| Photos (see all 27 | slideshow) | Videos (see all 14) |
Robin Swicord (screenplay)
Karen Joy Fowler (book)
5 October 2007 (USA) more
You don't have to know the books to be in the club. more
Six Californians start a club to discuss the works of Jane Austen, only to find their relationships -- both old and new -- begin to resemble 21st century versions of her novels. full summary | add synopsis
2 nominations more
tMF puts the spotlight on Kevin Zegers: From teen idol to serious actor!
(From The Movie Fanatic. 23 October 2009, 3:55 AM, PDT)
tMF puts the spotlight on Kevin Zegers: From teen idol to serious actor!
(From The Movie Fanatic. 23 October 2009, 3:55 AM, PDT)
Getting in touch with my inner Austen. more (40 total)
| Maria Bello | ... | Jocelyn | |
| Emily Blunt | ... | Prudie Drummond | |
| Kathy Baker | ... | Bernadette | |
| Amy Brenneman | ... | Sylvia Avila | |
| Maggie Grace | ... | Allegra Avila | |
| Jimmy Smits | ... | Daniel Avila | |
| Ed Brigadier | ... | Pastor | |
| Kevin Zegers | ... | Trey | |
| Marc Blucas | ... | Dean Drummond | |
| Catherine Schreiber | ... | Academic Woman | |
| Ned Hosford | ... | Waiter | |
| Hugh Dancy | ... | Grigg Harris | |
| Messy Stench | ... | Girl with Dog Collar | |
| Chris Burket | ... | Skydive Instructor | |
| Parisa Fitz-Henley | ... | Corinne | |
| Lynn Redgrave | ... | Mama Sky | |
| Stephanie Denise Griffin | ... | Mediator | |
| Myndy Crist | ... | Lynne | |
| Graham Norris | ... | Editor | |
| Kurt Bryant | ... | Rocknasium Instructor | |
| Russ Jones | ... | Parent | |
| Michelle Ewin | ... | Very Young Nurse | |
| Gwendoline Yeo | ... | Dr. Samantha Yep | |
| Nancy Travis | ... | Cat | |
| Miguel Nájera | ... | Señor Obando | |
| rest of cast listed alphabetically: | |||
| Shaifali Ratti | ... | Karen Bhave | |
| Sybil Martinez | ... | Sally Wong (uncredited) | |
| Kara R. Stribling | ... | Rollerblader (uncredited) | |
Directed by | |||
| Robin Swicord | |||
Writing credits(WGA) | ||
| Robin Swicord | (screenplay) | |
| Karen Joy Fowler | (book) | |
Produced by | |||
| John Calley | .... | producer | |
| Julie Lynn | .... | producer | |
| Jonathan McCoy | .... | line producer | |
| Lisa Medwid | .... | associate producer | |
| Diana Napper | .... | producer | |
| Marshall Rose | .... | executive producer | |
| Kelly Thomas | .... | co-producer | |
Original Music by | |||
| Aaron Zigman | |||
Cinematography by | |||
| John Toon | (director of photography) | ||
Film Editing by | |||
| Maryann Brandon | |||
Casting by | |||
| Deborah Aquila | |||
| Jennifer L. Smith | (as Jennifer Smith) | ||
| Mary Tricia Wood | (as Tricia Wood) | ||
Production Design by | |||
| Rusty Smith | |||
Art Direction by | |||
| Sebastian Schroder | (as Sebastian Schroeder) | ||
Set Decoration by | |||
| Meg Everist | |||
Costume Design by | |||
| Johnetta Boone | |||
Makeup Department | |||
| Debra Coleman | .... | makeup artist | |
| Daniel Curet | .... | hair department head | |
| Kimberly Felix | .... | key makeup artist (as Kim Felix-Burke) | |
| Rudolfo Icezalaya Hernandez | .... | additional hair stylist | |
| Marie Larkin | .... | key hair stylist | |
| Sian Richards | .... | makeup department head | |
Production Management | |||
| Jonathan McCoy | .... | unit production manager | |
| John Portnoy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Julian Brain | .... | second second assistant director | |
| Paula Case | .... | additional second second assistant director | |
| Vincent Lascoumes | .... | first assistant director | |
| Christophe Le Chanu | .... | second assistant director | |
Art Department | |||
| Jory Alvarado | .... | lead man | |
| Yumi Arai | .... | art department intern | |
| Omar Cruz | .... | on-set dresser | |
| Chris Eguia | .... | property master: title montage unit | |
| Lisa Fiorito | .... | art department production assistant | |
| Valerie Green | .... | art director: title montage unit | |
| Melina Kanitz | .... | art department intern | |
| Mark Kudra | .... | on-set dresser (as Mark R. Kudra) | |
| C.J. Maguire | .... | property master | |
| John McElroy | .... | assistant property master (as John H. McElroy) | |
| Wendy Means | .... | art department coordinator (as Wendy Stanton) | |
| Victor Mendez | .... | swing gang | |
| James Pollack | .... | swing gang | |
| Jennifer R. Blair | .... | art department coordinator: pre-production (uncredited) | |
| Lucie Bourgeau | .... | art department assistant (uncredited) | |
| Jaudi Negri | .... | set dresser (uncredited) | |
| Eric Reichardt | .... | lead scenic (uncredited) | |
Sound Department | |||
| Jeremy Balko | .... | adr mixer | |
| Michael J. Benavente | .... | supervising sound editor | |
| Sean Byrnes | .... | additional boom operator | |
| Sean Byrnes | .... | sound utility | |
| Samuel C. Crutcher | .... | sound editor (as Sam Crutcher) | |
| Craig A. Dellinger | .... | sound editor (as Craig Dellinger) | |
| Peter J. Devlin | .... | sound mixer (as Peter Devlin) | |
| Jonathan Golodner | .... | sound editor | |
| Vincent Guisetti | .... | foley artist | |
| Pamela Kahn | .... | foley artist | |
| Tricia Linklater | .... | assistant sound editor | |
| David Raymond | .... | boom operator | |
| Kyle Rochlin | .... | foley recordist | |
| Steven Ticknor | .... | sound re-recording mixer (as Steve Ticknor) | |
| Jonathan Wales | .... | sound re-recording mixer | |
| David Weisberg | .... | adr mixer | |
| Tom Caton | .... | boom operator (uncredited) | |
| Elizabeth Rainey | .... | foley artist (uncredited) | |
Special Effects by | |||
| Chris Cline | .... | special effects technician | |
| David Waine | .... | special effects coordinator | |
Visual Effects by | |||
| Jason Anderson | .... | interactive compositing coordinator: SPI | |
| Govardhan Bakthavachalam | .... | roto lead: Imageworks India | |
| Shannan Burkley | .... | digital matte painter: SPI | |
| Govardhan Das | .... | lead roto artist: SPI (as Govardhan) | |
| James P. Noon | .... | tracking | |
| Sandesh Ramdev | .... | roto artist | |
| Shobanbabu | .... | cg supervisor | |
| David Taritero | .... | senior visual effects producer: SPI | |
| Matthew Thomas | .... | production services technician: SPI | |
| Carey Villegas | .... | visual effects supervisor: SPI | |
| Dhiraj Brahma | .... | roto artist (uncredited) | |
| Sankarasubramanian | .... | roto artist: imageworks india (uncredited) | |
| Sukumaran Lalithambika Vijin | .... | rotoscope artist (uncredited) | |
Stunts | |||
| Kurt Bryant | .... | stunt coordinator | |
| Stacey Carino | .... | stunt double: Maggie Grace | |
| Robert A. Caster | .... | stunts: skydiving | |
| Clint Clawson | .... | stunts: skydiving | |
| Melanie Conatser Peschio | .... | stunts: skydiving | |
| Brett A. Jones | .... | stunts (as Brett Jones) | |
| Craig O'Brien | .... | stunts: skydiving | |
| Scott E. Smith | .... | stunt coordinator: skydiving (as Scott Smith) | |
| Scott E. Smith | .... | stunts: skydiving (as Scott Smith) | |
Casting Department | |||
| Dawn Marie Deibert | .... | extras casting (as Dawn Deibert) | |
| Samantha Finkler | .... | casting associate | |
| Rich King | .... | extras casting | |
| Georgia Simon | .... | adr voice casting | |
| Erin Toner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Deborah Myles Davis | .... | costume buyer | |
| Lorenzo Hearns Jr. | .... | key costumer | |
| Angela Ledgerwood | .... | costume intern | |
| Ellen Ryba | .... | costume supervisor | |
| Miriam Schulman | .... | designer: artificial jewelry | |
| Jean Stender Swicord | .... | consultant: knitting | |
| Earl Tanchuck | .... | costumer | |
Editorial Department | |||
| Joanna Adler | .... | post-production coordinator | |
| Dan Aguilar | .... | digital intermediate on-line editor: Company 3 | |
| Christine Carr | .... | digital intermediate producer: Company 3 | |
| Mike Chiado | .... | digital intermediate technician: Company 3 | |
| Tricia Chiarenza | .... | color timer | |
| David Feldman | .... | digital intermediate on-line producer: Company 3 | |
| Jennifer Godin | .... | post-production coordinator (as Jenn Godin) | |
| Jackie Lee | .... | digital intermediate account executive: Company 3 | |
| Mark T. Osborne | .... | digital intermediate colorist: Company 3 (as Mark Osborne) | |
| Julian Smirke | .... | first assistant editor | |
| Royce Smith | .... | lab timer | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer: Company 3 | |
| Jorge Tanaka | .... | digital intermediate assistant (uncredited) | |
Music Department | |||
| Johnny Caruso | .... | music editor | |
| Barklie K. Griggs | .... | music supervisor | |
| Michael Stern | .... | music score mixer | |
| Michael Stern | .... | music score recordist | |
| Jesse Voccia | .... | electronic music programmer | |
Other crew | |||
| Carlos A. Aragon | .... | location manager (as Carlos Antonio Aragon) | |
| Bettina Browne | .... | animal trainer | |
| Emerson E. Bruns | .... | legal services | |
| Ernesto Chincgillas | .... | additional chef: Alex's Gourmet Catering (as Ernesto Chinchillas) | |
| Sarah Clifford | .... | animal trainer | |
| Aidan Orion Crawford | .... | assistant: Hugh Dancy (as Aiden Crawford) | |
| Bryan Daley | .... | production intern | |
| Tad Driscoll | .... | production accountant | |
| Angel Estrada | .... | additional chef: Alex's Gourmet Catering | |
| Heather Fielding | .... | studio teacher | |
| Peter Flanigan | .... | legal services | |
| Jesse Grillo | .... | location aide | |
| Erica Hagen | .... | assistant: John Calley | |
| Jason Halley | .... | set production assistant (as Jason 'Hippy' Halley) | |
| Rebecca Hall | .... | assistant: Maria Bello | |
| Lori Hironaka | .... | assistant: Robin Swicord | |
| Jeff Hunt | .... | production office assistant | |
| Paul Jaconi Biery | .... | production coordinator (as Paul Jaconi-Biery) | |
| Lindsey Kaiser | .... | production assistant: title montage unit | |
| Lindsey Kaiser | .... | production intern | |
| Shea Kammer | .... | key first assistant accountant | |
| Melissa Lambert | .... | assistant: Amy Brenneman | |
| Eloy Lara | .... | set medic (as Eloy Lara Jr.) | |
| Monica M. Lecusay | .... | production intern (as Monica Lecusay) | |
| Scott Levine | .... | set production assistant | |
| Samantha Luu | .... | production assistant: title montage unit | |
| Liana Maeby | .... | accounting clerk | |
| Jan McWilliams | .... | script supervisor | |
| Scott Menville | .... | adr loop group | |
| Richard Miro | .... | adr loop group | |
| Bob Neill | .... | adr loop group | |
| Eric Petersen | .... | assistant location manager | |
| Jacqueline Piñol | .... | adr loop group | |
| J. Lamont Pope | .... | adr loop group (as Juan Pope) | |
| John Portnoy | .... | title designer: end title layout | |
| Jose Prieto | .... | chef: Alex's Gourmet Catering | |
| Michelle Ruff | .... | adr loop group | |
| Martin Salgo | .... | production secretary | |
| Nina Saxon | .... | title designer | |
| Megan Schmidt | .... | set production assistant | |
| Justin Shenkarow | .... | adr loop group | |
| Georgia Simon | .... | adr loop group | |
| Tom Skapars | .... | assistant: Robin Swicord | |
| Scott E. Smith | .... | provider: skydiving footage (as Scott Smith) | |
| Kelly Stables | .... | adr loop group | |
| Linda Stanley | .... | additional studio teacher | |
| Karen Strassman | .... | adr loop group | |
| Scott Trimble | .... | key assistant location manager | |
| Andrew Turner | .... | assistant: Emily Blunt | |
| Peter Vogel | .... | assistant production coordinator | |
| Alma Weaks | .... | craft service | |
| Robert S. Wilhelm Jr. | .... | key set production assistant (as Bobby S. Wilhelm Jr.) | |
| Byll Williams Bird | .... | location manager: title montage unit | |
| Tami Zamberg | .... | production intern | |
| Lisa Marie Boiko | .... | choreographer (uncredited) | |
| Sarah Clifford | .... | animal supplier (uncredited) | |
| Claire Doré | .... | dog trainer (uncredited) | |
| Charles Heaphy | .... | production financing (uncredited) | |
| Jason Jancosek | .... | production assistant (uncredited) | |
| Scott Trimble | .... | location scout (uncredited) | |
Rated PG-13 for mature thematic material, sexual content, brief strong language and some drug use.
106 min
1.85 : 1 more
Dolby Digital | DTS | SDDS
USA:PG-13 | Canada:PG | Ireland:PG | UK:12A | Germany:o.Al. | South Korea:15 | Singapore:M18 | Netherlands:AL | Argentina:13 | Australia:M | Spain:7 | New Zealand:M
The website address www.laughing-allegra.com written on Allegra's jewelry-kit-box (which she brought to the first meeting of the book club at Starbucks) actually links to the official site of the film. more
Errors in geography: Jocelyn says she looks for a book at bookstores on State Street; there is no State Street in Sacramento or its suburbs. more
Daniel Avila: [speaking to Sylvia after running into her with the woman he left her for] I'm sorry, we don't shop on this side of town, ever. You can have this Whole Foods. We won't ever use it again, ok? more
References Sense and Sensibility (1995) more
New Shoes more
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| Gone with the Wind | A Map of the World | Un coeur en hiver | Bad Timing | Ceux qui m'aiment prendront le train |
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An enjoyable film that, for the genre it's in, was not very predictable, and in this way was a very pleasant watch. I really wasn't sure what to expect. I figured with Jane Austen's named tagged onto it it'd be some kind of emotional film with lots of angst. Perhaps it might be a period piece. But this isn't what I got.
I have to admit that I've never cracked a Jane Austen novel, but had seen many a British import on PBS rendering Austen's works for the small screen. And I half expected a costume drama to unfold on the screen, but got something that was a little more cliché in one way, but very unique in another.
The film uses Austen's plots as set piece examples from which the characters learn, apply to their personal lives, and grow. I have to say that I saw some aspects of my own personal life ingrained in this film. One might call it art imitating life, imitating art, only to imitate life once more. As an audience member whose been through some unique experiences as of recent, I found it heart felt. But I digress.
The film is respectably shot. Warm lighting compliments respectable though average cinematography. But then again the film isn't about wowing the audience with stunning visuals. It's about presenting characters and how they relate to one of the great writers of all time and her works.
The humor revolves around the unexpected, as do the more tragic and hurtful points. But even here there's a sort of unpredictable-predictability that, because of its exuberance, can be accepted for what it is. The characters behave as expected, but are surprised with the audience when the unexpected pops up. We can sympathize with them and their situations. It's what might be called the ultimate in character empathy--Austen style.
And isn't that one of Austen's great hallmarks? Her ability to create characters one can believe and sympathize with on all levels? Austen's books are used to create a tapestry of themes to navigate the highs and woes of life. The film's irreverent narrative remains intelligent, adult, somewhat prosaic and marginally didactic, but highly enjoyable for the most part.
A respectable chick-flick. :-) Enjoy!