| Photos (see all 20 | slideshow) | Videos (see all 2 videos ) |
| Ryan Gosling | ... | Dan Dunne | |
| Jeff Lima | ... | Roodly | |
| Shareeka Epps | ... | Drey | |
| Nathan Corbett | ... | Terrance | |
| Tyra Kwao-Vovo | ... | Stacy | |
| Rosemary Ledee | ... | Gina | |
| Tristan Wilds | ... | Jamal | |
| Bryce Silver | ... | Bernard | |
| Kaela C. Pabon | ... | Lena | |
| Erica Rivera | ... | Erika (as Erika Rivera) | |
| Stephanie Bast | ... | Vanessa | |
| Eleanor Hutchins | ... | Simone | |
| Sebastian Sozzi | ... | Javier | |
| Tina Holmes | ... | Rachel | |
| Karen Chilton | ... | Karen | |
| Kitty | ... | Dave | |
| Starla Benford | ... | Principal Henderson | |
| Anthony Mackie | ... | Frank | |
| Denis O'Hare | ... | Jimbo | |
| Monique Curnen | ... | Isabel (as Monique Gabriela Curnen) | |
| Deidre Goodwin | ... | Tina | |
| Collins Pennie | ... | Mike | |
| Thaddeus Daniels | ... | Referee | |
| Susan Kerner | ... | Motel Slow Dancer | |
| Raymond Anthony Thomas | ... | Earle (as Ray Anthony Thomas) | |
| Stanton Davis | ... | Trumpet Player (as Stanton Davis Jr.) | |
| Ron C. Jones | ... | Mr. Dickson (as Ron Cephas Jones) | |
| Christopher Williamson | ... | Charles | |
| Leslie Eva Glaser | ... | Rose | |
| Sharon Washington | ... | Suzanne | |
| Deborah Rush | ... | Jo Dunne | |
| Jay O. Sanders | ... | Russ Dunne (as Jay Sanders) | |
| Nicole Vicius | ... | Cindy | |
| David Easton | ... | Jeff Dunne | |
| Adepero Oduye | ... | Crack Smoker | |
| Katie Nehra | ... | Woman with Camera | |
| Steve Kursh | ... | Man on Bed | |
| Matt Kerr | ... | Mr. Light |
Directed by | |||
| Ryan Fleck | |||
Writing credits(WGA) | ||
| Ryan Fleck | (written by) & | |
| Anna Boden | (written by) | |
Produced by | |||
| Anna Boden | .... | producer | |
| Charlie Corwin | .... | executive producer | |
| Doug Dey | .... | executive producer | |
| Hunter Gray | .... | associate producer | |
| Lynette Howell | .... | producer | |
| Rosanne Korenberg | .... | producer | |
| Scott London | .... | executive producer | |
| Clara Markowicz | .... | executive producer | |
| Paul S. Mezey | .... | executive producer (as Paul Mezey) | |
| Alex Orlovsky | .... | producer | |
| Jamie Patricof | .... | producer | |
| Jeremy Kipp Walker | .... | co-producer | |
Original Music by | |||
| Broken-Social-Scene | |||
Cinematography by | |||
| Andrij Parekh | |||
Film Editing by | |||
| Anna Boden | |||
Casting by | |||
| Eyde Belasco | |||
Production Design by | |||
| Beth Mickle | (as Elizabeth Mickle) | ||
Art Direction by | |||
| Inbal Weinberg | |||
Costume Design by | |||
| Erin Benach | |||
Makeup Department | |||
| Loretta Alston | .... | key hair stylist | |
| Sabrina Alston | .... | additional hair stylist | |
| Marilyn Cush | .... | additional hair stylist | |
| David Kalahiki | .... | additional makeup artist | |
| Xandra Mercedez | .... | additional makeup artist | |
| Leo Won | .... | key makeup artist | |
Production Management | |||
| Ronny Merdinger | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Nicholas R. Bell | .... | second assistant director | |
| Amyjoy Clark | .... | second second assistant director | |
| Mariela Comitini | .... | first assistant director | |
Art Department | |||
| Jeremy L. Balon | .... | property master | |
| Heidi Barack | .... | artwork | |
| Justin Bischoff | .... | art department intern | |
| Jared Bumgarner | .... | art department intern | |
| Tze Chun | .... | artwork | |
| Dan Delorenzo | .... | art department intern | |
| Joey DePaolo | .... | art intern | |
| Nicholas Fabiano | .... | art department intern (as Nick Fabiano) | |
| Corey Gegner | .... | art department intern | |
| Julie Gollins | .... | propmaker | |
| Alonso Homs | .... | art department intern | |
| Dan-ah Kim | .... | on-set dresser | |
| Ryan Minelli | .... | art department intern | |
| Mark Pelter-Robson | .... | artwork | |
| Luke Pendley | .... | art department intern | |
| Mike Romano | .... | leadman | |
| Jürgen Schadeberg | .... | artwork (as Jurgen Schadeberg) | |
| Herb Snitzer | .... | artwork | |
| Bernard Stollman | .... | artwork | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| David Crabb | .... | foley editor | |
| Tom Efinger | .... | post-production supervising sound editor | |
| Tom Efinger | .... | sound re-recording mixer | |
| Judy Karp | .... | sound mixer | |
| John Moros | .... | dialogue editor | |
| Jaime Reyes | .... | boom operator | |
| Paul Sacco | .... | stereo sound consultant: Dolby Stereo | |
| Abigail Savage | .... | foley recordist | |
| Nicholas Schenck | .... | assistant sound editor (as Nicholas J. Schenck) | |
| Craig Spencer | .... | sound effects editor | |
Visual Effects by | |||
| Ricardo Guzman | .... | scanning and film recording | |
| Bert Hilaire | .... | digital intermediate engineer | |
| Jeff Huston | .... | scanning and film recording | |
| Scot Olive | .... | digital intermediate colorist | |
| Corey Stewart | .... | digital intermediate engineer | |
Camera and Electrical Department | |||
| Adam B. Bell | .... | still photographer (as Adam Bell) | |
| Carter Bissell | .... | additional grip | |
| Carter Bissell | .... | electrician | |
| Molly Condit | .... | videographer | |
| Katie Dainson | .... | camera loader | |
| DeWitt Davis | .... | additional grip (as Dewitt Davis) | |
| DeWitt Davis | .... | electrician (as Dewitt Davis) | |
| Daniel Feighery | .... | assistant camera | |
| John Frisbie | .... | best boy electric | |
| Jared Graf | .... | additional assistant camera | |
| Wesley Hodges | .... | second assistant camera | |
| Chris Knable | .... | grip/electric intern | |
| Mike 'Electric' Mervilde Jr. | .... | electrician (as Mike Mervilde Jr.) | |
| Smokey Nelson | .... | gaffer | |
| Michael Nostrand | .... | videographer | |
| Aaron Randall | .... | best boy grip | |
| Gabrielle Russomagno | .... | still photographer | |
| Matthew Walker | .... | key grip (as Matt Walker) | |
| Toshiro Yamaguchi | .... | first assistant camera | |
Casting Department | |||
| Tiffany Nottage | .... | casting assistant | |
| Rita Powers | .... | extras casting | |
| Sean Powers | .... | extras casting | |
Costume and Wardrobe Department | |||
| Molly Bauml | .... | wardrobe intern | |
| Jennifer LeRoux | .... | wardrobe intern | |
| Natalia Parsons | .... | costume design assistant | |
| Andrea Roa | .... | wardrobe supervisor | |
Editorial Department | |||
| Chad Beck | .... | associate editor | |
| George Bunce | .... | editor: IQ | |
| Cindy Lee | .... | assistant editor | |
| Matthew Reedy | .... | digital intermediate producer | |
| Mike Trinker | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Doug Bernheim | .... | music supervisor | |
| Rich Kleiman | .... | music consultant (as Richard Kleiman) | |
Other crew | |||
| Ronald Arceneaux | .... | additional set production assistant | |
| E.J. Bradley III | .... | set production assistant (as E.J. Bradley) | |
| Leonard Bullock | .... | parking production assistant | |
| George Bunce | .... | 2K conform | |
| Nissa Ren Cannon | .... | assistant: Silverwood Films (as Nissa Canon) | |
| Victoria Carter | .... | office intern | |
| Riddick Claudia | .... | parking production assistant | |
| Mark O. De Pace | .... | assistant location manager (as Mark Depace) | |
| Craig DiFolco | .... | assistant: Hunting Lane Films | |
| Leo Driver | .... | parking coordinator | |
| Joe Facey | .... | caterer | |
| Darin Frank | .... | legal counsel | |
| Stacy Frankel | .... | assistant: Original Media | |
| Amparo Garcia | .... | set intern | |
| Gina Gordon | .... | clearance supervisor (as Gina P. Gordon) | |
| Steven Gorel | .... | office intern | |
| Scott Greene | .... | parking production assistant | |
| Shawn Hamilton | .... | production accountant | |
| John Henry | .... | assistant production coordinator | |
| James Hundley | .... | parking production assistant | |
| Ilana Lifshitz | .... | payroll accountant | |
| Melissa Lucier | .... | office intern | |
| Anthony Martinez | .... | parking production assistant | |
| Marcy McKenzie | .... | location manager | |
| Tony Osso | .... | script supervisor | |
| Jillian Paul | .... | office intern | |
| Alyson Perlongo | .... | assistant: Original Media | |
| Justin Rigby | .... | key set production assistant | |
| Morgan Roberts | .... | set intern | |
| Adam Salky | .... | assistant: Hunting Lane Films | |
| Sofie Sandberg | .... | set intern | |
| Michael Sapia | .... | parking production assistant | |
| Ashley Sawyer | .... | set intern | |
| Lara Sfire | .... | office production assistant | |
| David Sheffield | .... | set intern | |
| Howard Shipman | .... | parking production assistant | |
| Kareem Taylor | .... | set intern | |
| Joe Wehmeyer | .... | key set production assistant | |
| Rachel Williams | .... | office intern | |
| Sam Yoo | .... | location intern | |
Thanks | |||
| Jay Duplass | .... | thanks | |
| Scott Macaulay | .... | thanks | |
| Rachel McAdams | .... | thanks | |
| Michelle Satter | .... | special thanks | |
| Gary Winick | .... | thanks | |
| Boaz Yakin | .... | thanks | |
| Howard Zinn | .... | thanks | |
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Set in Brooklyn, New York where he currently lives, Ryan Fleck's first full-length feature, Half Nelson, is a gritty, sensitive, and emotionally harrowing film that meticulously avoids the inspirational clichés of many teacher-student films and the obligatory violence of films set in the ghetto. The title is derived from a wrestling move in which you turn an attacker's strength back on him. In the case of Dan Dunne (Ryan Gosling), an idealistic eight-grade history teacher in an inner city school, he turns the attack on himself, inspiring his students by day and drugging himself at night with crack cocaine.
Dan is a well-liked teacher and basketball coach whose parents (Deborah Rush and Jay O. Sanders) were liberal activists during the 60s and 70s, participating in protests against the Vietnam War but have now substituted alcoholism for political passion. Like his parents, he wants to make an impact on the world but is disillusioned with the current political climate and, out of frustration and fatigue, (like many on the Left today) has drifted into a self-induced stupor. Believing in social justice and that society can be changed through education, he teaches history, to the chagrin of the school's administrator, in the form of Hegelian dialectic, showing that change results from a clash of opposites.
Dan shows his students videos of seminal events from the last fifty years such as the 1954 Brown vs. Board of Education ruling that paved the way for desegregation of the schools, clips from the civil rights movement, and Mario Savio speaking on the Berkeley campus during the Free Speech Movement. To its credit, the events in the film do not occur in a political vacuum but attempts to tie in the failed protests of the Left to Dan's drug habit are not entirely persuasive. Dunne's life begins to spiral out of control when one of his students, thirteen-year old Drey (Shareeka Epps), discovers him in the girl's bathroom passed out from ingesting cocaine. Instead of becoming frightened or angry, Drey brings him water and helps him to gradually come down from his high.
Drey comes from a family in which her mother works a double shift and is rarely at home, her father is out of town, and her older brother is in prison for selling drugs, but she is mature and street-wise beyond her age. She promises to keep his secret and both find that their unlikely friendship satisfies an emotional need that Drey cannot find with her classmates and Dan cannot find with other adults. He is dating a fellow teacher (Monique Curnen) but his behavior with her is erratic and his political speeches and drug habits soon turn her off. A former girl friend from his period of rehabilitation (which he said didn't work for him) tells him that she is now getting married which pushes him further into a downward trajectory.
The emotional highlight of the film is a confrontation between Dunne and Frank (Anthony Mackie), a suave drug dealer and associate of Drey's older brother who recruits Drey to be his collector. While Dan wants to steer Drey in the right direction, he is hardly a role model and the results, while promising, are inconclusive. Although its premise of the film is somewhat implausible, Gosling's performance of the charming but flawed teacher is completely credible, so nuanced and touching that we root for him in spite of his capacity for self-destruction. Shareeka Epps is equally convincing in her powerfully understated performance as his tough but sensitive young friend. Co-written by Anna Boden and supported by an outstanding original score by Broken Social Scene, Half Nelson "stands and delivers" one of the finest films of the year.