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The Road (2009)
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Overview
User Rating:
Release Date:
25 November 2009 (USA) morePlot:
A post-apocalyptic tale of a man and his son trying to survive by any means possible. full summary | full synopsisPlot Keywords:
Post Apocalyptic
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Family Relationships
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Father Son Relationship
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Pulitzer Prize Source
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Coca Cola
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Awards:
1 nomination moreNewsDesk:
(536 articles)
Salvage filmmaker plans a Drought (From Fangoria. 6 November 2009, 6:07 PM, PST)
First Image from the Set of Let Me In
(From Dread Central. 6 November 2009, 5:10 PM, PST)
User Comments:
Ruined by an intrusive score more (11 total)Cast
(Credited cast)| Charlize Theron | ... | Wife | |
| Viggo Mortensen | ... | The Man | |
| Robert Duvall | ... | Old Man | |
| Guy Pearce | ... | The Veteran | |
| Garret Dillahunt | ... | The Gang Member | |
| Brenna Roth | ... | Road Gang Leader | |
| Molly Parker | ... | Veteran's Wife | |
| Michael K. Williams | ... | The Thief | |
| Kodi Smit-McPhee | ... | The Boy | |
| Matt Reese | ... | Well-Fed Cannibal | |
| Jeremy Ambler | ... | Man In Cellar #1 | |
| Jared Pfennigwerth | ... | Militant Member | |
| David August Lindauer | ... | Man On Mattress | |
| Bob Jennings | ... | Bearded Man | |
| Jack Erdie | ... | Cannibal #1 | |
| Nick Pasqual | ... | Militant #2 | |
| Chaz Moneypenny | ... | Man In Cellar #2 | |
| Aaron Bernard | ... | Militant | |
| Mark Tierno | ... | Baby Eater | |
| Kirk Brown | ... | Bearded Face | |
| Amy Caroline | ... | Woman In Cellar #1 | |
| Jarrod DiGiorgi | ... | Well-Fed Cannibal | |
| Kacey Byrne-Houser | ... | Woman In Cellar #2 | |
| Shawn Rolly | ... | Road Gang Member | |
| Chris Sechler | ... | Ghostly Boy | |
| Kyle Quinn | ... | Militant #1 | |
| Cerise Weidner | ... | Woman In Cellar #3 |
Additional Details
MPAA:
Rated R for some violence, disturbing images and language.Parents Guide:
Add content advisory for parentsRuntime:
119 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreFun Stuff
Trivia:
The movie's U.S. release date was postponed from November 26, 2008 to October 16, 2009, and then was further delayed to November 25, 2009. moreQuotes:
[from trailer]The Man: Everything depends on reaching the coast. I told you I would do whatever it takes.
Wife: Like what? Like what?
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This FAQ is empty. Add the first question.more (11 total)
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I was expecting this to be a highlight of the London Film Festival, but I found it a little disappointing.
The production design can't be faulted - just about every scene looks as I imagined when reading the book, blasted CGI cityscapes used sparingly to situate real, local desolation redolent of '28 Days Later'. The performances were fine, the use of flashback effective, and the storytelling faithful. Why then did I find it strangely unmoving? Perhaps if I'd come without knowledge of the novel, I wouldn't have found the film too often an exercise in 'box-ticking' of major scenes, lacking real directorial vision. But I think I would still have found Joe Penhall's script rather reductive in its focus on the 'good guys'/'bad guys' dichotomy, as articulated by the boy - throughout, I always wanted to hear more of Viggo's voice-over instead. And I was irritated by the persistently intrusive music, so keen to tell me what to feel about each scene that my emotions rebelled into numbness. When a musical instrument is one of the key motifs dividing idyllic past from bleak present, it's all the more inappropriate to have an orchestra swelling with indiscriminate plangency over everything.
A visual triumph, then, and a passable précis for those who haven't read the book - but if you were hoping for a bold re-imagining of McCarthy's novel, you may find the film wanting.