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Kings (2007/I) More at IMDbPro »
13 out of 16 people found the following comment useful :-

Elegiac and poignant, 15 October 2007
Author: Jay from Ireland
Kings is a very fine film. It is a haunting, melancholic portrait of lost souls, the people on our streets who once belonged to some place, somewhere in another time, but who have fallen out of touch with the world around them. Director Tom Collins seizes on this feeling of loneliness and misplacement and forces us to confront it, as we immerse ourselves in the lives of Git, Jap, Máirtín, Shay and Joe. The haunting, ghostly memory of Jackie makes us also mourn his passing, as he appears to his friends between sleeping and waking, between day and night.
Indeed the film itself feels caught in time between dusk and dawn, as the characters let the world pass by in the final third of the film, when an ominous, creeping awareness invades on their drunken reverie. The atmosphere is one of a suspended moment the group of friends toast their lost companion in an eerie, empty back room, whilst muffled noise just creeps in from the bar outside. The Irish language they speak amongst themselves reflects the otherness of their lives, their misplacement in this world. As they leave and come back, it is as if they move from one world to the other, and when they finally go, they could be gone forever.
With excellent performances and a taut script, the evocative cinematography and soundtrack make this an achingly sad and beautiful work that is timeless in it's relevance.
11 out of 15 people found the following comment useful :-

Intense, dark, but brilliant, 1 October 2007
Author: Si in Dublin from Ireland
This contains the best acting I have seen in an Irish film in many years. It is a reworking of a play, and the adaptation preserves all the intensity and intimacy which is usual within a theatre production. It is a dark, brooding and menacing work which does not belong in the category of light entertainment, but rather, a higher art. If you are prepared to go on the journey, you will find it has rewards. But be warned that there is no compromise here to easy access for English only speakers - it is predominantly in Irish with English subtitles. If you like the theatre, you should find this a real treat. Forget Hollywood, or indeed Fair City, this contains the best ensemble acting by an Irish cast since the best of the Roddy Doyle films.
9 out of 12 people found the following comment useful :-

a sad, gorgeous film, 30 September 2007
Author: doreen2cv from United States
A beautifully-made film, "Kings" is one of the best movies of this year. The hand-held camera gives it an intimacy too often absent in close-up cinematic portraiture, and allows the viewer a real look at the shocking sadness of the lives of its subjects. Of a group of five friends who leave the west of Ireland in their teens in the late 1970s, Jackie is the first to die. Herein begins a long journey into oblivion for his four friends, all of them living lives very different from what was envisaged at the start of their English odyssey. What "Kings" does, more than anything, is take a long look at the generations of lost Irish in London, those who left Ireland on the boat to work on the building sites and to clean houses, and the sad waste of the loss of potential to the devils of booze. The films stays away from nostaglia or sentiment, and in doing so it creates for the viewer a real picture of how it was for all the thousands of immigrants, most of whom never saw home again.
8 out of 12 people found the following comment useful :-

Kings at Toronto., 30 September 2007
Author: defactofilms-2
It is possible that the major narrative of the twenty-first century will be that of immigration. With transnational movement becoming ever more common, the distances between us shrink both geographically and socially as every immigrant has a compelling individual story to share. Kings is the fertile ground where six of these stories take root, grow and intertwine. It is the first major bilingual (Irish Gaelic and English) Irish production.
In the seventies, six ambitious and energetic young men friends and relatives left Ireland for London with an eye to making their fortunes and eventually returning home in a blaze of glory. Like so many before them, they found work in the construction industry, toiling to build the very cities that often remained cold and unwelcoming to them. When we meet the men, it is nearly thirty years after their arrival, and one of them has died under terrible circumstances.
It is a deeply held tradition that they hold a wake for the passing of their friend, named Jackie. What makes this occasion even more tearful is that the friends haven't followed the path they originally had set out for themselves. They have not enjoyed the same fortunes or even returned to Ireland victoriously as planned. When they finally meet to honour Jackie, drink and sadness make it inevitable that some men will take up the grievances and disappointments of the past, all the while maintaining the illusion that they have a future. In tragic situations like these, nostalgia is particularly far from the cold, hard truth.
In addition to sketching a fine sense of place, director Tom Collins elicits remarkable performances from each member of his strong cast, particularly the great Colm Meaney as Joe, a man who left behind his old Irish life for good, but at a heavy cost. These skillful actors capture all the complex and heart-rending subtleties of the immigrant experience. Through the bonds and misfires of male friendship, Kings sympathetically portrays a circle who never actually leave their homeland in either custom or commitment.
Jane Schoettle
9 out of 14 people found the following comment useful :-
An Irish movie about separation and loss., 1 October 2007
Author: fransafehome from Ireland
Kings plunges its viewers into the harsh reality of five Irish immigrant's lives in London. The men are separated not only geographically, but psychologically, from their homeland. They yearn to return, but are consumed with a sense of their own failure and fear rejection from loved ones at home. Instead they immerse themselves in alcohol and unfulfilled dreams. The acting is superb; the characters true-to-life; the theme universal. The use of Gaelic is a dramatic tool that serves to emphasize their alienation again in their adopted town of Kilburn. It is a story of sadness and regret and how individuals deal with pain. Tom Collins's movie challenges the audience to question their own relationships with fellow human beings, especially those from whom they are estranged, and especially those who were forced to leave these shores. It challenges us to question our views on this lost generation and to look at an era in our history that allowed such mass immigration. Hopefully, Kings will open up a national debate on how a Government could have failed its subjects and allowed a land to be bled of its inhabitants; hopefully,it will inspire us to welcome them home with open arms; hopefully it will encourage the present Government to continue to provide the means to do so. Go and see Kings. You will not be disappointed.
5 out of 7 people found the following comment useful :-

Realistic Irish film about a sensitive subject, 25 July 2008
Author: hanrahanpm from New York, United States
Saw this at the Stony Brook Film Festival last night and was amazed to find (a) a nearly full house and (b) the audience got it. As an Irishman who lived in London in the 1960's I am well aware of the characters and their sad, difficult lives. (The years were a bit off as the film claimed they emigrated in 1977 - more like 10 years earlier). I had also seen the play it was based on "The Kings of the Kilburn High Road" a few years back. The play, if I recall correctly, is set entirely in the back room of the bar. The acting is first rate and while most of the dialogue is in Irish, with subtitles, it really works. This was a strange experience, to see a film about Irishmen and needing subtitles to understand everything being said. Not surprisingly, Colm Meaney lends heft to the film and the part of Joe. He always does. Well worth seeing although I wonder who the audience is for such a film? There are thousands of Irishmen still in England who lived lives like these poor unfortunates.
5 out of 7 people found the following comment useful :-

A shot in the arm for the Irish film industry, 1 December 2007
Author: Martin Bradley (MOscarbradley@aol.com) from Derry, Ireland
The future of home-grown Irish cinema seems safely in the bag for the time being. We have just had John Carney's "Once" which was a breath of fresh air as well as being a critical and commercial smash. Now we have Derry's own Tom Collins' superb screen version of the play "The Kings of Kilburn High Road" and it may turn out to be the best film yet about the Irish diaspora. It's a stunner and could see Ireland short-listed in the Best Foreign Film category at this year's Oscars.
The plot is simple and there is nothing new in it. Five friends, all immigrants from Ireland's Conemara, gather for the wake of a sixth killed by a train in the London Underground. During a long night's drinking, regrets and recriminations rise to the surface together with ghosts from their pasts. There is a touch of Eugene O'Neill here certainly, (Irishness and alcohol figured largely in his work), but as the night wears on and drunkenness breaks down the men's bravado, the film broadens out into a more universal study of machismo. Although a painfully accurate record of both the Irish way of death and drinking these could be any group of old friends in any bar anywhere in the world.
The bar-room setting of the film's second half exposes its theatrical origins but Collins opens it out superbly and the flashbacks to earlier days never seem intrusive. He keeps it briskly cinematic throughout and the performances of the whole cast can't be faulted. This is a superb ensemble piece and at a festival the performance of the five principals, (and of Peadar O'Taraigh as the dead man's father), would be worthy of a joint best actor award. However, I am inclined to single out Brendan Conroy as Git. Git may seem at first the weakest of the group but in Conroy's extraordinary performance he proves himself the strongest. Like the film itself, Conroy deserves the highest of praise.
2 out of 3 people found the following comment useful :-
Language and country... or countries?, 16 September 2008
Author: JustLiam from United States
I love any good Irish film and really want to see this. When I first saw the writeup on a few different sites I decided to look into it before I got the movie. And after reading everyones comments Im even more confused. Im guessing the movie is not spoken in English? I've always thought the Irish spoke English with an Irish accent. However, everyone's comments say differently. To make this even more confusing, someone commented that they wanted the movie spoken in Irish and not English. Yet they wrote there comment in English.... IM CONFUSED.
Could someone clarify if this is in fact English with an Irish accent or is there some language I don't know about. Also if it is not spoken in English, could someone verify if the "English version" of the movie has an alternate title here in the US.
Thank you
4 out of 7 people found the following comment useful :-

The Film overall..., 25 July 2008
Author: Ronina from United States
Overall this was an excellent film, the story was good, and so was the acting. the only thing that I found difficult was the fact that it as in a language I didn't understand, so I had to read the subtitles. Don't get me wrong after a while you get used to it, and you can still enjoy the film 100 percent. other than that it is a very good film, that I would recommend!
Also another aspect of this film was that the characters were very, very real. they all had different personalities. the only thing was, being from a very different country couldn't get their names until we were halfway into the film, so it did get a little confusing, but never the less I stand by what I said in the first paragraph, that this was a very well done film.
And although it was a story that was sadder then most, it did have parts that were happy, even funny! it wasn't all sad and depressing.
so yes, this is a good, very good film to see, so I recommend it!
7 out of 13 people found the following comment useful :-

scannan maith!!!(go film), 1 October 2007
Author: eamo-1 from Ireland
this is the only good honest film about irish culture i've seen .
the story is slow moving but very good (unless you need an action thriller to keep you awake).
i watched it last night and when i was coming out of the theatre one of the actors was strolling along beside me, chatting to his friends. UNREAL how often does that happen.
it's kind of like watching ros na run but with a proper story and actors.
overall its well worth a watch .even if its just to see what gaeilge sounds like on the big screen.
loved the part with the rebel tunes.
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