| Photos (see all 2 | slideshow) | Videos (see all 2) |
Ricki Stern (writer)
Anne Sundberg (writer)
11 April 2008 (UK) more
At age 27, Brian Steidle became a monitor with the African Union in Darfur, Sudan. He was completely unprepared for what he would see. more
A documentary that exposes the genocide raging in Darfur, Sudan as seen through the eyes of a former U.S. marine who returns home to make the story public. full summary | full synopsis
5 wins & 1 nomination more
Darfur Now, The Devil Came On Horseback Screening
(From Alternative Film Guide. 7 April 2009, 4:05 PM, PDT)
Devil Came on Horseback: docu turning into feature film
(From ioncinema. 15 January 2008)
Compelling film on Genocide in Darfur more (13 total)
| Brian Steidle | ... | Himself |
Directed by | |||
| Ricki Stern | |||
| Anne Sundberg | (as Annie Sundberg) | ||
Writing credits(in alphabetical order) | ||
| Ricki Stern | writer | |
| Anne Sundberg | writer (as Annie Sundberg) | |
Produced by | |||
| Jed Alpert | .... | associate producer | |
| Omar Amanat | .... | executive producer | |
| Ted Greenberg | .... | associate producer | |
| Eileen Haag | .... | producer | |
| Mette Hoffman Meyer | .... | executive producer: TV2-Danmark (as Mette Hoffmann Meyer) | |
| Seth Keal | .... | associate producer | |
| Ira Lechner | .... | producer | |
| Cristina Ljungberg | .... | producer | |
| Jerry Risius | .... | field producer: Chad | |
| Ricki Stern | .... | producer | |
| Anne Sundberg | .... | producer (as Annie Sundberg) | |
| Gretchen Wallace | .... | producer | |
| Jane Wells | .... | producer | |
Original Music by | |||
| Paul Brill | |||
Cinematography by | |||
| Phil Cox | |||
| Tim Hetherington | |||
| William Rexer | (as William Rexer II) | ||
| Jerry Risius | |||
| Anne Sundberg | |||
| John Keith Wasson | |||
Film Editing by | |||
| Joey Grossfield | |||
Production Management | |||
| Katie Brown | .... | production manager | |
Sound Department | |||
| Brad Bergbom | .... | sound recordist | |
| Leslie Bloom | .... | foley artist | |
| Rusty Dunn | .... | sound designer | |
| Tom Efinger | .... | sound mixer | |
| Ivo Hanak | .... | sound | |
| John Moros | .... | sound editor | |
| James Nichols | .... | sound consultant: Dolby | |
Visual Effects by | |||
| Yorgo Alexopoulos | .... | visual effects | |
| Joshua Dotson | .... | motion graphics assistant | |
| Amber Kusmenko | .... | motion graphics assistant | |
Camera and Electrical Department | |||
| Jason Blalock | .... | additional cinematographer | |
| Marcus Bleasdale | .... | photographer: black & white | |
| Leo Buurman | .... | still photographer | |
| John Foster | .... | additional cinematographer | |
| Patrick Jackson | .... | additional cinematographer | |
| Ralf Oberti | .... | additional cinematographer | |
| PJ Raval | .... | additional cinematographer | |
| Jerry Risius | .... | cinematographer: Chad | |
| Brian Steidle | .... | still photographer | |
| Ricki Stern | .... | still photographer: New York City | |
| Martijn van Broekhuizen | .... | cinematographer: Netherlands | |
| John Keith Wasson | .... | cinematographer: Rwanda | |
Editorial Department | |||
| Will Cox | .... | colorist | |
| Will Cox | .... | on-line editor | |
| Carter Gunn | .... | assistant on-line editor | |
| Riva Marker | .... | additional editor: trailer | |
| Jordan Montminy | .... | additional editor: trailer | |
| Sandy Patch | .... | assistant on-line editor | |
| Kristin Rodriguez | .... | assistant editor | |
Music Department | |||
| Catherine Bent | .... | musician: cello | |
| Catherine Bent | .... | orchestra producer | |
| Paul Brill | .... | score mixer | |
| Paul Brill | .... | score recordist | |
| Elise Carter | .... | musician: flute, alto flute | |
| Claudia Chopek | .... | musician: violin | |
| Andy Cotton | .... | musician: double bass | |
| Nicole Federici | .... | musician: viola | |
| Alejandra Mahave | .... | musician: violin | |
| Katie Scheele | .... | musician: English horn | |
| Robert L. Smith | .... | score mixer | |
| Robert L. Smith | .... | score recordist | |
| Ian Stynes | .... | music editor | |
Other crew | |||
| Hani Alam | .... | translator | |
| Yorgo Alexopoulos | .... | title designer | |
| Abdellatif Eljaziri | .... | translator | |
| Winston Emano | .... | publicist | |
| David Magdael | .... | publicist | |
| Casey McDonald | .... | production assistant | |
| Mara McFalls | .... | production assistant | |
| Ryan Murdock | .... | designer: web | |
| Douglas Ruhl | .... | source: satellite images | |
| Benjamin Rutkowski | .... | researcher (as Ben Rutkowski) | |
| Rachelle Safarti | .... | production assistant | |
| Nick Schonfeld | .... | production coordinator: Netherlands | |
| Brian Steidle | .... | story consultant | |
| Anne Stulz | .... | publicist | |
| Freddy Umutanguha | .... | translator: Rwanda | |
| Gretchen Wallace | .... | production coordinator | |
| Steven Wallace | .... | publicist | |
| Alexander Wells | .... | production assistant: Rwanda | |
| Amanda Wilder | .... | production associate | |
USA:85 min
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| Fahrenheit 9/11 | Sand and Sorrow | They Turned Our Desert Into Fire | Isaiah's Children | Darfur Now |
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This amazing film screened at the SXSW Film Festival and was extremely well-received. The film is a remarkable picture of the tragedy that is unfolding in Africa and being ignored by both America and the rest of the world. The story is told thru the eyes of former American Marine Captain, turned international monitor, Brian Steidle. Steidle is the reluctant hero drawn into the events of Darfur almost by accident. As his eyes are opened to the ugliness of what is happening in Darfur he opens our eyes as well.
The photographs are amazing and nightmarish. The tragic message is that we haven't learned from the Holocaust and more recently Rwanda is also clear and deeply haunting. This film is significantly better made than the somewhat amateurish film, although still interesting and informative, Darfur Diaries. It is filmed with both heart and skill. Steidle, who has also written a book by the same name, is the perfect guide to draw us out of our apathy and into the heart of this deep unfolding tragedy. His palpable feeling of anger and helplessness as he watches genocide is palpable and heart-breaking.
The film is also an indictment of the failure of the US and other Western governments to act to address this humanitarian crisis that has been unfolding now for 4 years. The U.S. has called these events "genocide," but has done nothing substantive to provide for a UN peacekeeping force to address the tragedy.
This is the type of film that must be widely scene if Americans are to awaken from their slumber and respond to this horror of murder, rape, massacre, slaughter, and dislocation that is being committed by Sudan's government against its own citizens. Perhaps there is still a chance to save even more people from dying if Americans are willing to pay attention to what is happening. I hope that Americans take the time to see this important and compelling film about the greatest tragedy of our times.