85
Metascore
26 reviews · Provided by Metacritic.com
- 90New York Magazine (Vulture)David EdelsteinNew York Magazine (Vulture)David EdelsteinThe Edge of Heaven is powerfully unsettled--it comes together by not coming together.
- 90NewsweekDavid AnsenNewsweekDavid AnsenSchygulla's heartbreaking performance--like the movie itself--will stay with you long after the film's quietly devastating final frame.
- 90The New York TimesA.O. ScottThe New York TimesA.O. ScottBy the end you know the characters in it so well that you can't believe you've seen the movie only once, yet on a second viewing it seems completely new. And that may be because the world they inhabit is immediately recognizable -- until we get to heaven, it's where we live -- and like no place you've been before.
- 88TV Guide MagazineKen FoxTV Guide MagazineKen FoxAkin achieves a peaceful balance here –- alongside the death and seemingly senseless tragedy, there’s also a kind of reassuring equilibrium.
- 83The A.V. ClubNoel MurrayThe A.V. ClubNoel MurrayAkin divides The Edge Of Heaven into thirds, and ends the first two sections with emotionally devastating scenes of violence, before easing into a third section that deals with the repercussions and lessons learned.
- 80The Hollywood ReporterRay BennettThe Hollywood ReporterRay BennettThe director, who also wrote the script, achieves a keen-eyed view of the Turkish expatriates in this film while sustaining his remarkable ability to make them universal.
- 80VarietyDerek ElleyVarietyDerek ElleySuperbly cast drama, in which the lives and emotional arcs of six people -- four Turks and two Germans -- criss-cross through love and tragedy.
- 80The New YorkerAnthony LaneThe New YorkerAnthony LaneI prefer to think of Akin, however, not as a forger of patterns but as an ironist who understands that bad luck is a crucible, in the heat of which we are tested, burned away, or occasionally transformed. The Edge of Heaven is about something more exasperating than crossed paths; it is about paths that almost cross but don't, and the tragedy of the near-miss.
- 70Chicago ReaderJ.R. JonesChicago ReaderJ.R. JonesBorn in Hamburg to Turkish parents, director Fatih Akin brought an unusual cultural perspective to "Head On" about a marriage of convenience between a beautiful Turk and a suicidal German. In The Edge of Heaven, his first dramatic feature since then, the characters navigate the same cultural divide, but here Akin is more preoccupied with the sense of responsibility that links parents to their children (or vice versa).
- 70Village VoiceVillage VoiceIt's not brilliant, but it wears current events on its sleeve, feeling out the state of German-Turkish relationships as the former Ottomans clean house for E.U. membership, and the demographic earthquake of 70 million Muslims waits at Europe's door.