| Photos (see all 32 | slideshow) | Videos (see all 5) |
| Michael Madsen | ... | Sean Kelleher | |
| Vinnie Jones | ... | Smasher O'Driscoll | |
| Richard Chamberlain | ... | Denis O'Leary | |
| Patrick Bergin | ... | Papa Boss | |
| Luke Whelton | ... | Michael Kelleher | |
| Michael Rawley | ... | Chaser McGrath | |
| Gail Fitzpatrick | ... | Mammy | |
| Pat Shortt | ... | Wheeler McCoy | |
| Finbar Furey | ... | Chosky Boss | |
| Sheridan Mahon | ... | Coco McGrath | |
| Krystal Mahon | ... | Baby McGrath | |
| Myles Horgan | ... | Barry Lacey | |
| Michael John Galvin | ... | Fixer Ward | |
| Joe O'Gorman | ... | Michael Murphy | |
| Norma Sheahan | ... | Shannon Kelleher | |
| Lesley Conroy | ... | Ciara Lacey | |
| Kevin McCormack | ... | Neiler | |
| David Keelan | ... | Barman | |
| James Brown | ... | Cathal Murphy | |
| Liam Heffernan | ... | Traveller #2 | |
| Paul Creighton | ... | Traveller #3 | |
| Hilary O'Shaughnessy | ... | Waitress | |
| Debbie Byrne | ... | District Nurse | |
| Cora Fenton | ... | Dr. McCarthy | |
| Denis Tuohy | ... | James O'Shea | |
| Michelle Forde | ... | Journalist | |
| Fiona Condon | ... | Nurse-Kids Ward | |
| Mary Mooney | ... | Nurse-ICU | |
| Neil Prendeville | ... | Surgeon McGrath | |
| rest of cast listed alphabetically: | |||
| Michael Collins | ... | Frankie O'Neill | |
| Conor Dwane | ... | Desmond Curran | |
| Alf McCarthy | ... | Dr. Sheridan | |
| Geraldine McLoughlin | ... | Mary Murphy | |
| Pascal Scott | ... | Postman | |
| Paul Valentine | ... | Traveller 1 | |
Directed by | |||
| Mark Mahon | |||
Writing credits(in alphabetical order) | ||
| Mark Mahon | writer | |
Produced by | |||
| Howard Gibbins | .... | line producer | |
| Olann Kelleher | .... | executive producer | |
| Mark Mahon | .... | producer | |
Original Music by | |||
| Ilan Eshkeri | |||
Cinematography by | |||
| Alan Almond | |||
Film Editing by | |||
| Kate Coggins | |||
Casting by | |||
| Carmel O'Connor | |||
Production Design by | |||
| Eleanor Wood | |||
Art Direction by | |||
| Owen Power | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Gill Brennan | .... | makeup trainee | |
| Patricia Coogan O'Dell | .... | hair assistant | |
| Morna Ferguson | .... | makeup designer | |
| Lorraine Glynn | .... | hair stylist | |
| Niamh O'Loan | .... | assistant makeup artist | |
Production Management | |||
| Phil Brown | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Damien Coughlan | .... | trainee assistant director | |
| Catherine Dunne | .... | second assistant director | |
| Henry Forsyth | .... | third assistant director | |
| Niall Owens | .... | trainee assistant director | |
| Charlie Watson | .... | first assistant director | |
Art Department | |||
| Christian Carley | .... | graffiti artist | |
| Dearbhal Connan | .... | art department assistant | |
| Peter Curtain | .... | plasterer | |
| Anne Fitzsimon | .... | production buyer | |
| Aaron Harris | .... | stagehand | |
| Andy Harris | .... | construction manager | |
| Mick Heffernan | .... | carpenter | |
| Donal Lynch | .... | construction manager | |
| Jerome McDonnell | .... | dressing props | |
| Pat McKane | .... | stand-by props | |
| John Murphy | .... | painter | |
| Derek Nagle | .... | art department trainee | |
| Lesley Oakley | .... | draughtsperson | |
| Don Rothwell | .... | stand-by carpenter | |
| John Snee | .... | stand-by props | |
| Seth Turner | .... | property master | |
| Steve Werblun | .... | storyboard artist | |
Sound Department | |||
| Paula Boram | .... | foley artist | |
| Enda Callan | .... | sound trainee | |
| Andrew Felton | .... | boom operator | |
| Phillip Mark Freudenfeld | .... | assistant dialogue editor | |
| Phillip Mark Freudenfeld | .... | assistant sound effects editor | |
| Rick Gould | .... | foley artist | |
| Tim Hands | .... | supervising sound editor | |
| Ben Norrington | .... | foley editor | |
| Adrian Rhodes | .... | sound editor | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Gavin Rose | .... | assistant dialogue editor | |
| Chris Sturmer | .... | sound consultant: dolby | |
| Ruth Sullivan | .... | foley artist | |
| Rachael Tate | .... | adr recordist | |
| Simon J. Willis | .... | sound | |
Special Effects by | |||
| Derek Jasola | .... | special effects | |
| Gerry Johnston | .... | special effects supervisor | |
Visual Effects by | |||
| Ruben Gerardo Alfaro Moreno | .... | arri laser recordist | |
| Charlotte Collings | .... | visual effects producer: PFL | |
Stunts | |||
| Stephen Byrne | .... | stunts | |
| Lee Cairnes | .... | stunts | |
| Brendan Condren | .... | stunts | |
| Dan Connors | .... | stunts | |
| Paul Cummins | .... | stunts | |
| Trevor Kearney | .... | stunts | |
| Norman Kelly | .... | assistant stunt coordinator | |
| Taylor Lane | .... | stunt double | |
| Greg Loeskin | .... | stunts | |
| Ciaran O'Neill | .... | stunts | |
| Gary O'Sullivan | .... | stunts | |
| Niall O'Sullivan | .... | stunts | |
| Kevin Power | .... | stunts | |
| Paul Valentine | .... | stunt performer | |
| Pat Walsh | .... | stunts | |
| Roger Yuan | .... | fight coordinator | |
Camera and Electrical Department | |||
| Cris Ayoub | .... | camera trainee | |
| Ben Carey | .... | rigger | |
| Tommy Carling | .... | electrician | |
| Mary Crowley | .... | camera trainee | |
| Mervyn Ewing | .... | camera/wardrobe truck | |
| Addo Gallagher | .... | electrician | |
| Fergus Long | .... | camera trainee | |
| Ian Madden | .... | best boy | |
| Anthony Meade | .... | clapper loader | |
| Ray Moore | .... | focus puller | |
| David O'Connor | .... | assistant grip | |
| Eugene O'Sullivan | .... | generator operator | |
| Peter O'Toole | .... | electrician | |
| Steven Swannell | .... | gaffer | |
| Adam Tsan | .... | key grip | |
| Bernard Walsh | .... | still photographer | |
| Dave Woods | .... | crane grip | |
| Howard Woods | .... | crane operator | |
Costume and Wardrobe Department | |||
| Catherine Dalton | .... | costume trainee | |
| Collette Jackson | .... | wardrobe supervisor | |
| Valerie Kelly | .... | wardrobe assistant | |
| Debbie Millington | .... | costume assistant | |
| Catriona Ni Treasaigh | .... | costume assistant | |
| Eimer O'Laoghaire | .... | wardrobe assistant | |
| Morgan Semmens | .... | costume assistant | |
Editorial Department | |||
| David Clarke | .... | digital film manager | |
| Mike Fraser | .... | digital film consultant | |
| Alan Maiden | .... | on-line editor | |
| Richard Smither | .... | assembly editor | |
| Kai Van Beers | .... | digital film colorist | |
Music Department | |||
| Christoph Bauschinger | .... | arrangement & programming | |
| Andy Brown | .... | music contractor | |
| Tom Chichester-Clark | .... | music editor | |
| Julian Kershaw | .... | orchestrator | |
| Elisa Kustow | .... | music production coordinator | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Stephen McLaughlin | .... | music producer | |
| Marius Ruhland | .... | additional orchestrator | |
| Scott Shields | .... | composer: additional music | |
Transportation Department | |||
| Alan Bevan | .... | unit driver | |
| Paul Cullen | .... | transportation captain | |
| Jimmy Devlin | .... | driver: bus | |
| Gary Foster | .... | unit driver | |
| Paul Liengaard | .... | vehicle coordinator | |
| Dermot Moore | .... | unit driver | |
| Kieran Shellard | .... | driver: props runaround | |
| Tony Troy | .... | driver: prop truck | |
Thanks | |||
| Chadwick Clough | .... | special thanks | |
| Morgan Freeman | .... | special thanks | |
| Brandon Paine | .... | special thanks | |
| Mark Shields | .... | special thanks | |
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| Tombstone | Some Mother's Son | Immortel (ad vitam) | Nowhere to Run | Handsome Harry |
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I just came from 'Strength and Honour' and was completely blown away. It was shot beautiful, the performances were amazing especially from Madsen, Jones, Rawley and Fitzpatrick (Mammy) and the score was fantastic.
I remember reading once that the definition of art is something that provokes two opposing views. The director has certainly achieved this as people seem to love or hate, with no middle ground.
The script covers lots of ground at the start, but I believe that this is fine. When you go to the cinema, we have to use our imagination a little bit too. On that note though, this is a fictional piece, not a documentary.
Well worth an hour and a half of your time!