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Directed by | |||
| Frank A. Cappello | |||
Writing credits(WGA) | ||
| Frank A. Cappello | (written by) (as Frank Cappello) | |
Produced by | |||
| Frank A. Cappello | .... | co-producer | |
| Jason Hallock | .... | executive producer | |
| Michael Leahy | .... | producer | |
| Teresa Zales | .... | line producer | |
Original Music by | |||
| Jeff Beal | |||
Cinematography by | |||
| Brandon Trost | |||
Film Editing by | |||
| Kirk M. Morri | |||
Casting by | |||
| Jason Mundy | |||
| Don Phillips | |||
Production Design by | |||
| Ermanno Di Febo-Orsini | |||
Art Direction by | |||
| Michael Barton | |||
Set Decoration by | |||
| Marina Starec | |||
Costume Design by | |||
| Sarah Trost | |||
Makeup Department | |||
| Michael Davis | .... | key hair stylist | |
| Bonni Flowers | .... | key makeup artist | |
| Jody Herrington | .... | assistant makeup artist | |
| Kathleen Toner | .... | hair stylist | |
| Gary J. Tunnicliffe | .... | makeup designer | |
Production Management | |||
| Teresa Zales | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Alisa Fredericks | .... | first assistant director | |
| Roger Udwin | .... | second assistant director | |
| Dawn York | .... | second second assistant director | |
Art Department | |||
| Jason lee Bartley | .... | art assistant | |
| Bethany Barton | .... | art assistant (as Bethany Hogan) | |
| Starla Christian | .... | painter | |
| Raul Contreras | .... | key swing | |
| Craig Duda | .... | leadman | |
| Bonnie Temple | .... | property master | |
| Amanda Weaver | .... | set dresser | |
Sound Department | |||
| Steven Avila | .... | sound effects editor | |
| Trip Brock | .... | supervising sound editor | |
| Gary Day | .... | sound mixer | |
| Adam De Coster | .... | foley artist | |
| Lucien Eagle-Jack | .... | boom operator | |
| Michael J. Fox | .... | adr supervisor | |
| Chris Hixon | .... | boom operator | |
| Bill Jenkins | .... | sound editor | |
| Peter D. Lago | .... | sound effects editor | |
| Greg Mauer | .... | foley mixer | |
| Melissa Oivanki | .... | assistant sound editor | |
| Melissa Oivanki | .... | post sound coordinator | |
| Rick Owens | .... | foley artist | |
| Steven Utt | .... | sound engineer | |
| Kelly Vandever | .... | sound re-recording mixer | |
| Ben Whitver | .... | first assistant sound editor | |
| Brian S.M. Wroth | .... | dialogue editor | |
Special Effects by | |||
| Ron Trost | .... | special effects coordinator | |
Visual Effects by | |||
| Kevin Capizzi | .... | CG artist | |
| Kevin Capizzi | .... | chief animator | |
Casting Department | |||
| Irvin Gourgue | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ryan Lennon | .... | set costumer | |
Transportation Department | |||
| Chase Hudson | .... | transportation coordinator | |
Other crew | |||
| Lisa Arriana | .... | assistant to director | |
| Steve Bocsi | .... | production assistant | |
| Simone De Camargo | .... | accountant | |
| Torrence Hall | .... | weapons handler | |
| Chase Hudson | .... | assistant production coordinator | |
| Josh Katz | .... | production assistant | |
| Katie Larsen | .... | key production assistant | |
| Stanley Longstreet | .... | location manager | |
| Heather Manross | .... | assistant accountant | |
| Nathaniel Ramsey | .... | production assistant | |
| Victor Siegel | .... | production assistant | |
| Joshua Smith | .... | production coordinator | |
| Stephen Sprague | .... | production assistant | |
| Silver Tree | .... | script supervisor | |
| Mike Tristano | .... | armorer | |
| Arthur Williams Jr. | .... | production assistant | |
Thanks | |||
| Ken Aguado | .... | very special thanks | |
| Rima Greer | .... | very special thanks | |
| Ashton Hallock | .... | special thanks | |
| Kamie Hallock | .... | special thanks | |
| Mary Jo Slater | .... | very special thanks | |
| Yoni Tabac | .... | very special thanks | |
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| Lo strano vizio della Signora Wardh | Basic Instinct | One Hour Photo | Art School Confidential | Chik loh go yeung |
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Human perceive things in most wonderfully creative and erogenous ways. That's why a flawed art can be just as effective, if not more, in sending your conscious through a range of emotions so fast and furious that reason have no chance in hell to ever catch up. This film is one of those flawed art that through its deranged and surreal vision and narratives, you live the love and pain of Bob Maconel, a quiet man who was not so quiet within.
The presentation is often cartoonish and stereotypical, yet the emotion that was conveyed are often bloody raw to a fault that you just can't simply escape. Bob is a troubled man who's life is as boring as it is tormenting. We don't know his past and how he became what he is. The sad truth is that the only colorful and interesting thing in his life is his homicidal and suicidal anguish, the held up energy and intensity that dramatically contrasted his drab and introverted appearance, until one day, he let it all loose, in a sort of unexpected way.
In a society full of able thinkers and feelers competing for limited opportunities, there are those who express in terms, those who express against the terms and those who are simply ignored. Bob is an ignored soul. But the trouble is, being ignored doesn't diminish his ability to think and feel. Bob gave us a chance to explore the mind of those who's life are often invisible until they made the front page news, with increasingly frequent occurrence in today's society. Only here, we are not only presented with the dark and ugly side of it, but also the vulnerably romantic side as well. Through all of its oddity and obscurity, we get a glimpse of its human quality, and were left scarred by its sheer beauty.
I can only describe the style of directing as creative honesty, as honesty is in such short supply in today's media. What was expressed outwardly is exaggerated in order to stay true with what locks inside a person's mind. For this alone, I was over joyed by the experience.
Go see it, with a understanding mind and compassionate soul. Let the range of emotion washes over you, be it pity or wonderment, don't haste to judge. Just let it haunt you for a while.