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Michael LeSieur (written by)
14 July 2006 (USA) more
Two's company. Dupree's a crowd.
A best man (Wilson) stays on as a houseguest with the newlyweds, much to the couple's annoyance. full summary | add synopsis
1 win & 2 nominations more
Hudson And Wilson Enjoy Romantic French Break
(From WENN. 26 February 2009, 2:20 PM, PST)
Wilson's Ex Stunned by Suicide Bid
(From WENN. 31 August 2007)
Not great, but it's good for a few chuckles and a two-hour break from reality more (182 total)
| Owen Wilson | ... | Dupree | |
| Kate Hudson | ... | Molly | |
| Matt Dillon | ... | Carl | |
| Michael Douglas | ... | Mr. Thompson | |
| Seth Rogen | ... | Neil | |
| Amanda Detmer | ... | Annie | |
| Ralph Ting | ... | Toshi | |
| Todd Stashwick | ... | Tony | |
| Bill Hader | ... | Mark | |
| Lance Armstrong | ... | Himself | |
| Jason Winer | ... | Eddie | |
| Sidney S. Liufau | ... | Paco (as Sidney Liufau) | |
| Billy Gardell | ... | Bartender Dave | |
| Eli Vargas | ... | Aaron | |
| Houston Mack | ... | Dougie (as Houston McCrillis) | |
| Bob Larkin | ... | Army Veteran | |
| Suzanne Ford | ... | Thompson's Secretary | |
| Claudia Choi | ... | Carl's Secretary | |
| Summer Altice | ... | Stripper | |
| Jeanine Hass | ... | Stripper | |
| Peter Ruocco | ... | Wedding Planner | |
| Gozie Agbo | ... | Personnel Manager | |
| Lance Irwin | ... | Neighborhood Father | |
| Finessa Pineda | ... | 2nd Grade Girl | |
| Mario Quinonez Jr. | ... | 2nd Grade Boy | |
| Jay Lembeck | ... | Minister | |
| Gil Harris | ... | Reese | |
| Pat Crawford Brown | ... | Aunt Kathy | |
| Bayani Ison | ... | Hawaiian Bartender | |
| Joe Wilson | ... | Joe (as Uncle Joe Wilson) | |
| Howard S. Lefstein | ... | Dupree Body Double (as Howard Lefstein) | |
| Blaine Pate | ... | Larry | |
| Kevin Breznahan | ... | Charlie | |
| Trevor Stock | ... | Herb | |
| Sean Perrone | ... | Ned | |
| Craig Hosking | ... | Pilot | |
| rest of cast listed alphabetically: | |||
| Rio Ahn | ... | Asian Business Man (uncredited) | |
| Paul Edney | ... | Airline Passenger (uncredited) | |
| Michelle Lee | ... | Hawaiian Air Ticketing Agent (uncredited) | |
| Taylor Masamitsu | ... | Additional Voices (uncredited) | |
| Johanna Olson | ... | Video Model (uncredited) | |
| Damani Roberts | ... | Boy (uncredited) | |
| Bryan Sato | ... | Valet (uncredited) | |
| Tasha Smith | ... | Co-Worker (uncredited) | |
| Harry Dean Stanton | ... | Curly (uncredited) | |
| Summer Stephana | ... | Classroom Student (uncredited) | |
Directed by | |||
| Anthony Russo | |||
| Joe Russo | |||
Writing credits(WGA) | ||
| Michael LeSieur | (written by) | |
Produced by | |||
| Michael Fottrell | .... | executive producer | |
| Aaron Kaplan | .... | executive producer | |
| Mary Parent | .... | producer | |
| Sean Perrone | .... | executive producer | |
| Scott Stuber | .... | producer | |
| Owen Wilson | .... | producer | |
Original Music by | |||
| Theodore Shapiro | |||
Cinematography by | |||
| Charles Minsky | (director of photography) | ||
Film Editing by | |||
| Peter B. Ellis | |||
| Debra Neil-Fisher | |||
Casting by | |||
| Deborah Aquila | |||
| Mary Tricia Wood | (as Tricia Woods) | ||
Production Design by | |||
| Barry Robison | |||
Art Direction by | |||
| Kevin Constant | (supervising art director) | ||
| Paul Sonski | |||
Set Decoration by | |||
| Barbara Munch | |||
Costume Design by | |||
| Karen Patch | |||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist: Ms. Hudson (as Kathryn L. Blondell) | |
| Denise Dellavalle | .... | key makeup artist (as Denise Della Valle) | |
| Leslie Fuller | .... | makeup artist: Mr. Douglas | |
| Kimberly Greene | .... | makeup department head | |
| Geraldine Jones | .... | hair stylist: Mr. Wilson | |
| Medusah | .... | hair department head | |
| Vickie Mynes | .... | key hair stylist | |
| Elaine L. Offers | .... | makeup artist: Mr. Wilson (as Elaine Offers) | |
| Valli O'Reilly | .... | makeup artist: Ms. Hudson | |
| Ann Pala | .... | makeup artist: Mr. Wilson | |
| Laine Rykes | .... | key makeup artist: Hawaii (as Laine Kealoha-Rykes) | |
| Kerrie Smith | .... | hair stylist: Mr. Douglas | |
| Wendy Robin | .... | assistant makeup artist: Hawaii (uncredited) | |
Art Department | |||
| John Baldwin | .... | propmaker gangboss | |
| Ronald S. Baratie | .... | greens foreman (as Ron Baratie) | |
| Palma Bellardoni | .... | art department coordinator | |
| Michael J. Bertolina | .... | assistant property master (as Michael Bertolina) | |
| Mark Bialuski | .... | propmaker gangboss | |
| David Christopher Campbell | .... | construction foreman | |
| Ron Churchman | .... | construction foreman | |
| Leslie Craig | .... | art department buyer: Hawaii | |
| Rodolfo Damaggio | .... | illustrator | |
| Paul Detlefson | .... | set dresser | |
| Bruce Di Valerio | .... | construction coordinator: Los Angeles (as Thomas B. DiValerio) | |
| Josh Ian Elliott | .... | on-set dresser (as Josh Elliott) | |
| Patricio M. Farrell | .... | assistant art director: Hawaii | |
| Scott C. Garrett | .... | drapery foreman | |
| Joey Genitempo | .... | set painter | |
| Philip Ginolfi | .... | labor foreman | |
| Damon Green | .... | propmaker | |
| Eddie Grisco | .... | set dresser | |
| Steve Hansen | .... | propmaker | |
| Rafael Hernandez | .... | labor gang boss | |
| Jon Kazunaga | .... | construction foreman | |
| Andy Knight | .... | mill foreman | |
| Carolyn Lassek | .... | assistant property master | |
| Craig K. Lewis | .... | lead man: Hawaii (as Craig Lewis) | |
| Catherine Leyba | .... | set decorating coordinator | |
| Linda Luizzi | .... | set dresser | |
| Josh Lusby | .... | set designer | |
| Frank McEldowney | .... | greens coordinator | |
| George Meldrum | .... | construction foreman | |
| Ron Mendell | .... | set designer | |
| 'Butch' Montgomery | .... | general foreman (as Butch Montgomery) | |
| Elizabeth Morris | .... | buyer | |
| John S. Ogden | .... | propmaker | |
| Mark Palmer | .... | set dresser | |
| Robert Papegaay | .... | paint supervisor | |
| Dan Pemberton | .... | construction coordinator: additional photography | |
| Steve Rice | .... | greens foreman | |
| Nicholas Rymond | .... | gangboss (as Nick Rymond) | |
| Chris Samp | .... | stand-by painter | |
| Greg Sanger | .... | leadman | |
| Hugo Santiago | .... | set designer | |
| Lance Slaton | .... | storyboard artist | |
| Sean Sult | .... | paint foreman | |
| Jason Sweers | .... | graphic designer | |
| Jason Sweers | .... | set designer | |
| Anthony Syracuse | .... | general foreman: additional photography | |
| Benton E. Tedlie | .... | set dresser (as Benton Tedlie) | |
| Tommy 'Tom' Tomlinson | .... | property master (as Tommy Tomlinson) | |
| Alexandra Ward | .... | art department production assistant | |
| John C. Wika | .... | plaster gangboss | |
| Dean Wolcott | .... | set designer | |
| Rainer Wolf | .... | labor leadman | |
| Liloa Wong | .... | lead greensman: Hawaii | |
| Samuel Pactol | .... | greensman (uncredited) | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| Darrell Burgess | .... | special effects technician | |
Visual Effects by | |||
| Thad Beier | .... | plate photography supervisor | |
| Thad Beier | .... | visual effects supervisor | |
| Melissa Brockman | .... | visual effects producer: CIS Hollywood | |
| Patrick Clancey | .... | digital opticals | |
| Syd Dutton | .... | special visual effects: Illusion Arts Inc. | |
| Michael Eaves | .... | digital color timer (as Mike Eaves) | |
| Collin Fowler | .... | visual effects coordinator: Illusion Arts Inc. | |
| Carl Frytz | .... | digital effects artist | |
| Larry Gaynor | .... | rotoscope and paint artist: CIS Hollywood | |
| Ryan Helsley | .... | digital intermediate assistant producer | |
| Heather Elisa Hill | .... | visual effects coordinator: CIS Hollywood | |
| Meredith Hook | .... | rotoscope and paint artist: CIS Hollywood | |
| Jeffrey Kalmus | .... | compositing supervisor: CIS Hollywood | |
| Mark Kenaston | .... | rotoscope artist: Illusion Arts Inc. | |
| Adam Kowalski | .... | compositor: Illusion Arts Inc. | |
| Krystine Lankenau | .... | rotoscope and paint artist: CIS Hollywood (as Kristine Lankenau) | |
| Fumi Mashimo | .... | animation supervisor: Illusion Arts Inc. | |
| James P. Noon | .... | tracking | |
| January Nordman | .... | compositor: CIS Hollywood | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Richard Patterson | .... | digital supervisor: Illusion Arts Inc. | |
| Michelle Rothburgh | .... | film librarian: Illusion Arts Inc. | |
| Chris Ryan | .... | CG artist: CIS Hollywood (as Christopher Ryan) | |
| Frederique Schafer | .... | cg artist: CIS Hollywood | |
| Robert Scifo | .... | matte artist: Illusion Arts Inc. (as Bob Scifo) | |
| Greg Shimp | .... | rotoscope and paint artist: CIS Hollywood | |
| Danita Slaughter | .... | digital opticals editor | |
| Thomas J. Smith | .... | visual effects supervisor: CIS Hollywood | |
| Catherine Sudolcan | .... | producer: Illusion Arts Inc. | |
| Bill Taylor | .... | special visual effects: Illusion Arts Inc. | |
| Andrew Tucker | .... | 3D artist: Illusion Arts Inc. | |
| David S. Williams Jr. | .... | compositing supervisor: Illusion Arts Inc. | |
| Xye | .... | tracking | |
| Scott Rushforth | .... | junior systems: CIS Hollywood (uncredited) | |
Stunts | |||
| Lesley Aletter | .... | utility stunts | |
| Helena Barrett | .... | stunts | |
| Steve Boyum | .... | stunts | |
| Doc D. Charbonneau | .... | stunts (as Doc Charbonneau) | |
| Shawn Crowder | .... | stunts | |
| Gary Guercio | .... | stunts | |
| Tanoai Reed | .... | stunts | |
| Jimmy N. Roberts | .... | stunt coordinator (as Jimmy Roberts) | |
| Jimmy N. Roberts | .... | stunt double: Owen Wilson | |
| Erik Rondell | .... | stunts | |
| Christopher J. Tuck | .... | stunts | |
| Dick Ziker | .... | stunts | |
Casting Department | |||
| Elizabeth Dionne | .... | casting manager | |
| Anna Fishburn | .... | extras casting: Hawaii | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Jennifer L. Smith | .... | casting associate (as Jennifer Smith) | |
| Tammy L. Smith | .... | extras casting | |
| Erin Toner | .... | casting assistant | |
| Dixie Webster | .... | extras casting (as Dixie Webster-Davis) | |
| Cathy Weiner | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Charlene Amateau | .... | costume supervisor | |
| Elaine Davis | .... | assistant costume designer | |
| Lisa A. Doyle | .... | costumer: Owen Wilson | |
| Dominic Gherardi | .... | tailor | |
| Amy Jo Hoppenfeld | .... | key costumer (as Amy Hoppenfeld-Kay) | |
| Hasmig Karaciosian | .... | seamstress | |
| Christian Laffey | .... | costume production assistant | |
| Cookie Lopez | .... | costumer: Kate Hudson | |
| Hilary Niederer | .... | costumer | |
| Grace Pyke | .... | set costumer (as Grace Kelly Pyke) | |
| Lisa D. Quercioli | .... | set costumer | |
| Danny Vick | .... | costume production assistant | |
Editorial Department | |||
| Michael Eaves | .... | supervising digital colorist (as Mike Eaves) | |
| Banner Gwin | .... | post-production production assistant | |
| Ryan Helsley | .... | assistant digital intermediate producer | |
| Zack Howard | .... | post-production intern | |
| Gigi Rivkin | .... | second assistant editor | |
| Sam Seig | .... | first assistant editor | |
| Mary Beth Smith | .... | negative cutter | |
| Sean Thompson | .... | additional editor | |
Music Department | |||
| Bruce Babcock | .... | conductor | |
| Tony Blondal | .... | orchestrator | |
| Bryan Clements | .... | scoring crew | |
| Stephen Coleman | .... | music programmer | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Mark Eshelman | .... | scoring crew | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | orchestrator | |
| Trevor Gilchrist | .... | music programmer: score | |
| Rick Giovinazzo | .... | orchestrator | |
| Mark Graham | .... | music preparation | |
| Richard Grant | .... | music: digital orchestral timings | |
| Benoit Grey | .... | score proofreader | |
| Greg Hayes | .... | score recordist | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Shawn Murphy | .... | scoring mixer | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Randall Poster | .... | music supervisor | |
| Ryan Rubin | .... | assistant music editor | |
| Daniel Schweiger | .... | assistant music editor | |
| Lee Scott | .... | music editor: temp | |
| Andrew Silver | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
| Nick South | .... | music editor | |
| Frank Wolf | .... | score mixer | |
| Frank Wolf | .... | score recordist | |
| Jim Dunbar | .... | music coordinator (uncredited) | |
Transportation Department | |||
| Marco Baccicalupi | .... | driver | |
| John A. Brubaker | .... | transportation coordinator | |
| Richard Denson | .... | driver | |
| Jim DePue | .... | driver | |
| Robert E. Dingle | .... | picture car captain (as Robert Dingle) | |
| TyRee Dingle | .... | driver | |
| Tina L. Fortenberry | .... | transportation dispatcher | |
| J. Armin Garza II | .... | driver: camera car | |
| Marco Lupi | .... | driver | |
| John McKissick | .... | driver | |
| A.J. Mink Jr. | .... | driver | |
| Brian Joseph Moore | .... | additional driver | |
| John Reed | .... | transportation captain: Hawaii | |
| Ken Sale | .... | transportation co-captain (as Ken M. Sale) | |
| Fred Teague | .... | transportation captain | |
Other crew | |||
| Kirby Adams | .... | first assistant accountant | |
| Steve Alterman | .... | adr loop group | |
| H. Leah Amir | .... | key craft service | |
| Stephen Apostolina | .... | adr loop group (as Stephen F. Apostolina) | |
| John Arbuckle | .... | marine vessel supervisor | |
| Maxine Brooks | .... | studio teacher | |
| Nicholas Brown | .... | accounting clerk: construction | |
| Alan Burry | .... | assistant: Mr. Douglas | |
| Christopher Campbell | .... | key assistant location manager (as Chris Campbell) | |
| Jennifer Carno | .... | script coordinator | |
| Robert Castro | .... | stand-in | |
| Jim Chizmar | .... | water safety: marine unit | |
| Curtis Collins | .... | location manager | |
| Adam Courier | .... | production assistant | |
| David Cowgill | .... | adr loop group | |
| Wendy Cutler | .... | adr loop group (as Wendy E. Cutler) | |
| Fermin Davalos | .... | location scout | |
| Sonya Didenko | .... | stand-in | |
| Brian Dzyak | .... | electronic press kit | |
| Steve Eckelman | .... | assistant: Mr. Wilson | |
| Scott Ejercito | .... | unit projectionist | |
| Amy Finkle | .... | assistant: Ms. Hudson | |
| Cliff Fleming | .... | aerial coordinator | |
| Adam Fox | .... | DOT assistant | |
| Eddie Frierson | .... | adr loop group | |
| Pat Gilbert | .... | set production assistant | |
| Donna Glasser-Hancock | .... | production accountant (as Donna Glasser Hancock) | |
| Jackie Gonneau | .... | adr loop group | |
| Nicholas A. Hall | .... | office production assistant (as Nicholas Hall) | |
| Adrienne Hamalian-Mangine | .... | script supervisor (as Adrienne Hamalian) | |
| Tom Hanada | .... | production assistant | |
| Patti Hawn | .... | publicist | |
| Maggie Haynes | .... | assistant: Ms. Parent | |
| Wendy Herron | .... | studio teacher | |
| Roseanne Holman | .... | assets production assistant | |
| Craig Hosking | .... | helicopter pilot | |
| Karen Johnson | .... | assistant: Mr. Stuber | |
| Valerie Johnson | .... | set production assistant | |
| Jennifer Kennedy | .... | production assistant | |
| Jess King | .... | production assistant | |
| Adam Kleiman | .... | assistant: the Russos | |
| Cody Klop | .... | adr voice | |
| Cohl Klop | .... | adr voice | |
| Camille Komine | .... | food stylist (as Camille Hendrickson) | |
| Christian Krieger | .... | key assistant location manager | |
| Paul G. Kubiak | .... | stand-in: Michael Douglas (as Paul Kubiak) | |
| Mark Kurzweil | .... | second assistant accountant | |
| Christian Labarta | .... | additional set production assistant | |
| Michele LaBrucherie | .... | key set production assistant (as Michelle La Brucherie) | |
| Angela Laprete | .... | production coordinator: Hawaii (as Angie LaPrete) | |
| Howard S. Lefstein | .... | stand-in: Owen Wilson (as Howard Lefstein) | |
| Victor Lozano | .... | marine coordinator | |
| Myke Mansberger | .... | studio services manager | |
| Marlene Marks | .... | assistant to cast | |
| Caitlin McKenna-Wilkinson | .... | adr loop group (as Caitlin McKenna) | |
| Robert Mitas | .... | assistant: Mr. Douglas (as Bobby Mitas) | |
| Liliana M. Molina | .... | script supervisor | |
| Shauna Moss | .... | assistant production coordinator | |
| Tony Mouleart | .... | hand double: Owen Wilson | |
| Carrie A. Oyer | .... | assistant production coordinator | |
| Daniel A. Parker | .... | office production assistant | |
| Jared Pfeifer | .... | assistant: Mr. Stuber | |
| Carlo Pratto | .... | post-production accountant | |
| Anthony Tyler Quinn | .... | adr loop group | |
| Joanna Ray | .... | office production assistant | |
| Nancy S. Reed | .... | second assistant accountant | |
| Page Rosenberg-Marvin | .... | production coordinator | |
| Erin Sahlstrom | .... | assistant production coordinator (as Erin Lee Sahlstrom) | |
| Lisa Serra | .... | assistant: Mr. Dillon | |
| Dennis Singletary | .... | adr loop group | |
| Maxine Abarbara Skwat | .... | studio teacher (as Maxine Abarbara) | |
| Jason Skweres | .... | production assistant | |
| Rebecca Sloviter | .... | assistant: Ms. Parent | |
| Ashley C. Smith | .... | assistant production coordinator: Hawaii (as Ashley Smith) | |
| Stephanie Spangler | .... | location manager: Hawaii | |
| Douglas J. Stewart | .... | textile artist | |
| Joshua Stickler | .... | set production assistant | |
| Mark Stump | .... | assistant: the Russos | |
| Steve Suh | .... | accounting clerk | |
| Pepper Sweeney | .... | adr loop group | |
| Nancy Sykes | .... | craft service assistant | |
| Michael Testa | .... | projectionist | |
| Tara Tovarek | .... | assistant: Mr. Fottrell (as Tara H.A. Tovarek) | |
| Troy Waters | .... | marine coordinator (as Captain Troy Waters) | |
| Aaron Webb | .... | skateboard technical advisor | |
| Mari Wilson | .... | script supervisor: second unit | |
| Amy Denning Winfrey | .... | payroll accountant | |
| Anthony Woods | .... | medic | |
| Marc C. Geschwind | .... | extras coordinator (uncredited) | |
Thanks | |||
| Jim Dunbar | .... | thanks: end titles | |
Rated PG-13 for sexual content, brief nudity, crude humor, language and a drug reference.
USA:108 min
1.85 : 1 more
Dolby Digital | SDDS | DTS
France:U | Australia:M | Ireland:12A | UK:12A | Singapore:NC-16 | USA:PG-13 (certificate #42842) | Netherlands:12 | Finland:K-11 | Germany:o.Al. | Philippines:PG-13 (MTRCB) | Brazil:12 | Malaysia:U | Argentina:13 | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Romania:A.G. | Sweden:7 | Norway:11 | South Korea:15 | Denmark:A | Canada:G (Quebec) | Canada:PG (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Malta:16 | Portugal:M/12 | New Zealand:M | Iceland:L
Champs Sports Pub & Grill - 4103 W. Burbank Blvd., Burbank, California, USA more
In one of Matt Dillon's first major roles, he plays the bully Mooney in My Bodyguard (1980). When he tells his teacher that he would like to be called "Big M", the lead character, played by Chris Makepeace, incurs his enmity by asking aloud, "Is that B.M. for short?" And then Owen Wilson's favorite gift for having been Matt Dillon's Best Man is the "BM" medallion. more
Continuity: Near the end when Dupree jumps off the curb and hurts his leg or ankle, the closeup shot includes a large pole of some sort coming out of the lawn above the curb, whereas nothing was there in the wider shot. more
References Roman Holiday (1953) more
Roman Holiday Cues more
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Whenever a movie mistakenly thinks a bad pun of a tagline ("Dupree's a crowd" anyone?) is gonna rope in ye olde movie-going audience, there is officially room to be concerned with what you're about to watch. OK, so the tagline isn't as bad as some, but it is enough to raise a red flag. However, is it enough to indicate what's to come?
Welp, I'm happy to say that once again I'm gonna keep my distance from all your unfavorite (I'm makin' up words, baby!) stuffed-shirt critics out there who are giving You, Me and Dupree a merciless shredding because it doesn't meet the inherent level of pretension they so girlfriendlessly demand. That's right, folks. I, Johnny Betts, enjoyed You, Me and Dupree. I'm one of about three movie reviewers to boldly make that claim, but doggone on it, I'm sticking by it.
Granted, my enjoyment was heightened due to the fact that I kept my expectations low and didn't have to pay to see the movie, but I was entertained all the same.
It's only fair that I be perfectly honest and admit I'm somewhat easily amused when it comes to watching actors and actresses that I really like, and Dupree sports a great cast. Mileages will vary depending on your tolerance level of the actors involved.
Owen Wilson is one of my constant comedic favorites, once again displaying that crooked nose we all love and projecting child-like innocence with his signature charm. I also love his ability to sincerely deliver outrageous and cheesy lines in ways that make them seem not quite so outrageous or silly.
Then there's Kate Hudson, only the absolute cutest thing that Hollywood has going for it. She plays this role a little more low key than usual, but she's still irresistible, evidenced by her black bikini scene where she proves that she inherited what was always her mom's best *ahem* asset.
Rounding out the cast, straight-man Matt Dillon's cool as always, and Seth Rogen, though woefully underused, brings an impressive laughs-to-screen time ratio. Most of you will remember him from The 40 Year-Old Virgin, but he'll always be Ken Miller and Ron Garner to me. If neither of those names means anything to you then we need to have a serious talk about a couple of DVD sets you might want to consider acquiring.
Is this a film that'll find its way to the top of any of these actors' resumes? No. Is it a non-stop laugh-fest? No. Is it a film I can watch over and over and cry with laughter every time? Nah. Will you be disappointed if you're expecting something along the lines of The Wedding Crashers? Most likely.
After all, I never said the movie doesn't have its flaws. Some of the humor is a little too conventional and predictable, and the dramatic dialogue isn't exactly the most compelling to grace the screen, so no, this isn't gonna go down in the Book of Comedy Classics, nor do I feel a necessity to pencil it in as a future addition to my DVD collection (unless the special features are loaded with Kateness). But I found it to be a fun, light-hearted, silly way to take a 2-hour break from the real world. As I mentioned in the paragraphs above, its greatest strength is in its likable cast and their chemistry, and I appreciate the charm it displayed in never taking itself too seriously.
Plus, the majority of the screening crowd seemed to enjoy it. I've personally never had nor been a third wheel like Dupree, but those of you who can relate to such an experience might appreciate it on a different level.
I can't say that You, Me and Dupree is a film that just absolutely demands to be seen on the big screen, but it's certainly the kind of movie that you usually watch with friends and family where most everyone will walk away with a good chuckle, no one will be overly offended, Aunt Ella will comment on how "it was cute," no one's life will be dramatically altered, and Uncle Larry's uninvited segue into some boring recollections about his own "Dupree" experiences will wake everybody back up to their nightmare reality.
All in all, if you think no one can bring seven different kinds of smoke like Owen Wilson, and you find Kate Hudson to be seven different kinds of smokin' then there's something here for you to enjoy. Be it at a matinée or as a future rental. It might just help you discover your "ness."
THE GIST
You, Me and Dupree might not deliver two solid hours of nothing but out-loud laughter and the dramatic elements might falter at times, but there's no denying that the cast is great, and if you love those involved then you'll find some enjoyment here. I wouldn't pay more than matinée prices, and if you don't have a lot of spending money to throw around then just save it for a rental.