Angels & Demons (2009)

User Rating:

6.9/10   

Director:

Ron Howard

Writers (WGA):

David Koepp (screenplay) and
Akiva Goldsman (screenplay) ...

Release Date:

15 May 2009 (USA)

Genre:

Drama | Mystery | Thriller

Tagline:

The holiest event of our time. Perfect for their return.

Plot:

Harvard symbologist Robert Langdon works to solve a murder and prevent a terrorist act against the Vatican.

Plot Keywords:

Illuminati | Vatican | Pope | Conclave | Vatican City

US Showtimes:

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Cast

Tom Hanks	...	Robert Langdon
Ewan McGregor	...	Camerlengo Patrick McKenna
Ayelet Zurer	...	Vittoria Vetra
Stellan Skarsgård	...	Commander Richter
Pierfrancesco Favino	...	Inspector Olivetti
Nikolaj Lie Kaas	...	Assassin
Armin Mueller-Stahl	...	Cardinal Strauss
Thure Lindhardt	...	Chartrand
David Pasquesi	...	Claudio Vincenzi
Cosimo Fusco	...	Father Simeon
Victor Alfieri	...	Lieutenant Valenti
Franklin Amobi	...	Cardinal Lamasse
Curt Lowens	...	Cardinal Ebner
Bob Yerkes	...	Cardinal Guidera
Marc Fiorini	...	Cardinal Baggia (as Marco Fiorini)

Also Known As:

Obelisk (USA) (fake working title)

MPAA:

Rated PG-13 for sequences of violence, disturbing images and thematic material.

Runtime:

138 min

Country:

USA

Language:

English | Italian | Latin | French | German | Spanish

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

USA:PG-13 (certificate #44269) | Netherlands:12 | South Korea:15 | Finland:K-13 | UK:12A (cut) | Hong Kong:IIB | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Ireland:12A | Singapore:PG | Norway:15 | Portugal:M/12 | Czech Republic:12 | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Canada:G (Quebec) | Germany:12 (f) | Sweden:15 | Argentina:13 | Brazil:16 | Germany:12 | Philippines:R-13 (MTRCB) | Iceland:14 | Mexico:B15 | Japan:G

Filming Locations:

Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, USA

Company:

Columbia Pictures

Trivia:

Clint Eastwood expressed interest in directing the film, but Ron Howard was contractually obligated to it because of his contract from The Da Vinci Code (2006).

Goofs:

Incorrectly regarded as goofs: Helicopters take-off by means of collective pitch on the left hand side of the pilot, not using both the collective as well as the cyclic pitch. Here the padre is pulling the cyclic pitch which enables the chopper to move back, not upwards. However, this can be explained by the fact that by pulling the cyclic pitch will allow the helicopter to rise more quickly, used along with the collective to increase torque.

Quotes:

[the bomb that threatens to destroy St.Peter's is set to go off at midnight. The Camerlengo is discussing evacuation with his security chief]
Camerlengo Patrick McKenna: If we are still in peril at 11.45, remove the cardinals, but in a dignified manner. I want peoples' last memory of this church to be of them walking out with their heads held high, not of some old men sneaking out the back door.

Movie Connections:

Featured in The 81st Annual Academy Awards (2009) (TV)

Soundtrack:

Introitus

Despite its obvious flaws, A&D is surprisingly good.

Before seeing the sneak preview today of Angels & Demons, I cleared my mind of any uncertainties that might hold me back from enjoying it; the enormous amount of hatred towards Dan Brown, the fact that it was written by Dan Brown, and because Dan Brown's name is slapped on all of the posters. I went in with an open mind, and expected the worse, but instead what I got was a 2 and a half hour Roman cat and mouse game with Forrest Gump, and that is by all means good entertainment value.

The movie hangs loosely on the actual novel itself. Harvard symbologist Robert Langdon (Hanks) jets off to Rome after the Pope's sudden death and the re-election through Papal Conclave. Arranging all of this is the carmelengo, Patrick McKenna (McGregor). However, he soon learns of a new threat, one that involves a secret brotherhood making its presence known, an anti-matter time bomb that Vatican City is now targeted with and the kidnapping of four cardinals. Langdon, using his intellects (and trust me, you'll be hearing a LOT from it) is given the task of finding and rescuing them using the mysterious Path of Illumination. Aiding him on the quest is CERN scientist Vittoria Vetra (Zurer), who is also the co-creator of the anti-matter.

The movie itself runs at an uneven pace. One minute Langdon and the Swiss Guard are speeding to save a branded cardinal, the next minute he bores you with pointless information about every random object he passes, evidently slowing the book's much anticipated action/thriller sequences down. It makes for an interesting read on paper, but on screen it can go either way.

The character's are decently written onto the big screen. Ewan McGregor does a convincing performance as the quiet but knowledgeable Patrick McKenna, famous accent included. Tom Hanks is slightly more agile, intellectually and physically, since his last performance in the mediocre Da Vinci Code. Stellen Skarsgard plays Commander Richter, the straight-faced leader of the Swiss Guard. Unfortunately, neither his nor Ayelet Zurer's performance are worthwhile ones, and instead of playing a part in the story, they are just kicked aside as assets.

However, Angels & Demons accomplishes what DVC could never; a thrilling fast-paced movie filled with satisfying explosions, beautiful recreations of St. Peter's Square and Basilica (including many of the churches) and a pulsing bomb counting down the midnight hour. Ron Howard does a decent job at directing this second Langdon adventure, this time taking in much criticism and almost completely exchanging the boring dialogue for tense chases (almost).

While newcomers might call it a "National Treasure 3" with a much larger threat, there is still enough contagious suspense/thriller eye-candy and brilliant still shots of Rome to breathe in. Fans of the book might feel differently towards the movies drastic changes, but considering the amount of blasphemy and inaccuracy it generates, A&D does exceedingly well at keeping the viewer locked on to the screen this time rather than on their sleepy shoulder.

A good book-to-movie adaption that will both appeal and entertain.

7.4/10