| Videos (see all 12) |
Directed by | |||
| Mike Barker | |||
Writing credits(WGA) | ||
| William Morrissey | (written by) | |
Produced by | |||
| Jeff Abberley | .... | co-executive producer | |
| Julia Blackman | .... | co-executive producer | |
| Pierce Brosnan | .... | producer | |
| Bruce Davey | .... | executive producer | |
| Marina Grasic | .... | executive producer | |
| Ron McLeod | .... | co-producer | |
| William Morrissey | .... | producer | |
| Michael Potkins | .... | line producer | |
| Amanda Scarano | .... | supervising producer | |
| Beau St. Clair | .... | executive producer | |
| David Valleau | .... | executive producer (as Dave Valleau) | |
| William Vince | .... | producer | |
Original Music by | |||
| Robert Duncan | |||
Cinematography by | |||
| Ashley Rowe | |||
Casting by | |||
| Heike Brandstatter | |||
| Coreen Mayrs | |||
Production Design by | |||
| Rob Gray | |||
Art Direction by | |||
| Michael N. Wong | |||
Set Decoration by | |||
| Joy Munt | |||
| Josh Plaw | (as Joshua Plaw) | ||
| James Willcock | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| Erin Ayanian | .... | makeup artist: Maria Bello | |
| James D. Brown | .... | key hair stylist (as James Brown) | |
| Vanessa Giles | .... | key makeup artist | |
| Maria Gleeson | .... | first hair assistant (as Maria Gleason) | |
| Maria Gleeson | .... | hair stylist: second unit (as Maria Gleason) | |
| Maggie Jarvos | .... | makeup artist: second unit | |
| Rick Provenzano | .... | hair stylist: Pierce Brosnan | |
| Bron Roylance | .... | makeup artist: Pierce Brosnan | |
| Krista Seller | .... | first assistant makeup artist | |
Production Management | |||
| Sacha Guttenstein | .... | post-production supervisor | |
| Ron McLeod | .... | unit production manager | |
| Greg Milton | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Scott J. Ateah | .... | second unit director | |
| Josy Capkun | .... | second assistant director | |
| Jennifer Deigl | .... | second second assistant director: Chicago | |
| Marian Koprada | .... | trainee assistant director | |
| Richard S. Lederer | .... | assistant director: Chicago | |
| Myles Lennig | .... | second assistant director (as Miles Lennig) | |
| Greg Milton | .... | first assistant director: second unit | |
| Roger Paul | .... | assistant director | |
| W. Michael Phillips | .... | first assistant director: second unit | |
Art Department | |||
| Al Bojsza | .... | lead carpenter (as Alan Bojsza) | |
| Gavin De West | .... | props | |
| Brian Epp | .... | assistant property master | |
| Robert Foreman | .... | carpenter | |
| Christopher A.R. Lowe | .... | on-set dresser | |
| Hitoshi Okamoto | .... | sculptor | |
| Mark Soparlo | .... | assistant art director | |
| Terry Weaver | .... | property master | |
| Levi Woods | .... | property master: second unit | |
Sound Department | |||
| Ewan Deane | .... | dialogue editor | |
| Rob Killick | .... | sound mix technician | |
| Michael Miller | .... | adr mixer | |
| Bill Sheppard | .... | sound re-recording mixer | |
| Sven Taits | .... | sound re-recording mixer | |
| Kelly Zombor | .... | boom operator | |
Visual Effects by | |||
| Tim Baxter | .... | scanning manager | |
| Susanne Becker | .... | digital compositor: Rainmaker | |
| Jordan Benwick | .... | digital compositor | |
| Shauna Bryan | .... | senior visual effects producer | |
| Nick Drew | .... | visual effects producer: Rainmaker, UK | |
| Paul Ensby | .... | digital color timer | |
| Heidi Freeman | .... | visual effects editor | |
| Adam Gascoyne | .... | visual effects supervisor: Rainmaker | |
| Dianne Gordon | .... | data operator | |
| Leann Harvey | .... | visual effects coordinator | |
| Steven Hodgson | .... | visual effects supervisor: Rainmaker | |
| Simon Hughes | .... | lead digital compositor: Rainmaker | |
| Tom Kimberley | .... | compositor: Rainmaker UK | |
| Dean Koonjul | .... | digital compositor: Rainmaker UK | |
| Hugh Macdonald | .... | digital compositor: Rainmaker | |
| Jonathan Mann | .... | digital restoration | |
| Sam Nixon | .... | matchmove artist | |
| Collette Nunes | .... | visual effects editor: Rainmaker UK | |
| Jonathan Opgenhaffen | .... | lead CGI artist | |
| Mike Pope | .... | digital compositor | |
| Matthew Tinsley | .... | digital compositor | |
| Jim Van Dijk | .... | director of photography: visual effects unit | |
| Paul Wiens | .... | matchmove artist | |
Stunts | |||
| Ed Anders | .... | stunt driver | |
| Robert G Beck | .... | stunt double | |
| Krista Bell | .... | stunt double: Maria Bello | |
| James Fierro | .... | stunt driver | |
| Monique Ganderton | .... | stunts | |
| Monique Ganderton | .... | utility stunts | |
| Tom Lowell | .... | stunt driver | |
| Tom McComas | .... | stunts | |
| Carl Paoli | .... | stunt double: Pierce Brosnan | |
| Linda Perlin | .... | stunt double | |
| Dan Redford | .... | stunt driver | |
Camera and Electrical Department | |||
| Charles S. Hodes | .... | still photographer | |
| Patrick Hogue | .... | film loader | |
| Rob McEwan | .... | still photographer | |
| Dean Morin | .... | second assistant camera | |
| Brad Oleksy | .... | dolly grip: "b" camera | |
| Randal Platt | .... | director of photography: second unit | |
| John S. Robertson | .... | key grip | |
| Dan Schroer | .... | second assistant camera: "b" camera, Chicago | |
| Jared Smith | .... | gaffer: second unit | |
| Jared Smith | .... | lighting technician | |
| Julie Tanas | .... | lighting technician | |
| Alan Thatcher | .... | camera operator: Chicago | |
| Dan Urbain | .... | film loader: Chicago | |
| Stewart Whelan | .... | first assistant camera: "a" camera | |
| Gary J. Williams | .... | key grip | |
Casting Department | |||
| Annette D'Ariano | .... | extras casting | |
Costume and Wardrobe Department | |||
| Patti Bishop | .... | truck costumer | |
| Dawn Climie | .... | on-set costume supervisor | |
| Janet Lamonte | .... | assistant costume designer | |
Editorial Department | |||
| Paul Ensby | .... | digital color timer | |
| Peter Forslund | .... | first assistant editor | |
| Heidi Freeman | .... | first assistant editor | |
| Dianne Gordon | .... | digital intermediate data manager | |
| Ryan Hogan | .... | HD dailies | |
| Ryan Hogan | .... | dailies colorist | |
| Ben Renton | .... | assistant editor: avid | |
| Dominic Thomson | .... | digital editor | |
| Jay Warren | .... | digital intermediate project manager | |
Music Department | |||
| Guy Barker | .... | musician: trumpet | |
| Becky Bentham | .... | music supervisor | |
| Olga FitzRoy | .... | assistant music engineer | |
| Rebecca Gatrell | .... | music supervisor (as Becca Gatrell) | |
| Andrew Glen | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Michael Higham | .... | music editor | |
| Skaila Kanga | .... | musician: harp | |
| Gerard McCann | .... | music editor | |
| Pete Murray | .... | musician: piano | |
| Robert ToTeras | .... | musician: guitar | |
| Gavyn Wright | .... | orchestra leader | |
Transportation Department | |||
| Reese Alexander | .... | driver: honeywagon | |
| Rob Allen | .... | driver: cable truck | |
| Dave Bryant | .... | transportation co-captain | |
| Stefano Chimarios | .... | driver: cast | |
| Henry Chu | .... | driver: cast | |
| Louis Felhaurer | .... | picture car coordinator | |
| Wayne Hammerquist | .... | unit driver | |
| Ben Liljedahl | .... | transportation captain | |
| Geoff Obadia | .... | driver: cast | |
| Garry Radons | .... | driver: construction | |
| Lorraine Stomperud | .... | driver: cast | |
| Fraser Sutherland | .... | transportation coordinator | |
| Jason Swetlikoe | .... | driver | |
| Jeff Wakahara | .... | driver: cast | |
| Darryl Martin | .... | driver: star trailers (uncredited) | |
Thanks | |||
| Holly Adems | .... | thanks | |
| Simon Bosanquet | .... | thanks | |
| Vicki Christianson | .... | special thanks | |
| Darlene Cole | .... | thanks | |
| Jeff Davis | .... | special thanks | |
| Chris Diamond | .... | special thanks | |
| Lisa Doyle | .... | special thanks | |
| Peter Eliuk | .... | special thanks | |
| Amy Giammarco | .... | special thanks | |
| Dean Giammarco | .... | special thanks | |
| Patrick Haskill | .... | special thanks (as Pat Haskill) | |
| Robert Hunter | .... | special thanks | |
| Candice Joiner | .... | special thanks | |
| James Lahey | .... | thanks | |
| Johnny Ludgate | .... | special thanks | |
| Robert Marchessault | .... | thanks | |
| Stephan Margolis | .... | thanks | |
| Christine McLeod | .... | special thanks | |
| David Miercort | .... | special thanks | |
| Rich Moskal | .... | thanks | |
| Maureen Murphy | .... | special thanks | |
| Timothy Nielsen | .... | special thanks (as Tim Nielsen) | |
| Dr. Luanne Pannell | .... | thanks | |
| Dorian Pareis | .... | special thanks | |
| John Ptak | .... | thanks | |
| Lily Rindahl | .... | thanks | |
| Denise Soullier | .... | thanks | |
| Gordon Sproule | .... | special thanks | |
| Elaine Stef | .... | special thanks | |
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| Breakdown | The Guilty | Bulldog Edition | Fatal Attraction | The Box |
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The producers of BUTTERFLY ON A WHEEL (a/k/a SHATTERED in U.S.), didn't have enough faith in their project to seek widespread theatrical distribution of the finished film--even though it had GERARD BUTLER fresh from his box-office triumph in "300". Instead, they went a more direct route--directly to TV on TNT, which seems more like a last resort. Once again, a Gerard Butler film with limited distribution even though co-starred with PIERCE BROSNAN and MARIA BELLO.
Seeing it on TNT, it's understandable that the film had some problems in connecting with a larger audience. Brosnan's villain is below par for the actor and Butler has done better work elsewhere although he gives all his energy to the role of a distraught husband.
The plot is an elaborate cat-and-mouse game that Brosnan plays with the unlucky couple, Butler and Bello. While it does generate a certain amount of suspense, Brosnan's character remains an enigma for almost the whole story. Never once do we get a hint of why he's going to such extremes to torture the couple by demanding that they perform tasks at his bidding. A grungy looking Brosnan makes the villain a very unappetizing psychotic and we're never quite sure about Butler either, an ad agency man who gradually loses his swaggering overconfident manner.
Without giving away more of the plot (except to say that there is a mildly interesting twist toward the end followed by a double twist), the whole thing plays more like a made-for-TV movie than an actual film because none of the characters are more than one-dimensional despite the good acting. And the final scene between Butler and Bello is totally unbelievable as to motivation.
Summing up: Basically tricky and shallow at the core.