David Shore (creator)
Joel Anderson Thompson (written by)
8 February 2005 (Season 1, Episode 10)
A homeless woman collapses at an illegal rave house. Foreman blows off the consult that Wilson asks for... more | add synopsis
The operation was a success, but... more (1 total)
| Hugh Laurie | ... | Dr. Gregory House | |
| Lisa Edelstein | ... | Dr. Lisa Cuddy | |
| Omar Epps | ... | Dr. Eric Foreman | |
| Robert Sean Leonard | ... | Dr. James Wilson | |
| Jennifer Morrison | ... | Dr. Allison Cameron | |
| Jesse Spencer | ... | Dr. Robert Chase | |
| Leslie Hope | ... | Victoria Madsen | |
| Larry Clarke | ... | Officer Gilmar | |
| Smith Cho | ... | Julia | |
| Ogy Durham | ... | Chris Dewey | |
| rest of cast listed alphabetically: | |||
| Brandon Brocato | ... | Phil | |
| Suzanne Ford | ... | Mrs. Whitney | |
| Farrah Skyler Greye | ... | Nurse | |
| Leslie Karpman | ... | Jodi | |
| Tomiko Martinez | ... | Tall Girl | |
| Kevin Moon | ... | EMT | |
| Patty Onagan | ... | Girlfriend | |
| Bonnie Perlman | ... | Mom | |
| Troy Robinson | ... | Cop #1 | |
| Paul Sklar | ... | Cop #2 | |
| Charles C. Stevenson Jr. | ... | Walter | |
| Episode Crew |
Directed by | |||
| Daniel Attias | |||
Writing credits | ||
| David Shore | (creator) | |
| Joel Anderson Thompson | (written by) (as Joel Thompson) | |
Produced by | |||
| Paul Attanasio | .... | executive producer | |
| Peter Blake | .... | consulting producer | |
| Sara B. Cooper | .... | consulting producer | |
| Steven Heth | .... | associate producer | |
| Katie Jacobs | .... | executive producer | |
| Marcy G. Kaplan | .... | associate producer | |
| John Mankiewicz | .... | co-executive producer | |
| Thomas L. Moran | .... | supervising producer | |
| Daniel Sackheim | .... | consulting producer | |
| David Shore | .... | executive producer | |
| Bryan Singer | .... | executive producer | |
| Gerrit van der Meer | .... | producer | |
| Matt Witten | .... | supervising producer | |
Original Music by | |||
| Jason Derlatka | |||
| Jon Ehrlich | |||
Cinematography by | |||
| Roy H. Wagner | |||
Film Editing by | |||
| Marta Evry | |||
Casting by | |||
| Amy Lippens | |||
Production Design by | |||
| Mark Hutman | |||
Art Direction by | |||
| Robert W. Henderson | (as Robert Henderson) | ||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Cathy Crandall | |||
Makeup Department | |||
| Vivian Baker | .... | department head makeup artist | |
| Karl Wesson | .... | department head hair stylist | |
Second Unit Director or Assistant Director | |||
| Korey Scott Pollard | .... | second assistant director (as Korey Pollard) | |
| Chris Stoia | .... | first assistant director | |
| Ingrid K. Behrens | .... | second second assistant director (uncredited) | |
Art Department | |||
| Michael A. Casey | .... | assistant property master | |
| Peter Clemens | .... | set designer | |
| Simon Knights | .... | video graphics artist | |
| Tyler Patton | .... | property master | |
| Shane Reed | .... | leadman (uncredited) | |
Sound Department | |||
| Brydon Baker III | .... | production sound mixer (as Beau Baker) | |
| Lee Gilmore | .... | foley editor | |
| Barbara Issak | .... | supervising sound editor | |
| Gerry Lentz | .... | re-recording mixer | |
| Rich Weingart | .... | re-recording mixer (as Richard Weingart) | |
| Bradley Clouse | .... | assistant sound editor (uncredited) | |
| Frank Fleming | .... | sound recordist (uncredited) | |
| Kirk Herzbrun | .... | assistant sound editor (uncredited) | |
Visual Effects by | |||
| Dan Aguilar | .... | digital compositor | |
| Elan Soltes | .... | visual effects supervisor | |
| Eric Adkins | .... | director of photography: visual effects unit (uncredited) | |
| Mike Leben | .... | motion control operator (uncredited) | |
Stunts | |||
| Jim Vickers | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Dale Alexander | .... | key grip | |
| Frank Esposito | .... | lighting technician | |
| Brad Lipson | .... | gaffer | |
| John Wagner | .... | camera operator (as John L. Wagner) | |
| Gary A. Williams | .... | chief dolly grip | |
| Darin Krask | .... | second assistant camera (uncredited) | |
| John Pedone | .... | lighting console operator (uncredited) | |
Casting Department | |||
| Stephanie Laffin | .... | casting associate | |
| Janelle Scuderi | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Karen Bellamy | .... | costume supervisor | |
Editorial Department | |||
| Julie Hrebec | .... | post-production coordinator | |
| Judd H. Maslansky | .... | assistant editor (as Judd Maslansky) | |
| Trip Gould | .... | post-production assistant (uncredited) | |
Music Department | |||
| Michael Baber | .... | music editor | |
| Jason Derlatka | .... | composer: theme | |
| Jon Ehrlich | .... | composer: theme | |
Transportation Department | |||
| Steve De Leon | .... | transportation coordinator | |
| Robert aaron Brown | .... | production van driver: basecamp (uncredited) | |
| Don Haggerty | .... | driver (uncredited) | |
| Mark D. Hysen | .... | driver (uncredited) | |
Other crew | |||
| Bobbin Bergstrom | .... | on-set medical advisor | |
| Matt Bosson | .... | researcher: computer graphics | |
| Tammi Campbell | .... | production coordinator | |
| David Foster | .... | technical consultant | |
| Michael Giordano | .... | medical technical advisor | |
| Ira Hurvitz | .... | script supervisor | |
| Lawrence Kaplow | .... | executive story editor | |
| Michelle Latham | .... | location manager | |
| Matthew V. Lewis | .... | assistant to executive producer (as Matthew Lewis) | |
| Rachel Light | .... | assistant to executive producer | |
| Harley Liker | .... | medical technical advisor | |
| Matt Mulder | .... | title designer | |
| Dustin Paddock | .... | script coordinator | |
| Jenny Paul | .... | assistant to executive producer | |
| Lisa Sanders | .... | medical technical advisor | |
| Kristina Santoro | .... | key assistant location manager | |
| Jake Sargeant | .... | title designer | |
| Jason Taylor | .... | assistant to executive producer | |
| Joel Anderson Thompson | .... | story editor (as Joel Thompson) | |
| Jane Williams | .... | production accountant | |
| Geoffrey Colo | .... | clearance coordinator (uncredited) | |
| Annette Encinas | .... | payroll accountant (uncredited) | |
| Paul Matthaeus | .... | creative director: title sequence (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| David Shore | creator | |
Film Editing by | |||
| Scott Hahn | |||
Makeup Department | |||
| Miia Kovero | .... | key hair stylist (season 1) | |
Second Unit Director or Assistant Director | |||
| Jim Vickers | .... | second unit director (2005) | |
Art Department | |||
| Mark Pallatt | .... | set dresser (season 2) | |
Visual Effects by | |||
| James Lima | .... | visual effects supervisor: pilot episode | |
| Greg Tsadilas | .... | CG supervisor (multiple episodes) | |
Camera and Electrical Department | |||
| Kia Dawson | .... | camera loader (season 2) | |
| Kevin Tiesiera | .... | set lighting technician (season 2) | |
Other crew | |||
| Ryan Burke | .... | second assistant accountant (season 2) | |
| Jim Vickers | .... | fight choreographer | |
In the scene where Foreman goes to the homeless lady's area, as drawn on a picture, one of the businesses is called Kaplow's. One of the producers is named Lawrence Kaplow, though he didn't write that episode he still produced it. more
Factual errors: The patient Victoria Madsen is said to have been shot with a Taser discharging 60,000V, putting her heart in arrhythmia. House looks for a single impact point on her leg after accusing the Police Officer of lying about using the Taser. A Taser shoots two darts with a 7-degree vertical spread, discharging 50,000V at 2.1mA causing involuntary muscle contractions throughout the outer muscle layer of the body. The fact that the patient didn't have any feeling in her thigh would not have made her immune to the Taser. Compare the Tasers 2.1mA/50,000V to the 15A/125V in a regular U.S. wall socket - Amperes kill, not Volts. Also, Taser cartridges have ID-numbers and spread confetti-like ID-tags when discharged; as the officer is personally accountable for each issued cartridge it would have been pointless for him to lie to House. more
Dr. Gregory House:
You gonna tell me why this case?
Dr. James Wilson:
She's my new girlfriend. I'm having a tattoo designed, I was hoping you could find out her name.
Dr. Gregory House:
So, she's just another sick person the kindly Dr. Wilson has made sure doesn't get lost in the big ugly system.
more
On Fire Like This more
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
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*** This comment may contain spoilers ***
House must deal with a homeless woman who is dying for no apparent reason, and toward whom Dr. Foreman seems to be coldly indifferent. An unusually satisfying episode for two reasons: The acting of the actress playing the ill-fated homeless woman, who is absolutely harrowing, and a diagnosis that for a change does not lead to a happy ending. I will say no more. Just let it be noted that I had been wondering how long Dr. House was going to continue to work clichéd miracles, if you get my drift. Here we go: IMDb wants more lines than I am willing to write, and I am not willing to pad out my review in this case. Having said that, I will note that in a Season One episode, House momentarily affected a veddy British accent, which had me howling, knowing the actor is about as British as you can get off screen. Laurie appeared on a couple of TV talk shows recently, and you could cut his accent with a knife. Apparently while working, he maintains his American accent from dawn to dusk. Makes me wonder how he ever gets through the scenes with the heavily accented, blonde-haired Aussie doctor without losing his cool.