Mio fratello è figlio unico (2007)

Director:

Daniele Luchetti

Writers:

Antonio Pennacchi (novel) and
Daniele Luchetti (story)

Release Date:

20 April 2007 (Italy)

Genre:

Comedy | Crime | Drama | Music

Plot:

Two brothers come of age in a small Italian town in the '60s and '70s.

Plot Keywords:

1960s | Politics | Seminarian | Latin | Revolution

Awards:

7 wins & 12 nominations

Cast

Elio Germano	...	Accio Benassi
Riccardo Scamarcio	...	Manrico Benassi
Angela Finocchiaro	...	Amelia Benassi
Massimo Popolizio	...	Ettore Benassi
Ascanio Celestini	...	Padre Cavalli
Diane Fleri	...	Francesca
Alba Rohrwacher	...	Violetta Benassi
Vittorio Emanuele Propizio	...	Accio adolescent
Claudio Botosso	...	Prof. Montagna
Antonino Bruschetta	...	Segretario Bombacci (as Ninni Bruschetta)
Anna Bonaiuto	...	Bella Nastri
Luca Zingaretti	...	Mario Nastri
Pasquale Sammarco	...	Padre Tosi
Lorenzo Pagani	...	Bertini
Matteo Sacchi	...	Ragazzo Biliardino

Also Known As:

Mon frère est fils unique (France)
My Brother Is an Only Child (International: English title)

MPAA:

Rated R for language and some sexual content.

Runtime:

USA:108 min | France:100 min

Country:

Italy | France

Language:

Italian

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Hong Kong:III | Italy:T | USA:Unrated | Germany:12 | Ireland:15A | USA:R | Sweden:11 | Argentina:13 | Australia:M | Chile:14

Filming Locations:

Latina, Lazio, Italy

Company:

Cattleya

Trivia:

The conversations with some fascists of the suburbs around Rome has inspired Daniele Luchetti for the lines of Luca Zingaretti's character.

Finding Self: A Beautiful Coming of Age Story

MY BROTHER IS AN ONLY CHILD ('Mio fratello è figlio unico') is a title that may confuse the casual movie viewer, but it is an apt summation of the rigorous story that this excellent Italian film by Danielle Luchetti (adapted from a novel by Antonio Pennacchi) represents - the coming of age of two brothers in the confusing and turbulent 1960's and 1970's in Italy. While the film deals with the myriad political factions that disrupted life especially among the students of that era, the main focus of the story is the indomitable brotherly love that bonds the two main characters.

Accio Benano (Vittorrio Emanuele Popizo) as a child is a mischief maker who has entered seminary to become a priest, but his innate search for truth and meaning soon finds him returning home to his little family in a Mussolini-fabricated town called Latina, a village built on promises of communal well-being (a housing project was built but the poor villagers are refused access to it), but languishes in the poverty of lost hopes and deflated spirits. Accio's father, mother, younger sister and older brother Manrico (Riccardo Scamarcio) are making ends meet, but are frustrated with the political oppression of the working class. Time passes and the older Accio (Elio Germano) comes under the influence of Mussolini's 'idealism' with the tutelage of his older friend Mario (Luca Zingaretti) and embraces Fascism while Manrico has aligned with the communists, and it is this dichotomy of belief that sets Accio apart from his brother as well as his family who are communist sympathizers. Accio's personality places him in harms way with the law, with women (he has longings for the women in both Mario's and Manrico's lives), and ultimately with turns of events that threaten to pit brother against brother. The resolution of these conflicts makes for a fascinating study of familial ties, brotherly love, and a keenly observed sociopolitical history of Italy that is as enlightening as it is entertaining.

While Germano and Scamarcio are the obvious stars of this well acted film, the supporting cast (including such fine actors as Angela Finocchiaro, Massimo Popolizio, Alba Rohrwacher, Anna Bonaiuto, and Diane Fleri) is uniformly strong. This epic film demands full attention to the script (Italian with English subtitles) to follow the various political differences, but the tenor of the film is one of the excitement and concomitant love of two brothers coming of age in the best Italian style! It is a joy to watch and a lesson in history about which we should all be aware. Grady Harp