Sukiyaki Western Django (2007)

Director:

Takashi Miike

Writers:

Takashi Miike (written by) &
Masa Nakamura (written by)

Release Date:

15 September 2007 (Japan)

Genre:

Action | Western

Tagline:

An epic tale of blood, lust and greed.

Plot:

A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth. |

Plot Keywords:

Clan | Treasure | Whistling | Brawl | Old Man

Awards:

5 wins & 3 nominations

Cast

Hideaki Ito	...	Gunman
Masanobu Ando	...	Yoichi
Kôichi Satô	...	Taira no Kiyomori
Kaori Momoi	...	Ruriko
Yusuke Iseya	...	Minamoto no Yoshitsune
Renji Ishibashi	...	Benkei
Yoshino Kimura	...	Shizuka
Quentin Tarantino	...	Piringo
rest of cast listed alphabetically:
Takaaki Ishibashi
Teruyuki Kagawa	...	Sheriff
Taigi Kobayashi
Toshiyuki Nishida
Shun Oguri	...	Akira
Masato Sakai	...	Taira no Shigemori
Hideaki Sato
Christian Storms
Yôji Tanaka

MPAA:

Rated R for strong violence, including a rape.

Runtime:

121 min | (None):98 min (international cut version)

Country:

Japan

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital EX

Certification:

Canada:18A | USA:R | Australia:R | Japan:PG-12 | UK:15 | Netherlands:16 | New Zealand:R16 | Finland:K-18 | Singapore:M18 | Denmark:15

Filming Locations:

Tsuruoka City, Yamagata, Japan

Company:

Dentsu Productions Ltd.

Trivia:

Based on characters created by Sergio Corbucci.

Goofs:

Miscellaneous: In the scene where The Gunman (Hideaki Ito) and Shizuka are intimate, you can see that The Gunman has had some kind of booster shot on his right upper arm that has left a scar. You see this as he takes off his shirt and then jumps into the bed. Don't think is a booster shot but more of a bullet shot scar.

Quotes:

Ringo: The sound of the Gion Shoja temple bells echoes the impermanence of all things; the color of the sala flowers reveals the truth that to florish is to fall. The proud do not endure, like a passing dream on a night in spring; the mighty fall at last, to be no more than dust before the wind.

Movie Connections:

References Django (1966)

Well, It's Fresh

Sukiyaki Western Django (2007)

** (out of 4)

Quentin Tarantino in a Takashi Miike homage to Spaghetti Westerns is going to be enough to get a few curious people to watch but I must rip off a few reviews I've read, which called this film different but not very entertaining. In what's basically a remake of Akira Kurosawa's Yojimbo, a mysterious gunfighter (Ito Hideaki) with no name shows up and plays two rival gangs against one another. If someone was to call this the greatest movie ever made I honestly wouldn't argue with them. I'm sure many are going to watch this film and consider it a masterpiece and I would respect their opinion just about as much as I respect Miike for trying something like this. However, the movie just didn't work for me. This is basically an incredibly bizarre homage to countless Westerns done in a way that Tarantino pays homage to various genres in this country but I might go a step further and say Miike is much more original than Tarantino has ever been. I think this film, for what it is, is incredibly original and at times visually brilliant but as much credit as I give to Miike I have to give him just as much blame. For some reason he felt it would be a good idea to have the Japanese actors speak English, which was a deadly mistake. Sure, this adds a surreal nature to the film but the problem is that a lot of the times you can't understand what they're saying. This film is full of dialogue and when you can't understand a quarter of it then you're going to be in trouble. This also effects the performances as the spoken dialogue is just as bad as watching a dubbed Kurosawa film. As is to be expected, the movie is full of violence but most of it is done in a comical way and that includes one man getting shot up while his wife holds his dying body. Tarantino doesn't add too much to the film either. In the end this is a film I highly respect but there's just no way I will ever find myself watching it again.