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Eitan Arrusi (writer)
6 March 2009 (UK) more
A musician discovers a voice hidden in an old record -- one that sets into motion a series of horrific events. full summary | add synopsis
British Indy Horror Reverb rises again
(From 24FramesPerSecond. 1 March 2009, 10:22 AM, PST)
British Indy Horror Reverb rises again
(From 24FramesPerSecond. 1 March 2009, 10:22 AM, PST)
That rare thing, a great British horror film! more (19 total)
| Leo Gregory | ... | Alex | |
| Eva Birthistle | ... | Maddy | |
| Pamela Banks | ... | Mark Griffin's girlfriend | |
| Margo Stilley | ... | Nicky | |
| Luke de Woolfson | ... | Dan | |
| Stephen Lord | ... | Wurzel | |
| Neil Newbon | ... | Mark Griffen | |
| rest of cast listed alphabetically: | |||
| John Gillespie | ... | Paramedic | |
| Adam Lannon | ... | Firefighter | |
| Stephen Lord | ... | Wurzel | |
Directed by | |||
| Eitan Arrusi | |||
Writing credits(in alphabetical order) | ||
| Eitan Arrusi | writer | |
Produced by | |||
| Chris Atkins | .... | executive producer | |
| Robert Bevan | .... | executive producer | |
| Keith Hayley | .... | executive producer | |
| Frank Mannion | .... | producer | |
| Nicky Moss | .... | co-producer | |
Original Music by | |||
| James Edward Barker | |||
| Tim Despic | |||
Cinematography by | |||
| Simon Dennis | |||
Film Editing by | |||
| Richard Elson | |||
| Joseph Pisano | |||
Casting by | |||
| David Hall | |||
Production Design by | |||
| Richard Campling | |||
Art Direction by | |||
| Johnny Campling | |||
| Oli van der Vijver | |||
Costume Design by | |||
| Ian Fulcher | |||
Makeup Department | |||
| Belinda Green-Smith | .... | makeup artist | |
| Stacey Kutzak | .... | makeup designer | |
Production Management | |||
| Dan Bentham | .... | post-production supervisor | |
| Barny Wright | .... | post-production supervisor | |
Art Department | |||
| Lloyd Bartlett | .... | set builder | |
| Gerry Beasley | .... | set builder | |
| Robert Crewe | .... | construction manager | |
| Will Morris | .... | set builder | |
| Alex Raine | .... | art department assistant | |
| Rupert Tulloch | .... | set builder | |
| Lee Whiteman | .... | scenic artist: set | |
Sound Department | |||
| James Edward Barker | .... | additional sound designer | |
| James Clark | .... | sound re-recording mixer | |
| Frederic Gibert | .... | sound facility coordinator | |
| Frederic Gibert | .... | sound post-production | |
| Andy Gibson | .... | sound technical advisor | |
| Stephen Goldsmith | .... | adr recordist | |
| Stephen Goldsmith | .... | dialogue editor | |
| Stephen Goldsmith | .... | foley artist | |
| Gavin Marshall | .... | boom operator | |
| Johnathan Rush | .... | sound re-recording mixer | |
| Scanner | .... | sound effects artist | |
| Vincent Watts | .... | sound designer | |
| Vincent Watts | .... | sound re-recording mixer | |
| Vincent Watts | .... | supervising sound editor | |
| Julian Willson | .... | sound mixer | |
| Julian Willson | .... | sound recordist | |
Visual Effects by | |||
| William Carley | .... | visual effects artist | |
| Alexis Haggar | .... | titles designer | |
| Alexis Haggar | .... | visual effects supervisor | |
| Oliver Minchin | .... | visual effects artist | |
| Thierry Muller | .... | digital compositor | |
Camera and Electrical Department | |||
| Paul Benson | .... | gaffer | |
| Leo Bund | .... | Steadicam operator | |
| Alex Crowe | .... | grip assistant | |
| Gareth Entwistle | .... | camera trainee | |
| James Friend | .... | assistant camera | |
| Matt Lopez-Dias | .... | key grip | |
| Nora McGoldrick | .... | second assistant camera | |
| Casey Moore | .... | additional still photographer | |
| Tom Olley | .... | rigging gaffer | |
| Derrick Peters | .... | first assistant camera | |
| Simon Vickery | .... | director of photography: second unit | |
| Colin White | .... | still photographer | |
Costume and Wardrobe Department | |||
| Nathalie Agnus | .... | costume assistant | |
Editorial Department | |||
| Phil Ashton | .... | digital colorist | |
| Brendon Blackshaw | .... | third assistant editor | |
| Adam Carter | .... | post-production assistant | |
| Gwillym Hewetson | .... | on-line editor | |
| Rachel Tunnard | .... | assistant editor | |
Music Department | |||
| James Edward Barker | .... | music editor | |
| James Edward Barker | .... | music score producer | |
| James Edward Barker | .... | musician: guitars, indian violin | |
| James Edward Barker | .... | orchestrator | |
| Ian Neil | .... | music supervisor | |
| Vincent Watts | .... | additional composer | |
Transportation Department | |||
| Michael Carr | .... | runner driver | |
Other crew | |||
| Laura Aylett | .... | production trainee | |
| Manuela Barros | .... | production runner | |
| Mike Carr | .... | production runner | |
| Terry Connors | .... | production accountant | |
| Victoria Dabbs | .... | production co-coordinator | |
| Jo Gross | .... | production assistant | |
| James Hall | .... | digital graphic designer | |
| Toff Haque | .... | runner | |
| Annetta Laufer | .... | script supervisor | |
| Paolo Piselli | .... | location manager | |
| Tim Stevens | .... | epk director | |
| Susanna Underwood | .... | unit publicist | |
88 min | Germany:84 min (European Film Market)
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| News articles | IMDb Horror section | IMDb UK section |
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I saw the first screening of Reverb at Bafta a few months back and you could really feel its effect on the audience as the tension mounted. These days most horror films rely on gore to try and make the audience feel something, and while this film does have its fair share of the red stuff it expertly uses old fashioned suspense to make you squirm. It also manages to make you care about the characters which really adds to the suspense. Visually the film is very different to most British horrors I've seen (and American ones come to that) and manages to go beyond its Far Eastern influences to create a hybrid I haven't seen before. The central idea behind the film is really strong and never once makes you question the reality of what is happening on screen. The performances are strong too, especially Eva Birthistle (who we last saw in State of Play) and Leo Gregory of Stoned fame. Go and see this when you get the chance, you won't be disappointed.