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Mark Neveldine (written by) &
Brian Taylor (written by)
1 September 2006 (USA) more
Poison in his veins. Vengeance in his heart. more
Professional assassin Chev Chelios learns his rival has injected him with a poison that will kill him if his heart rate drops. full summary | add synopsis
Elfman Out of 'The Wolf Man'
(From CinemaSpy. 9 November 2009, 9:25 PM, PST)
Elfman's Wolfman Score Falls on Deaf Ears, New Composer on Board
(From Dread Central. 9 November 2009, 4:38 PM, PST)
They probably should have given him more of that Chinese s**t! more (405 total)
| Jason Statham | ... | Chev Chelios | |
| Amy Smart | ... | Eve | |
| Jose Pablo Cantillo | ... | Verona | |
| Efren Ramirez | ... | Kaylo | |
| Dwight Yoakam | ... | Doc Miles | |
| Carlos Sanz | ... | Carlito | |
| Reno Wilson | ... | Orlando | |
| Edi Gathegi | ... | Haitian Cabbie | |
| Glenn Howerton | ... | Doctor | |
| Jay Xcala | ... | Alex | |
| Keone Young | ... | Don Kim | |
| Valarie Rae Miller | ... | Chocolate | |
| Yousuf Azami | ... | Arab Cabbie | |
| Laurent Schwaar | ... | Man in Garage (as Laurent Schwar) | |
| David Brown | ... | Sin City Brother | |
| Dorian Kingi | ... | Convenience Store Clerk | |
| Med Abrous | ... | Verona Crew #1 | |
| Daniel Stevens | ... | Verona Crew #2 | |
| Wally Lozano | ... | Verona Crew #3 | |
| David T. Green | ... | Hightower | |
| Eve Loseth | ... | Restaurant Waitress | |
| Allen Bloomfield | ... | Pharmacy Man | |
| Stephanie Mace | ... | Pharmacist | |
| Chester Bennington | ... | Pharmacy Stoner | |
| Michael McLafferty | ... | Hospital Cop | |
| Earl Carroll | ... | Stretcher Patient | |
| Brian Swibel | ... | Hospital Tech #1 | |
| Don Smith | ... | Hospital Tech #2 (as Donnie Smith) | |
| Sean Graham | ... | Motorcycle Cop | |
| Dan Callahan | ... | TV Store Guy | |
| Noel Gugliemi | ... | Warehouse Rooftop Hood (as Noel Guglielmi) | |
| Daniel Venegas | ... | Warehouse Window Hood | |
| Francis Capra | ... | Warehouse Hood Leader | |
| Frank Blake | ... | Warehouse Hood #1 | |
| Michael J. Gonzalez | ... | Warehouse Hood #2 | |
| Ken Moreno | ... | Hood #3 | |
| Troy Robinson | ... | Hood #4 | |
| Eddie Perez | ... | Hood #5 | |
| Justin Riemer | ... | Hood #6 | |
| Peter Choi | ... | Shirt Factory Supervisor | |
| Elizabeth Jayne Hong | ... | Bus Girl | |
| Toshi Toda | ... | Japanese Businessman | |
| Sam Witwer | ... | Shootout Henchman #1 | |
| Jai Stefan | ... | Shootout Henchman #2 | |
| Jacki R. Chan | ... | Cocoon Girl (as Jaclyn Chan) | |
| Rick Shuster | ... | Helicopter Pilot | |
| Ted Garcia | ... | TV Reporter | |
| rest of cast listed alphabetically: | |||
| Candice A. Buenrostro | ... | Bikini Girl (uncredited) | |
| Guillaume DeLouche | ... | Hooded Terrorist (uncredited) | |
| Klaudia Gajek | ... | Cocoon Girl (uncredited) | |
| Richard T. Henry | ... | SWAT Officer (uncredited) | |
| Nina Kaze | ... | Freaky Club Memeber (uncredited) | |
| India King | ... | Nurse (uncredited) | |
| Jerome Villaluz | ... | Gangster (uncredited) | |
Directed by | |||
| Mark Neveldine | (as Neveldine) | ||
| Brian Taylor | (as Taylor) | ||
Writing credits | ||
| Mark Neveldine | (written by) (as Neveldine) & | |
| Brian Taylor | (written by) (as Taylor) | |
Produced by | |||
| Peter Block | .... | executive producer | |
| Michael Davis | .... | producer | |
| Gary Lucchesi | .... | producer | |
| Michael Paseornek | .... | executive producer | |
| Eric Reid | .... | executive producer | |
| Tom Rosenberg | .... | producer | |
| David Rubin | .... | executive producer (as David Scott Rubin) | |
| Skip Williamson | .... | producer | |
| Richard S. Wright | .... | producer (as Richard Wright) | |
Original Music by | |||
| Paul Haslinger | |||
Cinematography by | |||
| Adam Biddle | (director of photography) | ||
Film Editing by | |||
| Brian Berdan | |||
Casting by | |||
| Deborah Aquila | |||
| Jennifer L. Smith | (as Jennifer Smith) | ||
| Mary Tricia Wood | (as Trisha Wood) | ||
Production Design by | |||
| Jerry Fleming | |||
Art Direction by | |||
| Chris Cornwell | |||
Set Decoration by | |||
| Betty Berberian | |||
Costume Design by | |||
| Christopher Lawrence | |||
Makeup Department | |||
| Yvonne Depatis-Kupka | .... | hair stylist (as Yvonne Depatis Kupka) | |
| Rosie Duprat Fort | .... | makeup artist | |
| Elisabeth Fry | .... | makeup department head | |
| Guy Himber | .... | makeup effects supervisor: Tatopoulos Studios | |
| Annette Lorant | .... | makeup artist | |
| Candy L. Walken | .... | additional hair stylist | |
| Kenneth Walker | .... | hair department head | |
| Ray Shaffer | .... | special makeup effects crew (uncredited) | |
Production Management | |||
| Ted Gidlow | .... | production supervisor | |
| Mark McCoy | .... | post-production manager | |
| Adam Park | .... | post-production supervisor | |
| David Rubin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Velvet Andrews-Smith | .... | second assistant director (as Velvet L. Andrews Smith) | |
| William Paul Clark | .... | first assistant director | |
| Yor-El Francis | .... | second second assistant director | |
| Renee Hill | .... | second second assistant director (as Renee Hill-Sweet) | |
Sound Department | |||
| Nancy Barker | .... | first assistant sound editor | |
| Josh Bower | .... | boom operator | |
| William R. Dean | .... | sound effects editor (as Bill R. Dean) | |
| Matthew T. Duncan | .... | sound recordist | |
| Ezra Dweck | .... | sound re-recording mixer | |
| Julia Evershade | .... | supervising adr editor | |
| Anthony Faust | .... | adr mixer | |
| Stephanie Flack | .... | dialogue editor | |
| Shawn Kennelly | .... | supervising foley editor | |
| Mark Larry | .... | supervising sound editor | |
| Eric Lindemann | .... | sound designer (as Eric Warren Lindemann) | |
| Laura Macias | .... | foley artist | |
| Travis MacKay | .... | adr recordist | |
| Steven Morrow | .... | sound mixer | |
| Chris Navarro | .... | adr recordist | |
| Vince Nicastro | .... | foley artist | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Jacob Riehle | .... | assistant sound editor | |
| Robert Sharman | .... | utility sound technician | |
| Eric Thompson | .... | adr mixer | |
| Bryan O. Watkins | .... | sound effects editor | |
| Nathan Whitehead | .... | assistant sound editor | |
| Richard E. Yawn | .... | sound effects editor | |
Special Effects by | |||
| Bret Barrett | .... | special effects technician (as Brett Barrett) | |
| Julia Bogdan-Rollo | .... | production accountant: Tatopoulos Studios | |
| Jon Dawe | .... | key mechanic: Tatopoulos Studios | |
| Jon Dawe | .... | special mechanical effects designer: Tatopoulos Studios Inc. | |
| Matt DiSarro | .... | special effects technician | |
| Michael Duenas | .... | special effects technician | |
| Cleve Gunderman | .... | special mechanical effects assistant: Tatopoulos Studios Inc. | |
| Guy Himber | .... | special mechanical effects supervisor: Tatopoulos Studios Inc. | |
| Allison Klein | .... | assistant to designer: Tatopoulos Studios | |
| Matt Kutcher | .... | special effects supervisor | |
| Andrew J. Loprino | .... | special effects technician | |
| L.A. McConnell | .... | special effects foreman (as Lee Alan McConnell) | |
| Anshuman Prasad | .... | purchasing agent: Tatopoulos Studios | |
| Jennifer M. Sheppard | .... | special effects technician | |
| Christie Sumner | .... | special effects technician (as Christy Sumner) | |
| Shannon J. Thompson | .... | on-set special effects technician (as Shannon Thompson) | |
| Kenneth Van Order | .... | special effects | |
| Dennis Yeager II | .... | on-set special effects technician | |
| Dennis Yeager II | .... | special effects foreman | |
Visual Effects by | |||
| Travis Baumann | .... | digital compositor: Digital Film Tree | |
| Travis Baumann | .... | visual effects designer: Digital Film Tree | |
| Travis Baumann | .... | visual effects supervisor | |
| Gary E. Beach | .... | lead compositor: Sub/Par Pix | |
| Dylan Chudzynski | .... | digital compositor | |
| David Cole | .... | digital intermediate colourist | |
| Lakan De Leon | .... | junior compositor: Digital Film Tree | |
| Lakan De Leon | .... | visual effects editor: Digital Film Tree | |
| Vicki Galloway-Weimer | .... | visual effects executive producer: CafeFX (as Vicki Galloway Weimer) | |
| Sazeer Kader | .... | CGI artist: Digital Film Tree | |
| Ramy Katrib | .... | executive producer: Digital Film Tree | |
| Donna Madrigal | .... | rotoscope artist | |
| Donna Madrigal | .... | visual effects lineup | |
| James McQuaide | .... | executive producer: Sub/Par Pix | |
| Gary Oldroyd | .... | digital artist: Sub/Par Pix | |
| Steve Robinson | .... | lead cgi artist | |
| Steve Robinson | .... | systems administrator: Digital Film Tree | |
| Ron South | .... | visual effects editor | |
| Craig Sylvester | .... | freelance CG artist | |
| Thomas Tannenberger | .... | digital compositor | |
| Olcun Tan | .... | assistant CG artist | |
| Brian Taylor | .... | animator: titles | |
| Nick Theodorakis | .... | digital imaging engineer | |
| Danny Torres | .... | systems administrator | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Kelly Hunt | .... | extras casting | |
| Rich King | .... | extras casting | |
| Cathy Weiner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Liz Donovan | .... | set costumer | |
| Gloria Fonseca | .... | set costumer | |
| Janet Stirner Ingram | .... | costume supervisor | |
| Brittany Trusler | .... | costume production assistant | |
Editorial Department | |||
| David Cole | .... | digital film colorist | |
| Bill Missett | .... | nitris conform editor | |
| Gary Oldroyd | .... | post-production coordinator | |
| Deidre Panziera | .... | post-production assistant | |
| Michael Pasqualone | .... | apprentice editor | |
| Chris Regan | .... | color timer | |
| Keegan Wilcox | .... | post-production assistant | |
| Jackson Yu | .... | first assistant editor | |
Music Department | |||
| Tony Austin | .... | additional score programming | |
| Jesus Castanon | .... | assistant music editor | |
| Colin Fraser | .... | music designer | |
| Paul Haslinger | .... | score producer | |
| David Iscove | .... | score production coordinator | |
| Robin Lynn | .... | additional score programming | |
| Brian McNelis | .... | music supervisor | |
| Brian Richards | .... | music editor | |
| Diego Stocco | .... | music designer | |
| Robb Williamson | .... | additional score programming | |
Transportation Department | |||
| Mike Belt | .... | mechanic | |
| Neil Chisholm | .... | driver: honeywagon | |
| David Christenson | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Kirk Huston | .... | transportation captain | |
| Jay Krueger | .... | driver | |
| Jim Oge Jr. | .... | driver: construction department | |
| Tim Schau | .... | driver | |
| Chris Stephens | .... | driver | |
Rated R for strong violence, pervasive language, sexuality, nudity and drug use.
87 min | 93 min (director's cut)
1.85 : 1 more
SDDS | Dolby Digital | DTS
UK:18 | Australia:MA | Ireland:18 | Germany:18 | Canada:18A (Alberta/British Columbia/Manitoba/Nova Scotia) | USA:R (certificate #42799) | Canada:14A (Ontario) | Singapore:M18 | Philippines:R-13 | Romania:I.M.-18 | New Zealand:R18 | Portugal:M/16 | Argentina:16 | France:-12 | Germany:16 (cut) | Netherlands:16 | Italy:VM14 | South Korea:18 | Malaysia:(Banned) | Japan:R-15 | Finland:K-18 (self applied) | Brazil:16 | Hungary:18 | Iceland:16
In the restaurant scene, when Jason Statham was explaining to Amy Smart what he did, her hiccups were genuine. more
Continuity: When Chev Chelios is projected into the elevator he fires a shot at the police and the slide doesn't return, indicating the magazine is empty. When the shot cuts to another angle of Chev, the gun the slide is returned forward. more
Pharmacy Stoner:
Nasal Spray.
Chev Chelios:
What?
Pharmacy Stoner:
The Nasal spray. It's got epinephrine in it. It'll give you a tweak, man.
more
References "Candid Camera" (1953) more
Is That Too Much to Ask more
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If ever a movie was made to get one's heart pumping, Crank is it. It takes a marginally believable and undeniably awesome premise, adds one of the brightest up-and-coming action stars around, stirs in some new ingredients that the genre hasn't really seen before, and bakes until the final product rises beyond all expectations. The catch phrase "a thrill a minute" doesn't really go the distance to describe how ridiculously action packed this film is. A thrill every ten to fifteen seconds is more like it. First time directors Mark Nedveldine and Brian Taylor relentlessly bash you over the head with the action hammer. Their cinematography is manic and the style is reminiscent of that used by Tony Scott in Domino. It fits the pace of the film quite well.
Jason Statham delivers to audiences the only thing he knows how to deliver, and that is pure, distilled ass kicking. That is his job, and he is very, very good at it. Make no mistake, the film is very strongly 'R' rated. There is a bounty of flesh, and a strong smattering of violence, and drug use. Don't be thrown off by Amy Smart's name on the poster. Even though she does a fine job as Statham's on screen girlfriend Eve, hers (and every other) part takes a deliberate and distant backseat to Statham's charismatic portrayal of hit-man Chev Chelios. He also manages to wind more than a few threads of pretty solid humor into the performance. All in all, its Statham's most impressive job in a leading role yet.
In a nutshell the plot revolves around Chev Chelios, poisoned by his employer after a hit went sour with a synthetic Chinese compound that blocks his adrenaline receptors. The only way for him to stay alive is to get pumped up and stay pumped up. Anything he can get his hands on to raise his adrenaline is fair game, from drugs to energy drinks to raunchy public sex and more as he tears a path of carnage and mayhem through the streets of L.A. in search of the man who tried to kill him.
Crank is everything you could feasibly ask it to be and more. The filmmakers take an iffy premise, work their magic (read 'good casting and direction') on it, and produce reel after reel of pure adrenaline on film. It packs over the top action in with incredible stunts, clever and biting humor, a decent story and some above average acting. It's one of the most entertaining films of the year and may well be a career highlight for Statham. It's one of those films that you'll definitely want to go see with a bunch of the guys. What it lacks in depth, it makes up for in pure fun and distilled manliness. A high 8 out of 10.