| Billie Piper | ... | Sally Lockhart | |
| Matt Smith | ... | Jim Taylor | |
| Sian Thomas | ... | Mrs. Rees | |
| Kay Lyon | ... | Ellen | |
| Robert Putt | ... | Porter | |
| Trevor Cooper | ... | Mr. Higgs | |
| Robert Glenister | ... | Samuel Selby | |
| Dominic Coleman | ... | Jeremiah Blyth | |
| Miles Anderson | ... | Major Marchbanks | |
| Tilly Vosburgh | ... | Mrs. Thorpe | |
| Chloe Walker | ... | Adelaide | |
| Julie Walters | ... | Mrs. Holland | |
| JJ Feild | ... | Frederick Garland | |
| Ramon Tikaram | ... | Maharajah | |
| Matthew Cureton | ... | Young Marchbanks | |
| Tom Davey | ... | Young Lockhart | |
| Don Gilet | ... | Henry Hopkins | |
| David Harewood | ... | Matthew Bedwell / Rev Nicholas Bedwell | |
| Kevin John Harvey | ... | Seadog (as Kevin Harvey) | |
| Jason Chan | ... | Chinese Man | |
| Nathanael Kelly | ... | Clerk | |
| Tony Maudsley | ... | Mr. Berry | |
| Hayley Atwell | ... | Rosa Garland | |
| Pik Sen Lim | ... | Madame Sheng (as Pik-Sen Lim) | |
| Julia Joyce | ... | Young Sally | |
| Elliot Cowan | ... | Hendrick Van Eeden / Ah Ling | |
| Tom Wu | ... | Perak | |
| Sandra Maitland | ... | Landlady | |
| Dennis Banks | ... | Cabbie | |
| Billy Seymour | ... | Paddy | |
| Martin Jarvis | ... | Voice of Captain Lockhart (voice) | |
| rest of cast listed alphabetically: | |||
| Nick Ellison | ... | Dock Worker (uncredited) | |
| Episode Crew |
Directed by | |||
| Brian Percival | |||
Writing credits | ||
| Adrian Hodges | (screenplay) | |
| Philip Pullman | (novel) | |
Produced by | |||
| Kate Bartlett | .... | producer | |
| Rebecca Eaton | .... | executive producer: WGBH | |
| Matt Harrigan | .... | producer | |
| Louise Mutter | .... | line producer | |
| Sally Woodward Gentle | .... | executive producer | |
| Laura Mackie | .... | executive producer (uncredited) | |
Original Music by | |||
| Martin Phipps | |||
Cinematography by | |||
| Peter Greenhalgh | (director of photography) | ||
Film Editing by | |||
| Kristina Hetherington | |||
Casting by | |||
| Jill Trevellick | |||
Production Design by | |||
| Donal Woods | |||
Art Direction by | |||
| Charmian Adams | (supervising art director) | ||
| Mark Kebby | |||
Costume Design by | |||
| James Keast | |||
Makeup Department | |||
| Christina Baker | .... | hair designer (as Chrissie Baker) | |
| Christina Baker | .... | makeup designer (as Chrissie Baker) | |
| Zoe Brown | .... | makeup artist | |
| Ashley Johnson | .... | makeup artist | |
Production Management | |||
| Alice Greenland | .... | post-production supervisor | |
| Crispin Hardy | .... | unit manager | |
| Caroline McManus | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Paul Bennett | .... | third assistant director | |
| Debbie Bowser | .... | first assistant director | |
| Matt Carver | .... | second assistant director | |
Art Department | |||
| Danny Clements | .... | stand-by props (as Dan Clements) | |
| Cathy Cosgrove | .... | property buyer | |
| Steve Deane | .... | carpenter supervisor | |
| Andrew Forrest | .... | stand-by props (as Andy Forrest) | |
| Andy Fox | .... | stand-by carpenter | |
| Barry Moll | .... | construction manager | |
| Paddy Paddison | .... | stand-by art director | |
| Mike Power | .... | property master | |
| Mike Rawlings | .... | dressing props | |
| Lucy Spofforth | .... | art department runner | |
| Nick Wood | .... | painter supervisor (as Nick Woods) | |
Sound Department | |||
| Chris Ashworth | .... | sound recordist | |
| Rory Farnan | .... | dialogue editor (as Rory Farnam) | |
| Steve Hancock | .... | sound maintenance | |
| Graham Headicar | .... | supervising sound editor | |
| Stuart Hilliker | .... | dubbing mixer | |
| Mike Reardon | .... | sound maintenance | |
| Colin Cooper | .... | adr mixer (uncredited) | |
| Ted Swanscott | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Mark Holt | .... | special effects | |
Visual Effects by | |||
| James Cattell | .... | digital compositor (uncredited) | |
| Joe Cork | .... | digital compositor (uncredited) | |
| Kelly Lindsay | .... | digital compositor (uncredited) | |
| Rus Wetherell | .... | digital artist (uncredited) | |
| Max Wright | .... | digital compositor (uncredited) | |
Stunts | |||
| Gary Connery | .... | stunt coordinator | |
| Wayne Docksey | .... | stunts (uncredited) | |
| Rowley Irlam | .... | stunt double (uncredited) | |
| Charles Jarman | .... | stunt double: David Harewood (uncredited) | |
Camera and Electrical Department | |||
| Andy Bell | .... | electrician | |
| Alan Coates | .... | electrician | |
| Adam Coles | .... | focus puller | |
| Stewart Hadley | .... | rigging gaffer | |
| Andrew Lawrence | .... | camera assistant | |
| Alan Martin | .... | gaffer | |
| Keith Mead | .... | grip | |
| Dean Murray | .... | clapper loader | |
| Steve Murray | .... | camera operator | |
| Ricky Payne | .... | electrician | |
| Michael Redmond | .... | stand-by rigger | |
| Rob Walton | .... | electrician | |
| Mike Rees | .... | second focus puller (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| David Allen | .... | costume stand-by | |
| Lorraine Boyle | .... | costume assistant | |
| Rob Brown | .... | wardrobe assistant | |
| Sarah Moore | .... | costume supervisor | |
Editorial Department | |||
| Chris Beeton | .... | colorist | |
| Phillippa Hunt | .... | post-production coordinator (as Philippa Hunt) | |
| Amar Ingreji | .... | assistant editor | |
| Mike Williams | .... | on-line editor (as Michael Williams) | |
Music Department | |||
| Steve Parr | .... | score recordist (uncredited) | |
Transportation Department | |||
| Gerry 'Haggis' Bryson | .... | driver: camera truck (as Gerry Bryson) | |
| Simon Jones | .... | driver: director (uncredited) | |
Other crew | |||
| Katie Clifford | .... | production runner | |
| Camilla Curtis | .... | production secretary | |
| Matt Curtis | .... | graphics | |
| Elizabeth Duplock | .... | assistant to producer | |
| Zoë Edwards | .... | production coordinator (as Zoe Edwards) | |
| Judy Gayton | .... | script supervisor | |
| Glyn Harper | .... | floor runner | |
| Tamara King | .... | floor runner | |
| Tim Leith | .... | picture publicity | |
| Una Maguire | .... | publicist | |
| Kevin McSweeney | .... | production accountant | |
| Duy Nguyen | .... | production office coordinator | |
| Ken Payne | .... | assistant accountant | |
| Thalia Reynolds | .... | artists contracts | |
| Martyn Richmond | .... | floor runner | |
| Gordon Ronald | .... | production consultant | |
| Caroline Skinner | .... | script editor | |
| Jonathan Wicks | .... | location manager | |
| Jack Murphy | .... | movement coach (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Produced by | |||
| Steven Ashley | .... | senior producer | |
| Stanford Calderwood | .... | executive producer | |
| Joan Sullivan | .... | producer | |
| Joan Wilson | .... | producer | |
Original Music by | |||
| Robert W. Lowden | |||
Second Unit Director or Assistant Director | |||
| Ann M. Houlihan | .... | assistant director | |
Editorial Department | |||
| Kathleen Cahill | .... | senior editor | |
| Erin Delaney | .... | post-production director | |
Other crew | |||
| Johanna Baker | .... | publicist | |
| Ellen Dockser | .... | publicist | |
| Jennifer Frankel | .... | production assistant | |
| Deborah Gibbs | .... | business manager | |
| Jami Rogers | .... | office coordinator | |
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| Company credits | External reviews | News articles |
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I haven't read "The Ruby in the Smoke" which probably explains my reaction to this film. Anyway, for the other uninitiated amongst you, this is the basic plot - young Sally Lockhart (Billie Piper) is living with her aunt after her father's ship sank. It turns out there is more to this death than it seems, as Sally receives a cryptic note, eventually leading her to a man named Marchbanks who gives her a notebook and tells her she has an enemy called Mrs Holland (Julie Walters, at her villainous best). This leads Sally through a maze of clues and memories, finding out the fate of her father and the truth of her own origins, and the truth of the elusive eponymous ruby.
I feel this would have done very well as a television series, but as a film it merely felt rushed. The characters introduced promised to be interesting, but weren't really properly developed, and I had trouble keeping up with all the twists in the plot, which were rushed by in seconds. Sally seemed like a fascinating character, but her character development was left to a few scenes of her standing up to her aunt and demonstrating her ability for dealing with figures. This left the film feeling somewhat sterile - more of a puzzle than a story.