Directed by | |||
| Tom Hunsinger | |||
| Neil Hunter | |||
Writing credits(in alphabetical order) | ||
| Tom Hunsinger | writer | |
| Neil Hunter | writer | |
Produced by | |||
| Steve Christian | .... | executive producer | |
| Christopher Moll | .... | executive producer | |
| Martin Pope | .... | producer | |
| Michael Rose | .... | producer | |
| Julia Valentine | .... | line producer | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Sean Van Hales | |||
Film Editing by | |||
| Martin Brinkler | |||
Production Design by | |||
| Cristina Casali | |||
Art Direction by | |||
| Simeon Halligan | |||
Costume Design by | |||
| Alexandra Caulfield | |||
Makeup Department | |||
| Teresa Barker | .... | additional makeup artist | |
| Lesley Brennan | .... | makeup designer | |
| Mel Crump | .... | additional makeup artist | |
| Jayne Greenwood | .... | makeup artist | |
| Lucy Sibbick | .... | makeup artist | |
Production Management | |||
| Jim Edge | .... | unit manager | |
| Claire Newton | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Chris Chambers | .... | trainee assistant director | |
| Rob Cross | .... | trainee assistant director | |
| Joe Geary | .... | first assistant director | |
| Daniel Gill | .... | third assistant director (as Dan Gill) | |
| Rebecca Hardiman | .... | trainee assistant director | |
| Julie Heskin | .... | additional assistant director | |
| Simon Noone | .... | second assistant director | |
| Sarah Puzzar | .... | trainee assistant director | |
Art Department | |||
| Nurey Al-Kahzrajie | .... | props | |
| Sally Black | .... | production buyer | |
| John Brown | .... | stand-by art director | |
| Hugh Fottrell | .... | stand-by art director | |
| Beverley Gerard | .... | stand-by props | |
| Julie Hall | .... | stand-by props | |
| Kate Halsall | .... | graphics/art department assistant | |
| Mike Hennessey | .... | dressing props | |
| Ed Oldham | .... | additional props | |
| Mike Roberts | .... | dressing props | |
Sound Department | |||
| Ben Brazier | .... | sound editor | |
| Robert Brazier | .... | sound editor | |
| Gary Desmond | .... | sound recordist | |
| Tim Fraser | .... | sound recordist | |
| Jess Richards | .... | assistant sound: Isle of Man | |
| Chris Roberts | .... | adr editor | |
| Chris Roberts | .... | adr supervisor | |
| Anna Sulley | .... | sound effects editor | |
| Justin Wilkinson | .... | boom operator | |
| Rowena Wilkinson | .... | foley artist | |
Stunts | |||
| Ray Nicholas | .... | stunt coordinator | |
| Bean Peel | .... | stunt double | |
Camera and Electrical Department | |||
| Brian Bassnett | .... | grip assistant | |
| Paul Benson | .... | additional electrician | |
| Lawrence Carter | .... | additional rigger | |
| Mark Davenport | .... | assistant camera | |
| Dave Glossop | .... | rigger | |
| Joe Judge | .... | gaffer | |
| Simon Lewis | .... | grip | |
| Joseph Mastrangelo | .... | second assistant camera | |
| Michael McHugh | .... | best boy | |
| Louis Mulvey | .... | camera operator | |
| Lenny O'Brien | .... | electrician | |
| Jon Priddle | .... | first assistant camera | |
| Mike Prior | .... | additional electrician | |
| Dean Rogers | .... | still photographer | |
| Colin Simkiss | .... | additional electrician | |
| Matilda Smith | .... | assistant camera | |
| Tony Wilcock | .... | additional electrician | |
Costume and Wardrobe Department | |||
| John Dunn | .... | costume assistant | |
Editorial Department | |||
| Trevor Brown | .... | colorist | |
Music Department | |||
| Terry Davies | .... | conductor | |
| Steve Parr | .... | score recordist | |
Transportation Department | |||
| David Callister | .... | unit driver | |
| Andrew Duncan | .... | unit driver | |
| Ade Holland | .... | unit driver | |
| Peter Lamont | .... | unit driver | |
| Tony Lamont | .... | unit driver | |
| Sammy Pasha | .... | driver | |
| Dave Yates | .... | unit driver | |
Other crew | |||
| Ollie Allgrove | .... | assistant coordinator (as Oliver Allgrove) | |
| Shanna Baynard | .... | assistant production coordinator | |
| Mia Bays | .... | marketing and distribution | |
| Chris Chambers | .... | runner | |
| Andrew Duncan | .... | picture vehicles co-ordinator | |
| Denise Hanrahan | .... | assistant to producer | |
| Tom Harnick | .... | location manager | |
| Chris Ingram | .... | production assistant | |
| Alistair MacKay | .... | electronic press kit | |
| Sue Mahoney | .... | script supervisor | |
| Miguel Pariente | .... | location accountant | |
| Reinhard Spiolek | .... | production accountant | |
| Sian Sutherland | .... | location manager | |
| Anna Tracey | .... | production coordinator | |
| Duncan Woods | .... | location manager | |
| Thomas Woods | .... | production runner | |
Thanks | |||
| Charles Gant | .... | thanks | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Amazing Grace | Bridget Jones's Diary | Boyfriends | Brazil | Scoop |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section | Add this title to MyMovies |
Not as good as the writers'/directors' previous effort, LAWLESS HEART, despite an array of fine actors. I think the problem lies in the limited range of the male lead. Scenes between everyone else work well enough, but his cheeky-chap persona grates after a while. This is more of a criticism of the script than of the actor. When we finally see his vulnerable side, it's too late for the rom-com ending.
The relationship between the characters also seems too conveniently close-knit to convince. Sure, by definition every work of fiction is artificial, a fabrication. There was a central idea in LAWLESS HEART - a bereavement - that bound the whole thing together. Here, unfortunately, the inter-connections seem worthier of a novel than a movie.
Bob Hoskins is particularly endearing in SPARKLE, so fans of his should see the movie if they can. Otherwise, in spite of reliable performances from reliable performers, this feels like a rather half-hearted attempt at a feelgood movie.