| Photos (see all 2 | slideshow) |
| Julia Joyce | ... | Young Fanny | |
| Jemma Redgrave | ... | Lady Bertram | |
| Douglas Hodge | ... | Sir Thomas Bertram | |
| Maggie O'Neill | ... | Mrs. Norris | |
| Tara Berwin | ... | Young Maria | |
| Lucy Hurst | ... | Young Julia | |
| Zachary Elliott-Hatton | ... | Young Tom | |
| Greg Sheffield | ... | Young Edmund | |
| Billie Piper | ... | Fanny Price | |
| Blake Ritson | ... | Edmund Bertram | |
| James D'Arcy | ... | Tom Bertram | |
| Michelle Ryan | ... | Maria Bertram | |
| Rory Kinnear | ... | Rushworth | |
| Catherine Steadman | ... | Julia Bertram | |
| Hayley Atwell | ... | Mary Crawford | |
| Joseph Beattie | ... | Henry Crawford | |
| Joseph Morgan | ... | William Price | |
| Stephen Tomlin | ... | Baddeley | |
| rest of cast listed alphabetically: | |||
| Holly | ... | Pug | |
| Dexter Fletcher | ... | Doctor (uncredited) | |
Directed by | |||
| Iain B. MacDonald | |||
Writing credits | ||
| Maggie Wadey | written by and | |
| Jane Austen | novel (uncredited) | |
Produced by | |||
| Rebecca Eaton | .... | executive producer: WGBH | |
| George Faber | .... | executive producer | |
| Nick Goding | .... | line producer | |
| Suzan Harrison | .... | producer | |
| Charles Pattinson | .... | executive producer | |
Original Music by | |||
| John E. Keane | |||
Cinematography by | |||
| Nick Dance | (director of photography) | ||
Film Editing by | |||
| Melanie Oliver | |||
Casting by | |||
| Emma Style | |||
Production Design by | |||
| Tim Hutchinson | |||
Set Decoration by | |||
| Dominic Smithers | |||
Costume Design by | |||
| Mike O'Neill | |||
Makeup Department | |||
| Lois McIntosh | .... | makeup artist | |
| Mary Southgate | .... | hair designer | |
| Mary Southgate | .... | makeup designer | |
Production Management | |||
| Phil Brown | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ben Howard | .... | second assistant director | |
| Clare Wade | .... | third assistant director | |
| Nige Watson | .... | first assistant director | |
Art Department | |||
| Mat Bergel | .... | stand-by props | |
| David Bloodworth | .... | construction manager | |
| Tamsin Clarke | .... | set production buyer | |
| Beverley Gerard | .... | stand-by art director | |
| Lucy Weston | .... | art department assistant | |
| Rod Whiting | .... | props | |
| Gavin Casey | .... | motion designer (uncredited) | |
Sound Department | |||
| James Dandridge | .... | sound maintenance engineer | |
| Alex Ellerington | .... | digital dialogue editor | |
| Paul Hamblin | .... | dubbing mixer | |
| Lee James | .... | boom operator | |
| Iain Jamieson | .... | assistant adr recordist (uncredited) | |
Visual Effects by | |||
| Max Bygrave | .... | digital effects editor | |
Stunts | |||
| Ian van Temperley | .... | stunt double | |
| Ian van Temperley | .... | stunts | |
| Bev Wade | .... | stunt double | |
Camera and Electrical Department | |||
| Chris Allkins | .... | rigging gaffer | |
| Steven Hall | .... | camera operator: "b" camera | |
| Darren Harvey | .... | gaffer | |
| Jamie Hicks | .... | focus puller | |
| Simon Marsh | .... | electrician | |
| Terry Maskell | .... | electrician | |
| David Rankin | .... | key grip | |
Costume and Wardrobe Department | |||
| Alex Fordham | .... | costume assistant | |
| Samantha Horn | .... | costume supervisor | |
| Jane Marcantonio | .... | costume assistant | |
Editorial Department | |||
| Mario Barrera | .... | colorist | |
| Gary Curran | .... | colorist | |
| Warren Dowling | .... | on-line editor | |
| Phil Eldridge | .... | assistant editor | |
| Ilana Epstein | .... | post-production secretary | |
Other crew | |||
| Michael Biggam | .... | key floor runner | |
| Serena Bowman | .... | script editor | |
| Dan Connolly | .... | location manager (as Daniel Connolly) | |
| Faye Dorn | .... | assistant script editor | |
| Jane Gibson | .... | choreographer | |
| Claire Harrison | .... | assistant accountant | |
| Elaine Harrison | .... | production accountant | |
| Vicki Howe | .... | script supervisor | |
| Leana Martin | .... | production secretary | |
| Helen Pannett | .... | production coordinator | |
| Natalie Yehezkel | .... | location assistant | |
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| Mansfield Park | Sense and Sensibility | Northanger Abbey | Pride & Prejudice | Persuasion |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
This is the worst adaptation of 'Mansfield Park' I have ever seen, even worse than the 1999 film version. I struggle to see how it could even be described as an 'adaptation', being only very (and I mean very) loosely based on Jane Austen's plot and characters. At best, this is 'inspired' by the story of 'Mansfield Park' and I'm sorry to say that it's barely recognisable to the original.
I like Billie Piper. I enjoyed her in 'Doctor Who' and do think she is an aspiring actress. However, I'm sorry to say that she is completely miscast as the lead in this, and when I first heard that she would be playing Fanny Price I thought it was a joke. What were the writers thinking? Billie is the polar opposite to her character, both in looks and sensibility. One reason why this novel is so difficult to adapt for a 21st century audience is that the character of the heroine is, by modern standards, incredibly dull. She's a product of the time in which she was written and is meant to be humble, pious, respectful and not in the least bit outspoken or inappropriate. Many modern adaptations feel the need to shake up the story and make Fanny Price more like Elizabeth Bennet which is exactly what they've done here. The writers have also completely disregarded issues of 18th century etiquette and fashion - Billie as Fanny runs around permanently bareheaded (which simply wouldn't have happened then, Fanny would have worn a bonnet in public) and with her hair all loose and flowing (which looks pretty but still wouldn't have happened in the 18th century - it would have been tied up and styled in some way).
But essentially it's the plot that I objected to - where was it? Nothing happened. Also, I'm guessing this must have been a budget adaptation as they could clearly only afford to buy one set. Every happened either in the sitting room or the garden. The ball that is thrown in Fanny's honour in the book is here transformed into a summer picnic on the lawn. In addition, a key event in the story involves Fanny going back to Portsmouth to visit her parents, something that makes her realise that perhaps life at Mansfield Park is not so bad in comparison with where she would have otherwise grown up, and that helps her to discover a sense of her own identity. In this adaptation, Fanny is simply left home alone at Mansfield while the rest of the family go off somewhere, which merely results in her feeling (shock horror) lonely and rejected and viewers like me suspecting that the producers didn't have much money. What was the point of that? Bravo Blake Ritson. You were the best thing in this and were the only one who bared a passing resemblance to the character you were playing. Other than that, it looks pretty, Billie Piper puts in a spirited performance and it's not unlike 'Cinderella' in many ways. Kids and young teenagers would probably love it, but anyone aged about 15 and over, with even a slight acquaintance with Jane Austen's work would do well to avoid.
5/10.