless; containing also some surprising performances delivered by Ines Efron as the main character an Darin as his troubled father. This is a movie about personal choices and the confusion of the sexual awakening, rather than a movie about a unusual physical condition the girl has.
The middle and most dramatic scene is were Alex and Alvaro have sex in the barn, but i think this particular scene is not important for the discovery of Alex condition that you can easily guess from the movie title, but actually by the fact that, given the chance to choose what to be, She will not choose to change, even against her parents assumptions that she would want to be a girl. Towards the end of the movie we see how she was rise being both sex at he same time as an addition, not a subtraction. There is only one scene that I believe doesn't work well enough, that is the personal and cold chat Alvaro and his father have at the beach, it is just too forced and unnecessary in a movie that is not at all explicit but actually beautifully graphic.
This is a fantastic debut for Lucia Puenzo, who manages cinematography and the technical aspects as a professional, delivering this excellent depiction of the ambiguity of sexual awakening were the choices that we make are the things that define what we are beyond physical aspects.
5 out of 6 people found the following comment useful :-

Choices, 15 November 2007
Author: jruvira from San Nicolás, Argentina
*** This comment may contain spoilers ***
I wouldn't like to include spoilers, but what follows may give you some hints. Sorry.
Some questions that may help you choose to watch this movie or not -especially when you haven't seen the trailers before (as is usually my case): - Are you open minded enough? - Are you able to feel empathy with any confused human being? - Do you think that, when facing a choice, you may choose and you may not choose at all?
XXY depicts a universal part of our lives: the discovery of our own sexuality. What's so particular here is that Alex is given more choices, and none falls into any categorization whatsoever. I mean, she/he may not be homosexual if she/he chooses girls as her/his primary object of desire. She/he may also choose men, and she/he wouldn't be gay at all!
There are some shocking scenes (don't choose this movie for a romantic evening!), nothing unbearable for an open-minded viewer. In fact, you'll see them with a smile if you don't expect them. You'll say "of course, Alex is really able to do that... I hadn't noticed!".
And the ending is, in my personal point of view, exactly the way that situation may be resolved. May be complex for many people, but for me it's just perfect.
Technically, sound is extremely awful. It reminds me of the movies Lucía Puenzo's father used to do: back in the eighties, most Argentinean movies had a really bad sound treatment. Maybe her father paid some assistance in that topic... being Argentine myself, I left subtitles on just in case I missed something. And they proved to be very helpful. The set up is pretty "fairy-taley" for my taste: it makes you feel characters like Alex are only allowed to exist, isolated, in remote, far far away places. It resembles, somewhat, to Pan's Labyrinth's atmosphere (it's just a resemblance, XXY has nothing to do with Pan's Labyrinth... don't go and watch it after XXY). I don't mean this story should be located inside a metropolitan environment, but suburban at least. Would help us see Alex just like the girl/boy next door.
XXY is a pleasant and moving experience. I hope you all enjoy it as I did.
4 out of 5 people found the following comment useful :-

She's A Boy/He's A Girl, 3 September 2008
Author: Seamus2829 from United States
As everybody knows, adolescence is a roller coaster ride for the seven odd years from 12 to 19 (and sometimes even longer). Add the premise of being a 15 year old Hermaphrodite,and things can get even scarier. This is the story of a 15 year old Argentine girl,living on the Argentine coastline. A visit from another couple,with their 15 year old son makes this for an unusual,but sensitively played drama that in the hands of another director would/could be easily turned into crass exploitation. Granted,there is sexual experimentation aplenty,but this is handled with taste (don't expect a John Waters-esquire treatment here---not like in Pink Flamingo's,anyway). This is a well written,directed,filmed & acted out drama about mature subject matter. No rating here (it wasn't submitted for an rating from the M.P.A.A.),but contains some very mature subject matter,including a rather uncomfortable sexual harassment scene).
4 out of 5 people found the following comment useful :-

Boy Meets Girl - In Spades, 26 December 2007
Author: writers_reign from London, England
*** This comment may contain spoilers ***
I heard a lot of good things about this movie so I decided to give it a whirl though I can't claim to be a fan of Argentinean cinema nor too wild about 'controversial' subjects but in spite of an appalling soundtrack - and I caught it in a top-of-the-line multiplex - its ultimate sensitivity won me over. Apparently the first-time director Lucia Puenzo is the daughter of a well-known (presumabmly domestic) Argentinian director and the fact that she is female may have something to do with the delicate way she handles the story of a fifteen year old hermaphrodite facing parental pressure to opt for one sex or the other and sign up for the applicable surgery. To everyone's credit the film avoids the almost obligatory tragic ending in such cases usually involving suicide or 'accidental' death and thus resulting in a 'clean' ending; far from it; in this case the person involved opts to go through life just as he/she is and deal with each problem as it occurs. Not for everyone, of course, but a brave film that deserves to find its audience.
1 out of 1 people found the following comment useful :-

An unusual coming-of-age, 31 August 2008
Author: herjoch from Germany
Hermaphrodites or intersexuals,as they are called today - imho a slightly pejorative expression - are a rare theme in contemporary art; I can only think of Euginides book "Middlesex". The more it is surprising,that "XXY" comes from Argentine, a country not especially prominent in modern gender discourses. But Luisa Puenza impresses in her first feature film with a sensibility and open-mindedness,which will last in the memory for a long time.Puberty is always a difficult state between two identities: Not longer a child and not yet an adult.For the main protagonist Alex that problem doubles,because for her there is also the question of her future sexual identity.Society demands a clear decision.Like the language,which cannot find an expression for his/her existence - the adults alternately speak of "her" or "him" -, so the medicine aims at subjecting everyone to its sexual bipolarity. With witty dialogs and panache the film proclaims the right of being different and of searching one's own sexual niche. But luckily it's far from being dogmatic or didactic.It also understands the position of the parents to give their child a kind of shelter and save it from the confrontation with society.What the film openly criticizes are the operations, or should I better say amputations shortly after birth. The acting is generally fine, especially by Efron("Glue") and Darin.The missing star is the result of little flaws: In some places it too symbolically conceived: It takes place at the coast,which combines land and water; the father working as a marine biologist for sea turtles,whose sex cannot be defined from outside.Such clear hints wouldn't have been necessary. Luckily in our modern advanced society it is for an individual easier possible to define its own "normality" and fight for it, though it will be a lifelong fight.The film shows that in a way encouraging the viewers.
0 out of 1 people found the following comment useful :-

Just good intentions (but excellent players ), 2 May 2008
Author: gbx06 from Mexico
*** This comment may contain spoilers ***
I confess that what most caught my attention about the film was to know that it won the prize of critics week at Cannes Film Festival and this was my great motivation. Less or nothing I knew about the plot, I only knew what was necessary, a hermaphrodite girl trough her puberty and physical problems.
But even with the controversy that a topic like this could generate or the different ways in which we can tackle this problem, I found myself in front of a movie that only uses this fact like a pretext for telling a story much more deep and universal: the parent-child relationship. So even that the film is moving in dangerous and turbulent waters it maintains by two main characters played by Darin and Palacios.
So while the movie shows the tribulations of a young woman seen as a freak and the sexual doubts of a "normal" teenager, the real tension focuses on the relationship of the parents which are the two faces of a same coin. So while a parent tries to understand and help her daughter to choose an operation, the other one despises his "healthy" son for believing him something useless (the campfire scene is really excellent).
Unfortunately, even when the movie gets anthology moments the lack of a decisive action to deepen squarely on the discrimination issue and hatred to everything that we think different from normal (like sometime Boys don't cry made it), so the director Lucia Puenzo never takes risks to go beyond of a politically correct film (even with their "violations") where the fable's end is just a closer look to the differences in a general way. For this reasons, the film is only good intentions even when everything else is almost perfect.
3 out of 7 people found the following comment useful :-

shocking in an uncommon way, 4 January 2008
Author: claudiarefresh from France
*** This comment may contain spoilers ***
It is probably the most shocking move I've seen. It wasn't only the scene which is shocking, what shocked me is how a human being can live like this, being tortured by who she/he really is. How pathetic if we can't even love the way we are! Just because we are different?? I felt sad and I cried when she was almost raped by a group of boys, what she got was the worst discrimination a human being could face. But she has no right to defend for herself, the way her body is. Just because she is different!
I was truly moved by how parents' love could be, the real acceptance with someone we love, is the real family love.
4 out of 9 people found the following comment useful :-

Worth watching, 5 March 2008
Author: louiseaj08 from United Kingdom
*** This comment may contain spoilers ***
I saw it yesterday and thought it was great. Not so sure about the ending which was a bit open ended but it was pretty good all the same. The girl (Ines Efron) who plays Alex is a PRETTY good actress. I quite like the character of her father and thought the guy who played him was really good as well. There were several main characters in the film yet all their emotions and viewpoints were portrayed clearly. They all got so say their part. There was no focusing on just Alex all the time. The film was the right duration, set in the right locations, the soundtrack...I can't actually remember a sound track. Maybe some more incidental music could have been used. Not huge hits or anything, just music for effect.. I think it as there though because somehow the feelings still came anyway. For Lucia Puenzo's first film...I'm impressed. Yeah, all in all it was good and I think it is worth watching. Go see it.
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