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IMDb > Belle toujours (2006)

Belle toujours (2006) More at IMDbPro »

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Overview

User Rating:
6.8/10   393 votes
MOVIEmeter: ?
Up 12% in popularity this week. See rank & trends on IMDbPro.
Director:
Manoel de Oliveira
Writer:
Manoel de Oliveira (written by)
Contact:
View company contact information for Belle toujours on IMDbPro.
Release Date:
8 September 2006 (Italy) more
Genre:
Drama more
Plot:
38 years after the original story, Henri Husson thinks he sees Séverine one night in a concert. He follows her and makes her face her past and with sadism takes a slow and painful revenge on her. full summary | add synopsis
Plot Keywords:
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Awards:
2 nominations more
NewsDesk:
Cinematical Seven: Way Late Sequels
 (From Cinematical. 12 March 2009, 8:32 PM, PDT)

User Comments:
A Modern Masterpiece more

Cast

  (Credited cast)
Michel Piccoli ... Henri Husson
Bulle Ogier ... Séverine Serizy
Ricardo Trêpa ... Barman
Leonor Baldaque ... Young Prostitute
Júlia Buisel ... Old Prostitute
Lawrence Foster ... Himself - Direction musicale
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Additional Details

Runtime:
68 min
Country:
Portugal | France
Language:
French
Color:
Color
Sound Mix:
Dolby Digital
Filming Locations:
France more

Fun Stuff

Trivia:
Director Manoel de Oliveira made this film at the age of 97. more
Movie Connections:
Follows Belle de jour (1967) more
Soundtrack:
Symphonie n° 8 en sol majeur - Op. 88 (mouvements 3 et 4) more

FAQ

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12 out of 20 people found the following comment useful:-
A Modern Masterpiece, 13 August 2007
10/10
Author: xzeta from Lima, Peru

I remember reading somewhere that Oliveira's film works as a symbol of the impossible reconciliation between past and present, between cinema (with its passion for manipulation) and reality (with its relentless curiosity for the truth), two dimensions that clash irremediably in modern times.

Personally, I found this to be a excellent comedy, full of delicious winks to symbolic surrealism (the Joan of arc statue, the rooster scene!), a mayor work in Oliveiras impressive catalog and a proper tribute to Buñuel's work. It's a bit sad that it has been terribly underrated by "major" critics around the globe (Cahiers, etc.) *Taken from a comment I made to filmref.com

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