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| Photos (see all 2 | slideshow) | Videos (see all 3) |
| Karl Urban | ... | Nick Harvey | |
| Matthew Sunderland | ... | David Gray | |
| Lois Lawn | ... | Helen Dickson | |
| Simon Ferry | ... | Garry Holden | |
| Tandi Wright | ... | Julie-Anne Bryson | |
| Paul Glover | ... | Paul Knox | |
| William Kircher | ... | Stu Guthrie | |
| Georgia Fabish | ... | Chiquita Holden | |
| Fayth Rasmussen | ... | Stacey Percy | |
| rest of cast listed alphabetically: | |||
| Timothy Bartlett | ... | Jimmy Dickson | |
| Tony Bishop | ... | Ross Percy | |
| Baxter Cannell | ... | Dion Percy | |
| Murray Davidson | ... | Bank Manager | |
| Dave Dudfield | ... | AOS / ATS Officer | |
| Nick Duval-Smith | ... | Brian Wilson | |
| Natalie Ellis | ... | Dorothy Crimp | |
| Fatu Ioane | ... | Aleki Tali | |
| Brenda Kendall | ... | Garry Holden's Mother | |
| Richard Knowles | ... | Rene Aarsen | |
| Thomas Lee-Batley | ... | Leo Wilson | |
| Finn Liddell | ... | Jordan Harvey | |
| Stuart Mathieson | ... | Vic Crimp | |
| Dra McKay | ... | Heather Dickson | |
| Steven Moore | ... | Ron Braithwaite | |
| Ryan O'Kane | ... | Darren Buist | |
| Patrick Paynter | ... | Tim Jamieson | |
| Bruce Phillips | ... | Chris Cole | |
| Vaughan Slinn | ... | Russell Anderson | |
| Phoebe Smith | ... | Jenny Austin | |
| Vanessa Stacey | ... | Vanessa Percy | |
| Claire Waldron | ... | Fiona Harvey | |
| Kerrie Waterworth | ... | Bank Teller | |
| Jacinta Wawatai | ... | Rewa Bryson | |
| Richard West | ... | Warren Wilson | |
| Michael Whalley | ... | Darren Gibbs | |
| Danaka Wheeler | ... | Jasmine Holden | |
| Ashley Wilson | ... | Gunshop Owner | |
Directed by | |||
| Robert Sarkies | |||
Writing credits(in alphabetical order) | ||
| Bill O'Brien | book "Aramoana: Twenty Two Hours of Terror" | |
| Robert Sarkies | writer | |
| Graeme Tetley | written by | |
Produced by | |||
| Steven O'Meagher | .... | producer | |
| Timothy White | .... | producer | |
| Tim White | .... | producer | |
Original Music by | |||
| Victoria Kelly | |||
Cinematography by | |||
| Greig Fraser | |||
Film Editing by | |||
| Annie Collins | |||
Casting by | |||
| Rachael Bullock | |||
Production Design by | |||
| Philip Ivey | |||
Art Direction by | |||
| David Kolff | |||
| Ken Turner | |||
Costume Design by | |||
| Lesley Burkes-Harding | |||
Makeup Department | |||
| Michele Barber | .... | additional hair stylist | |
| Michele Barber | .... | additional makeup artist | |
| Samantha Lyttle | .... | special makeup effects technician | |
| Linda Wall | .... | makeup designer | |
Production Management | |||
| Rosemary Dority | .... | post-production supervisor | |
| Karl Stieglbauer | .... | unit manager | |
| Helene Takacs | .... | assistant production manager | |
Art Department | |||
| Andrew Burdan | .... | storyboard artist | |
| Wade Hannett | .... | head scenic | |
| Wade Hannett | .... | paint foreman | |
| Chris Meder | .... | set dresser | |
| Amy Newbury | .... | props | |
| Amber Richards | .... | set dresser | |
| Mike Roberts | .... | stand-by props | |
| Michael Rodriguez | .... | art department runner | |
| Rihari Taratoa-Bannister | .... | set dresser | |
| Kim Turner | .... | art department coordinator | |
Sound Department | |||
| Christian Biegai | .... | adr editor | |
| Hayden Collow | .... | sound effects editor | |
| Corrin Ellingford | .... | boom operator | |
| Michael Hedges | .... | sound re-recording mixer | |
| Robyn McFarlane | .... | foley recordist | |
| Polly McKinnon | .... | adr supervisor | |
| Carolyn McLaughlin | .... | foley artist | |
| Peter Mills | .... | foley editor | |
| Ken Saville | .... | sound recordist | |
| Justin Webster | .... | adr recordist | |
| Justin Webster | .... | assistant sound editor | |
| Dave Whitehead | .... | supervising sound editor | |
Special Effects by | |||
| Gunner Ashford | .... | armourer | |
| Gunner Ashford | .... | special effects coordinator | |
| Robert Young | .... | armourer assistant | |
| Robert Young | .... | special effects assistant | |
Visual Effects by | |||
| Dan Ashton | .... | scanning and recording technician: Weta Digital | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| Mara Bryan | .... | visual effects supervisor | |
| Lars Cawley | .... | digital artist | |
| Abigail Gee | .... | digital artist | |
| David Hampton | .... | scanning and recording technician: Weta Digital | |
| Jacob Leaf | .... | digital artist | |
| Carol Petrie | .... | visual effects coordinator: prpvfx.ltd | |
| George Port | .... | visual effects supervisor | |
| Abigail Scollay | .... | digital compositor | |
| Pete Williams | .... | scanning and recording manager: Weta Digital | |
Stunts | |||
| Augie Davis | .... | stunt coordinator | |
| Paul Shapcott | .... | stunt performer | |
| Min Windle | .... | stunt performer | |
| Tim Wong | .... | stunt performer | |
Costume and Wardrobe Department | |||
| James Rogers | .... | costume ager | |
Editorial Department | |||
| Rhys Bonney | .... | assistant editor | |
| Mark Hawthorne | .... | first assistant editor | |
| David Hollingsworth | .... | colorist | |
Other crew | |||
| Valerie Campbell | .... | production assistant | |
| Alex Cole-Baker | .... | post-production accountant | |
| Kimberly Logan | .... | location manager (as Kim Logan) | |
| Shanon Moratti | .... | title designer | |
| Megan Powlds | .... | production assistant (as Megan Fowlds) | |
| Vanessa Redmond | .... | production coordinator | |
| Molly Sullivan-Stevens | .... | production assistant | |
| Andy Wickens | .... | rushes liaison | |
| Donna Wills | .... | production accountant | |
Thanks | |||
| Andrew Mackie | .... | thanks | |
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| The Assassination of Jesse James by the Coward Robert Ford | The Three Burials of Melquiades Estrada | 800 balas | A History of Violence | Call Northside 777 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb New Zealand section |
| Add this title to MyMovies |
I remember very well the events unfolding in Aramoana as it was broadcast on the TV and radio. I was a Police Officer at the time and the death of a fellow officer was tough news to hear. Seeing the events recreated on screen for the first time brought the memories flooding back. Seeing how even in a relatively peaceful nation such as New Zealand, no-one is immune from random acts of violence was very sobering. I sat bolt upright the entire movie and didn't realise it. The theater was deathly quiet. This is a movie that pulls no punches and has not an inkling of Hollywood in it. It is a sad, dramatic, true to life retelling of the massacre. This type of film is one of the reasons I avoid many of the big budget Hollywood movies. There's no glorification here, no overly animated death scenes, this is movie making at it's best. The story is being told without embellishment and in a sadly beautiful way. A must see for New Zealander's, and for anyone else interested in seeing a powerful, compelling movie. New Zealand's movie of the year, without doubt.